Saweetie has been buzzing since her first single, "Icy Grl," went viral in 2018. But in the years since, the SoCal rapper has proven to be much more than a fleeting viral star.

Born Diamonté Harper, Saweetie has been grinding nonstop — and it has paid off. Along with releasing multiple EPs, she's landed several Billboard Hot 100 hits (and three No. 1s on its Rhythmic Airplay chart), and teamed up with the likes of Dua Lipa, Jhené Aiko, and Tyga and YG.

She's making sure she builds an empire beyond her music, too. In 2021 alone, Saweetie made her TV debut on the Freeform sitcom grown-ish, hosted a Netflix comedy special called Sex: Unzipped, and secured brand partnerships with McDonalds, Sinful Colors and Prettylittlething, to name a few.

Her efforts certainly aren't going unnoticed: Saweetie is the only female rapper nominated for Best New Artist at the 2022 GRAMMY Awards. What's more, her collaboration with Doja Cat, "Best Friend," is also nominated for Best Rap Song. And to think she doesn't even have a full-length album to her name.

Saweetie's highly anticipated debut LP, Pretty B**** Music, is reportedly being released this year. No matter when the album arrives, though, the rap star is already making 2022 another busy year: She released a MAC Cosmetics campaign with Cher in January, dropped a collab with H.E.R. in February, and was recently announced as Champion's Global Cultural Consultant.

From celebrating her heritage as a Blasian entertainer, to empowering women and people of color to be their best and most confident selves, Saweetie has created a lane all her own. For Saweetie, her authenticity is inspired by her family, strong women, and the icons that have come before her. With a newfound focus on, as she puts it, "health is wealth," Saweetie wants to better herself and her community — ultimately making her one of rap's most multifaceted female voices.

Ahead of the 64th GRAMMY Awards, GRAMMY.com caught up with Saweetie to discuss her impressive work ethic, why it's important for her to represent women and POC, and how she'll bring healing with Pretty B**** Music.

What does being GRAMMY-nominated mean to you? Was this a milestone you were looking forward to or did it catch you by surprise?

It definitely caught me by surprise since I don't have an album out. But I am very appreciative. I think GRAMMYs — along with any award show — it's great for your work to be recognized. I work really hard along with my team, so to be acknowledged by [the GRAMMYs] is a huge accomplishment. I'm just so grateful.

You're the only female rapper nominated for Best New Artist. How does that make you feel, and what do you think about more women gaining respect in hip-hop?

I feel like this year, a lot more respect has been given to females in hip-hop. I know that we no longer need a co-sign. We've proven — especially through social media — that we can create our own fanbase, our own culture, our own brands.

It was a great year for women in hip-hop. To be the only one in that category nominated, I'm just so happy to represent, because it's a great group of women out right now.

What do you think should change in hip-hop to make it more inclusive for women?

That's a great question. I think the more representation we have, the more inclusive it'll be for all the women who work hard in hip-hop. I definitely hope that next year more women in hip-hop will be nominated, because I know I'm working hard, I know they're working hard, and hip-hop is the culture right now. So I would love to see more of my women in hip-hop nominated in more categories because we are highly, highly influential right now.

You're in the same category as J. Cole [Best Rap Song], who you once rapped for outside of a show. Why was he the rapper you felt comfortable performing for? What would you tell yourself then with what you've learned now?

Honestly, I've always just been a risk taker, overly ambitious. I saw an opportunity and I took it. I admire his music, I listened to all the mixtapes — The Warm Up, Friday Night Lights, there's two other ones. In high school, I used to play his mixtapes every morning — you know, the CDs — and play them on my radio. I just wanted a moment to connect with one of my favorite artists.

You got a degree before fully pursuing music, which isn't common. Do you think you gained anything from that experience?

One thing that I learned about college, and a gift that it gave me, was to be comfortable in any room. I went to a predominantly white school, so sometimes I'd be the only Black girl in class. And my high school wasn't that way, so I had to adjust and I had to be comfortable in uncomfortable environments.

