Olivia Rodrigo won Best New Artist at the 2022 GRAMMYs. This win is the singer/songwriter’s second of the 2022 GRAMMYs — she won Best Pop Solo Performance for “drivers license” earlier in the evening — and she is nominated in seven categories.

Saweetie, Arlo Parks, The Kid LAROI, Japanese Breakfast, Glass Animals, FINNEAS, Baby Keem, Jimmie Allen, and Arooj Aftab were the other nominees in the prestigious category.

Check out the complete list of winners and nominees at the 2022 GRAMMYs.

Amid the excitement of first-round voting for the 2025 GRAMMYs, we've reached the end of another week that's been filled with new music. 

Case in point: eschewing the traditional Friday release schedule, Maggie Rogers and J. Cole both dropped singles midweek to help fans get over the proverbial hump with new tunes.

In other news, James Blunt marks the 20th anniversary of his 2004 breakout debut Back to Bedlam — which spawned global smash "You're Beautiful" and remains the best-selling album of the 2000s in his native UK — with a special re-release. Plus, Rod Wave hits a new stride with his latest LP Last Lap, rising country stars Erin Kinsey and Carter Faith each deliver new EPs, respectively titled Gettin Away With It and The Aftermath, and EARTHGANG team up with T-Pain for "Love You More," the lead single off their upcoming album, Perfect Fantasy.

Below, dive into 10 of the best new releases of the week from JENNIE, The Kid LAROI, GloRilla, and more.

Remember late September? Maggie Rogers sure does. On her wistful new single "In The Living Room," which arrived by surprise on Tuesday (Oct. 8), the former Best New Artist GRAMMY nominee reflects on a lost relationship as she belts out, "All of the things, we pulled apart/ I let it go, it doesn't matter/ The seasons change, it broke my heart/ But I will always remember you/ When we were dancing in the living room."

Directed by Grant Singer, the accompanying music video brings Rogers' lyrics to life as she performs in a wood-paneled apartment complete with green carpet, a bare mattress and a brooding love interest played by Luka Isaac. 

"It's a song about the beauty and pain of memory, and the way that interweaves with reality when you're processing the exit of a person in your life," the "Alaska" singer/songwriter said in a statement upon the song's release.

Attention, BLINKs and RUBIES! JENNIE's first solo single since launching her Odd Atelier label is more than a "Mantra," it's a bonafide playbook for all the pretty girls to live by. "Pretty girls don't do trauma, no more drama/ We already got a full day/ Pretty girls that you gon' remember, know that you could never/ nothing ever trigger me/ This that pretty girl mantra, she's that stunna/ Everyone knows she is me," the K-pop idol sings over horn blasts and thumping bass on the chorus.

The high-fashion visual accompanying the track's release, meanwhile, is filled with fiery choreography and a cavalcade of colorful vehicles, from a creamy white Mercedes covered in a lace sheath to a cherry-red big rig. The latter might just rival the size of the glittering disco ball of a tank Jennie's famous for riding atop in the videos for BLACKPINK smashes "DDU-DU DDU-DU" and "Shut Down."

On his new single "Aperol Spritz," The Kid LAROI is double-fisting the fizzy orange cocktails on a trip to the club with his latest flame. While the singer doesn't explicitly name-drop girlfriend Tate McCrae on the swaggering track, he's certainly not shy about showing off his new love — as fans have recently seen everywhere from the MTV Video Music Awards to a romantic getaway in Bora Bora.

"There's a whole lot of girls up in here/ But can't nobody f— with my b—," he brags on the chorus, while the song's music video fittingly sees the Australian chased around a studio by a mass of shrieking female fans. Only when he trips and falls does the chase give way to an editorial-ready dogpile, with The Kid LAROI surrounded by the dozens of models as they all gaze coolly up at the camera.

After building substantial buzz for the past two-and-a-half years as one of the most explosive rappers to come out of Memphis, GloRilla finally delivers her debut album, GLORIOUS, via Interscope Records.