What I also had to realize was I was making myself uncomfortable, because I was intimidated. I might have felt that I wasn't smart enough — and I actually was, obviously, since I got accepted.

I had to realize that I was my own worst enemy. After I acknowledged that, and after I became more courageous with participation and interacting with other students, I had a better experience. It taught me how to be comfortable in uncomfortable situations. It taught me how to read a room, and it taught me how to adjust to any group of people who I may be in the room with.

You're involved in philanthropy, specifically for Asian and Black communities. Can you speak more about the Icy Baby Foundation and what work you hope to do with it?

With the Icy Baby Foundation, I actually founded it with my grandmother. I was raised around her, and she was always giving back. I thought she was a perfect partner for this foundation. With this foundation, we strive to teach brown and Black kids about financial literacy. We really need to teach Black and brown kids how to manage their money, how to save their money, how to invest their money, how to create generational wealth. That's really important, because even for me, saving isn't enough.

Then also, we would love to focus on women. This is something that we kind of discussed, but it would be a safe haven for women — whether they're dealing with domestic violence, they're in an unhealthy living home or space, or they need shelter for their kids. But I'll definitely be focused on financial literacy in low income communities and women who need help, essentially.

I love how you rep both sides of your cultural identity. You performed at Head in the Clouds Festival highlighting Asian artists, and you're obviously tapped into the hip-hop world. Your Met Gala look also highlighted this. Do you see fan responses to this representation, and does it motivate you to continue doing it?

Absolutely. The reason why I share both sides is because I know there are Asian kids at home, Black kids at home, and it's dope to represent where you're from — because if I can do it, I know they'll feel like they can do it.

I try to share as much as my background as possible, so that kids who need inspiration can identify with me — and so they know that if Saweetie can do it, they can too.

Some people say you have pretty privilege to downplay what you've accomplished. What's your response to criticism or judgment on your career based on your looks? How have you been working to develop as an artist?

So what is pretty privilege? I would like to know what that means, because one thing I do know is I worked hard for everything in life. I worked hard to make the volleyball team. I worked hard to get 4.0s. I worked hard to get into USC. I worked hard to be self made as a businesswoman and as a rapper. All of these hurdles have made me a wiser and stronger woman. I just don't see privilege in that DNA at all.

And obviously being a woman of color, there's a whole set of other issues.

Right, absolutely. Women are oppressed, and Black people are oppressed. So when you combine the two, you're double oppressed. And it's like two different battles you're trying to fight — woman of color, and just being a woman period.

I think that the obstacles in life have made me a stronger woman, but I definitely didn't get no handouts. I was always taught not to take a shortcut. My parents were hard workers, and I think that's where I get my hard-work ethics from.

What's the hardest obstacle you've faced lately, and how did you bounce back?

A really hard obstacle is just working a lot. I'm starting to feel the burnout. So I went to Turks [and Caicos], my mom was there, it was like a mini mental health vacation. I shaved my hair there, I was meditating a lot, praying a lot, just trying to get clarity in life.

My mom was talking to me, and she was talking about my work ethic. She was like, "You really need to start taking care of yourself before it starts catching up to you." It really created a lightbulb in my head, because I'm sure all my other ambitious people out there — my go-getters — we just think we're invincible, you know? We feel like we're superheroes and we can just accomplish anything, but we're humans, not robots. That's something I struggled with [in 2021] by allowing myself to work too much. I hope to find balance between resting and work.

I've heard your album is coming out soon. What can we expect from it? What direction did you go in artistically?

I was going to curate either a song or two just to introduce people to Pretty Bitch Music. With this album, I want to create art. That's why I shaved my hair off. It's time for a fresh start, it's time for clarity, it's time for a rebirth, and it's time for a reboot. I want a clean slate with my artistry.

I want to really have time to create, and I actually [had] the first three months [of 2022] blocked off to finish, and to keep creating this album. With the visuals, the instruments I choose, it needs to feel like art, inspiration. It needs to be empowering, because I feel like the world needs healing right now.

With this music, I hope to heal. That's why I really want to take my time with it. I think I know what the purpose of this album is — it's to inspire, and to heal.

One of my songs is a meditation song, because meditation has really helped me. It's helped me calm down my brain. It's helped me center my spirit, because with the music industry, it gets chaotic sometimes, and peace is so important. I hope to just promote love and peace with this album.

Are you going to go into different genres, or is it still going to be hip-hop?

It's still going to be Saweetie. It's gonna be an elevated Saweetie. A couple people asked me, with me shaving my hair off, was I going to take a different direction. I'm just like, "It's not a new me, it's an elevated me."

I'm still the Icy Girl, but this time, I really want to take time with my music. With High Maintenance, with the Icy EP, all of those were done under crunch time. I want to create a whole bunch of amazing songs, and then my good problem is having to cut down the songs. Instead of just trying to rush and put something out, art can't be rushed. I'm really excited about this.

I know you dropped the Pretty Summer Playlist and you've been doing a lot of collaborations. Why was it important to you to highlight smaller artists?

I know what it feels like to be a smaller artist. Honestly, I wouldn't change anything about my journey, but what I would say, as a smaller artist — because I know what it feels like to be there — we do appreciate moments of appreciation with someone else sharing their platform. Because I love all these artists, I wanted to share my platform.

Little artists matter, too. The following, the success, that's not what makes me want to collaborate with the artist. I truly love to meet an artist, and then collaborate with them.

Do you have a dream collab?

I would love to collaborate with Rihanna.

It's a big part of your brand to empower women. Is that something you're cognizant of when making songs and choosing brand deals?

You know what's so funny? I don't think it's cognitive, I think it's innate. I grew up with a lot of loving, supportive women, so for me, it's not even a brand — it's not something that I strategically do. I just love women.

I come from confident, business-oriented, beautiful women, who I watched as a little girl hustle. I watched them get ready, I saw them not tolerate no bullshit. I'm really happy I'm from a strong village of women, because they were able to pass that down to me.

I love that. What else is in the works right now?

I'm working on creating a true company. I'm actually looking for a warehouse right now, so that the Icy Business has a campus — almost like Facebook. Right now I'm looking for a warehouse so I can establish my parent company, Icy, which will house merchandise, makeup and all of my other cool quirky ideas.

So you're building an empire.

Yes, ma'am. I really want to have everything in-house. I want to make my own merch, perfume — I want to make my own full line.

I'm on this spiritual and body journey, too. I'm going to document it and post it on Youtube, it'll be a whole rollout. I really want people to take care of their bodies and their brains. Everything that I need to be a successful artist, I would love to share that with the world through the products I make.

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Another month has passed us by, and August brings us closer to the end of the season. However, several new tracks and albums have dropped to lift our spirits. With brand new projects like Khalid's Sincere, Maren Morris' Intermission, and 49 Winchester's Leavin' This Holler, the beginning of August promises bright things ahead.

A slew of singles dropped, too, from exciting collaborations like Charli XCX's "Guess" remix with Billie Eilish and Jessie Murph's new track with Teddy Swims to new offerings from Big Sean, Jhené Aiko, Jelly Roll, Suki Waterhouse, and more. Whether you're looking for full projects or a few new playlist additions, you will not be disappointed.

As you prepare to close out summer, be sure to check out these 10 new songs and albums.

Just 24 hours after Charli XCX set the internet ablaze with a tease of her next collaboration, she not only unveiled the special guest, but she also dropped the track as a New Music Friday-eve gift: a remix of "Guess" with her fellow pop queen, Billie Eilish.

The pulsating song keeps the same club-ready aesthetic of the original from Charli XCX's brat, but taps into the sexual fluidity of Eilish's HIT ME HARD AND SOFT with the "LUNCH" singer adding a new verse (fans particularly went into a frenzy over Eilish's line "Charli likes boys but she knows I'd hit it"). The track offers a raunchy brand of girl power, further emphasized by the underwear-strewn video, as the unworn undergarments will be donated to survivors of domestic violence through I Support the Girls.

Seven-time GRAMMY-winner Kacey Musgraves is expanding the well she first introduced in March. With the release of Deeper Well, Musgraves showcased a softer side of herself that she discovered during periods of self-introspection following significant changes in her life.

Now, with Deeper into the Well, she takes us further along on her journey. Musgraves gave a taste of the additional seven songs with the release of her single "Irish Goodbye," which narrates the tale of someone struggling to find forgiveness for someone who abruptly left. The extended edition also includes two new features, "Perfection" with Tiny Habits and "Superbloom" with Leon Bridges.

The release comes one month before Musgraves is set to kick off her Deeper Well World Tour in Pennsylvania; she'll hit cities on both coasts, and conclude in Nashville in December.

Read More: For The Record: Why Kacey Musgraves' Timeless Album Golden Hour Still Shines 5 Years Later

Maintaining her message of confidence and self-worth, Saweetie releases "My Best," an unapologetic anthem that emphasizes knowing your worth and surrounding yourself with people who prioritize your best interests.

The music video visually represents Saweetie's personal growth, both as an individual and as an artist. Shot at hometown landmarks like her high school and childhood neighborhood, she invites fans on a nostalgic journey of introspection — while also reminding them to stay true to themselves.

Learn More: Meet The First-Time GRAMMY Nominee: Saweetie On Her Long-Awaited Album Pretty B^^^^ Music & Why Women Rappers "No Longer Need A Co-Sign"

Four years after her smash "Dance Monkey" took over the world, Tones and I releases her second studio album, Beautifully Ordinary. The follow-up to 2021's Welcome to the Madhouse, the 16-song project reflects the artist's growth, exploring themes of nostalgia, love, and self-acceptance. Each song invites listeners to embark on an emotional, personal journey with Tones and I, offering a source of catharsis for those who relate to her experiences.

Tones and I first gave listeners a taste of the project in June with lead single "Dance With Me," a track that delves into themes of heartbreak and desperation. Despite its underlying message of loneliness, the track retains Tones and I's signature upbeat rhythms and vibrant instrumentals — and the rest of Beautifully Ordinary follows suit, offering intimate and heartfelt narratives through her radiant musicality.

Celebrating the six-times-platinum debut album that catapulted them to stardom, Sam Smith is releasing the 10th anniversary edition of In The Lonely Hour. This special edition features a reimagined version of their classic "Stay With Me," and a brand new track, "Little Sailor."

The original project launched Smith's career into the stratosphere, receiving critical acclaim and earning them four golden gramophones at the 2015 GRAMMYs, including Best New Artist.

"I feel so incredibly lucky to be celebrating this milestone with you," Smith wrote on Instagram. "My team and I have created this beautiful anniversary edition for us all, and for the last 10 years."

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Fresh off going three-for-three at the 2024 GRAMMYs, Killer Mike delivers another potent project, Michael & The Mighty Midnight Revival, Songs For Sinners & Saints. A follow-up to his autobiographical album 'MICHAEL', the 10-song collection dives deeper into his personal narrative, offering an epilogue filled with introspection and celebration — including the poignant track "HUMBLE ME," which reflects on his arrest after winning his GRAMMYs in February.

Killer Mike provided fans with a gift, releasing the album as a free download for the first 48 hours. In support of the release, Killer Mike electrified audiences with six performances over three nights at the legendary Blue Note jazz club in NYC, including a live-streamed show that attracted nearly 100,000 viewers. This project is a testament to Killer Mike's ongoing dialogue with his audience, addressing both tribulations and triumphs. As the tour continues with a stop at Lollapalooza just one day after the album's release, fans can engage further with tracks like "NOBODY KNOWS" and "HIGHER LEVEL," which offer a glimpse into the rapper’s evolving journey and continued impact on hip-hop.

Still riding high from her vocals featured on Beyoncé's COWBOY CARTER, country star Tiera Kennedy releases her latest single, "Cry," which samples Justin Timberlake's 2002 Timbaland-produced hit "Cry Me A River." It's another taste of Kennedy's forthcoming debut album, which she dubs "R&B/country."

"I've been really inspired by the music I grew up listening to," Kennedy shared in an Instagram video. "Timbaland had a hand in a lot of those songs."

Known for her distinctive approach to blending genres, Kennedy invites listeners to immerse themselves in her world of creative storytelling with her latest track. "Cry" explores the narrative of someone who has made their bed and has to lie in it, while Kennedy has already moved on.

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Returning with his third studio album, electronic artist Gryffin embarks on a new era and unveils a fresh side of his artistry with PULSE. The 14-track album features collaborations with a range of artists, including Rita Ora, Disco Lines, MAX, and more.

"PULSE is a return to why I fell in love with dance music in the first place, and this is the most creatively inspired I've felt in years," said Gryffin on Instagram. "I can't wait for you all to hear the new sound and feel the passion I've put into these tracks."

After more than a year of not releasing music, John K is back with a new single, "Lost." It's a song that vulnerably reveals feelings of completeness after finding the right person — a fitting narrative for the happily married singer, who is expecting his second child with his wife, Lenée.  . Becoming a father is one of the several major life changes John K has experienced in the past few years, all of which have shaped his upcoming music and brought his musical artistry to the next stage.

"I was writing with the aim of challenging myself to do something I hadn't done before," John K said in a press statement. "I shattered the box of what I thought I had to be, and it allowed me to get to deeper levels of honesty and really gain even more confidence. I took risks, and I honestly expressed myself.

After releasing two albums within four months in 2022, Jack White has essentially gone silent since — until now. Just two days after announcing his sixth studio album, No Name, the rock icon unveils his latest masterpiece.

The 13-track album stays true to White's DIY philosophy, with the recording, production, and mixing all handled by the artist himself at his own Third Man Studio. Even before the album dropped on Aug. 2, reviews were already glowing, with Variety calling it the album "fans have been lusting for" due to its parallels to the rip-roaring rock of his former band the White Stripes — but "without seeming retro or leaning too heavily on nostalgia."

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Ahead of his forthcoming album, Album of the Year #1 Funkateer, Bootsy Collins has released "Pure Perfection," a smooth, sultry track featuring German rapper FANTAAZMA and rapper Giz. The track also features one of the funk icon's legendary alter-egos, "Bedroom Bootsy," who brings a sultry tone to the tune.

Due Oct. 25 (the day before Collins' 73rd birthday), Album of the Year #1 Funkateer includes an 18-song track list with contributions from Snoop Dogg, Wiz Khalifa and more. And if the smooth, thumping vibe of "Pure Perfection" is any indication, the funk vet is ready to take fans on a trippy musical journey — one that only Bootsy Collins can moderate.

As music fans know, Friday is the official weekday of new releases — but this week began with a bang.

On Monday, May 13, Donald Glover, aka Childish Gambino, released Atavista, a "finished" version of his 2020 album, 3.15.20. Back then, he released a nascent version of said album on his website, before pulling it down and uploading it to streaming services the following week, with guest appearances by Ariana Grande, 21 Savage and more.

Happily, the finished product retains those inspired guest appearances, over polished and honed versions of the original tunes. With the release of Atavista, Glover released a music video for "Little Foot Big Foot," featuring Young Nudy. He also promised special vinyl with visuals for each song, as well as an all-new Childish Gambino album due this summer.

And before Friday even hit, two country superstars also delivered exciting new tracks. Also on May 13, Lainey Wilson unleashed "Hang Tight Honey," the first single from her forthcoming third album, Whirlwind, out August 23. Three days later, Luke Combs released "Ain't No Love In Oklahoma," the lead track from TWISTERS: THE ALBUM. (Arriving July 19, the soundtrack will feature a number of other country greats, from Miranda Lambert to Shania Twain to Jelly Roll.) 

Today, there are plenty of other musical delicacies to savor. One of the most prominent is Billie Eilish's hotly anticipated third album, HIT ME HARD AND SOFT. Also, Puerto Rican rap star Álvaro Díaz's SAYONARA; American singer/songwriter Sasha Alex Sloan's Me Again; and 1D star Zayn's ROOM UNDER THE STAIRS have been unveiled. Even renowned actress Kate Hudson has also joined the musical ranks, releasing her debut album, Glorious.

Veterans, too, are stepping out with fresh offerings. Psych-tinged retro rockers Cage the Elephant are back with their first album in five years, Neon Pill. Slash released Orgy of the Damned, an album of mostly blues covers featuring guests from Gary Clark Jr. to Iggy Pop to Demi Lovato. On the opposite side of the coin, boy band pioneers New Kids on the Block return with Still Kids, their first album in 11 years, featuring guests DJ Jazzy Jeff and Taylor Dayne.

Still, that doesn't even begin to cover the trove of new songs delivered on May 17. Omar Apollo, Peggy Gou and HARDY released tracks from upcoming albums, and Russ (feat. 6LACK), Charlotte Cardin and T-Pain released inspired singles. What other treasures have this Friday wrought? Check the below list for albums and tunes to add to your weekend playlist!

The Avett Brothers — The Avett Brothers

With their previous album, back in 2019, Americana favorites the Avett Brothers declared they were Closer Than Together. Now, they're back with a self-titled album, and a return to their original label, Ramseur Records.

But that's just one way they're circling back to their roots; the Rick Rubin-produced The Avett Brothers returns to burning-rubber vocals; sturdy, folkloric melodies; and lovelorn lyrics. If those are your bag, don't miss tracks like "Love of a Girl," "Orion's Belt" and "Same Broken Bones."

Bebe Rexha, "Chase It (Mmm Da Da Da)"

Bebe Rexha's last album was 2023's Bebe, but this phenom of a pop singer/songwriter is already back with new music. Get warmed up for the impending summer sun with "Chase It (Mmm Da Da Da)," complete with a rip-roaring video.

The four-time GRAMMY nominee debuted her latest banger in the desert sands of Coachella 2024; if you're ready for the swooping, thumping official version, chase it down today. 

Meaningfully, "Chase It (Mmm Da Da Da)" marks Rexha's first solo dance track after numerous collaborations with electronic acts; she even earned back-to-back GRAMMY nods in 2023 and 2024 for jams concocted with David Guetta, and her only other release of 2024 so far was a collab with Brazilian DJ Alok.

Galantis, Rx

We haven't gotten a new album from the beloved Swedish EDM duo Galantis in a hot minute; that just changed. Though they has released two albums since 2015's Pharmacy — 2017's The Aviary and 2020's Church — Galantis' latest album is a direct successor to their game-changing debut. Behold, the aptly titled Rx.

Running the gamut from ethereal textures to electrifying, pulsing rhythms, Rx directly reckons with Galantis's now-sole member Christian Karlsson's ADHD, and how medication was a game-changer in his life and work.

"Pharmacy was when I knew I was neurodivergent and I knew the studio was like a pharmacy for me," Karlsson stated in a press release. "I was the patient. Rx is when I found medication. For me, it was key, but of course, everyone walks their own path."

Saweetie — "NANi"

Before Saweetie officially released "NANi," she had been teasing the track all week long. On May 11, at the 2024 Gold Gala, an annual gathering of top Asian Pacific and multicultural leaders, the rapper (who has Filipino and Chinese roots) told Billboard, "NANi' is that girl. 'NANi' is main character energy." And on Instagram, as part of the cover art reveal for the single, she declared, "We gon' fkkk up the Summer."

She certainly will. The poolside-partying, Smirnoff-plugging video lives up to a YouTube commenter's adroit description: "It's giving Barbie and Bratz royalty!" Will it be part of Pretty Bitch Music, the album she's been teasing (and honing) for years? Time will tell.

Warren Zeiders — "Betrayal"

Warren Zeiders staked his claim with his 2021 debut single, "Ride the Lightning"; now, he's got a stormcloud overhead. The uber-moody "Betrayal" makes no bones about its subject: "This isn't how I pictured you and I/ Smile in my face while you twist the knife/ Shame on me if you fool me twice/ You fooled me twice."

As unremittingly bleak as the lyrics are, though, the budding country star's melody lets the light in. What an alchemy: the more Zeiders bemoans being chapfallen and frustrated, the lap steel-laced music evermore swoops and sparkles.

María Becerra — "IMAN (Two of Us)"

Once a YouTuber, and now an urbano sensation, bubbly Argentine singer María Becerra is back with a four-on-the-floor stomper. The somewhat Dua Lipa-tinted "IMAN (Two of Us)" is a delight, as is its candy-coated video, where Becerra cavorts and romances through a surreal art exhibit.

Her new album, MB3*, is expected sometime in 2024; it should also include tunes like "Slow it Down," "Do You (feat. 24kGoldn)" and "Agora." Let the earworm "IMAN" slake your thirst in the meantime.

Zayn — ROOM UNDER THE STAIRS

Boy band acolytes will always long for the return of One Direction, who have been on hiatus since 2016. But in the meantime, their solo work just keeps getting sweeter. Following a three-year intermission, Zayn released ROOM UNDER THE STAIRS; for him, this music cuts to the quick of who he is.

"I think the intention behind this album fully is ​​for the listener to get more insight on me personally as a human being," Zayn explained in an Instagram post. "My ambitions, my fears, and for them to have a connection with that and that's why it's so raw. It's just me."

Taking six years to get right, and marking a return to Mercury Records, ROOM UNDER THE STAIRS is an unmistakable sonic and thematic evolution for the One Direction star. As with the other selections on this list, it's right on time for spring — let the songs of the season help you flourish, too.

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Ever since Autumn Rowe won a GRAMMY in 2022, it's been her biggest motivation. That's why the musical multi-hyphenate keeps the award nestled in her writing room — to keep her creative juices flowing.

"It reminds me that anything is possible," she says in the latest episode of Where Do You Keep Your GRAMMY?

Rowe won her first-ever career GRAMMY in 2022 with an Album Of The Year award for Jon Batiste's We Are. "It was very stressful," she recalls with a laugh.

"Right before they announced Album Of The Year, the pressure started getting to me," Rowe explains. "Album Of The Year is the biggest possible award you can win. So, I'm like, 'We didn't win any of these [categories], how are we going to win the biggest award?"

The win also taught her one unforgettable, valuable lesson: "We matter. The music matters. Everything matters. We just have to create it. If there isn't space for it, we have to make space for it. Don't wait for something to open."

Rowe says she grew up "super dirt poor" and never even had the opportunity to watch the awards ceremony on television. "To be a GRAMMY winner means it is possible for everyone," she declares.

Press play on the video above to learn more about the backstory of Autumn Rowe's Album Of The Year award, and remember to check back to GRAMMY.com for more new episodes of Where Do You Keep Your GRAMMY?

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As Doja Cat put it herself, the 2022 GRAMMYs were a "big deal" for her and SZA.

Doja Cat walked in with eight nominations, while SZA entered the ceremony with five. Three of those respective nods were for their 2021 smash "Kiss Me More," which ultimately helped the superstars win their first GRAMMYs.

In this episode of GRAMMY Rewind, revisit the night SZA and Doja Cat accepted the golden gramophone for Best Pop Duo/Group Performance — a milestone moment that Doja Cat almost missed.

"Listen. I have never taken such a fast piss in my whole life," Doja Cat quipped after beelining to the stage. "Thank you to everybody — my family, my team. I wouldn't be here without you, and I wouldn't be here without my fans."

Before passing the mic to SZA, Doja also gave a message of appreciation to the "Kill Bill" singer: "You are everything to me. You are incredible. You are the epitome of talent. You're a lyricist. You're everything."

SZA began listing her praises for her mother, God, her supporters, and, of course, Doja Cat. "I love you! Thank you, Doja. I'm glad you made it back in time!" she teased.

"I like to downplay a lot of s— but this is a big deal," Doja tearfully concluded. "Thank you, everybody."

Press play on the video above to hear Doja Cat and SZA's complete acceptance speech for Best Pop Duo/Group Performance at the 2022 GRAMMY Awards, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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