The long-awaited LP lives up to its title with a star-studded roster of guest features to support the viral sensation born Gloria Hallelujah Woods. For starters, girl power is out in full force, with the rapper's close pal and recent tourmate Megan Thee Stallion joining the fun for highlight "HOW I LOOK," while Latto and Muni Long each show up on respective cuts "PROCEDURE" and "DON'T DESERVE." Plus, GloRilla assembles Kirk Franklin, Chandler Moore, Kierra Sheard and Maverick City Music for gospel-infused outlier "RAIN DOWN ON ME" and declares herself "QUEEN OF MEMPHIS" with an assist from Fridayy on the album's triumphant closer.

Kane Brown slows things down to what's most important on his heartwarming new single, "Backseat Driver." The country star paints a sweet picture as the ballad opens early in the morning in a McDonald's drive-thru, "two muffins, one coffee and a little, bitty orange juice."

The backseat driver in question is Brown's 4-year-old daughter Kingsley Rose, who adorably peppers her famous dad with crucial questions like whether or not squirrels have houses in the trees and why God put stingers on honey bees. "It's crazy all the things she sees on the side of the road/ Out of that window beside her," he sings before concluding, "I wish I could be more like her/ My little danglin' feet, pretty in pink backseat driver."

The heartfelt track is the lead single from Brown's upcoming fourth studio album, The High Road, which will arrive Jan. 24, 2025. Along with revealing the album news on Oct. 9, the singer also announced a North American tour that will kick off March 13.

On Wednesday (Oct. 9), J. Cole dropped his latest single, "Port Antonio." Built over dual samples of Lonnie Liston Smith's spacey keyboard track "A Garden of Peace" from 1983's Dreams of Tomorrow and a pitched-up version of Cleo Sol's 2021 deep cut "Know That You Are Loved," the rapper revisits his autobiography by referencing "young Jermaine," who worked minimum wage jobs while watching everyone around him spend thousands on designer duds.

However, the root of the downtempo song — which precedes Cole's highly anticipated forthcoming project The Fall Off — sees him removing himself from the headline-making, diss track-filled feud between Drake and Kendrick Lamar that erupted earlier this year. (Back in April, Cole removed his own diss track "7 Minute Drill" after publicly apologizing to Lamar.)

Later in the song, Cole even name-drops Drake and gives credit where credit's due ("I ain't ashamed to say you did a lot for me"), before pointing out to his hip-hop peers and everyone listening, "F— all the narratives/ Tappin' back into your magic pen is what's imperative/ Remindin' these folks why we do it, it's not for beefin'/ It's for speakin' our thoughts, pushin' ourselves, reachin' the charts/ Reaching your minds, deep in your heart screamin' to find/ Emotion to touch, somethin' inside to open you up."

It's been almost exactly one year since BoyWithUke revealed his face to the world in October 2023, and the TikTok star who once wore an LED mask to conceal his identity is already preparing to burn it all down. "Gaslight" serves as the TikTok star-turned-independent artist's latest single off his upcoming fifth album Burnout, which he's promised will be his final body of work under the stage name that made him famous.

Following fellow singles "Can You Feel It?" and "Ghost," "Gaslight" is a volatile, churning breakup track dedicated to a sociopathic love interest that BoyWithUke is determined to cut ties with…but not before getting a little revenge of his own. The accompanying music video plays out like a haunted horror show, but the musician gets the last laugh with a lyrical twist of the knife that you simply have to hear to believe.

Samara Joy — 'Portrait'

Eighteen months after winning Best New Artist at the 2023 GRAMMYs, Samara Joy returns with her latest full-length album, Portrait. Co-produced by Brian Lynch and recorded at the hallowed Van Gelder Studio, the LP contains eight new tracks including pre-release singles "You Stepped Out Of A Dream" and "Autumn Nocturne."

Portrait paints a lively picture of the Bronx-born jazz starlet's prodigious talents, as well as her electric chemistry with her eight-piece touring band. In fact, the entire body of work was conceived and fine-tuned during the GRAMMY winner's near-constant touring schedule in the two years since she released her 2022 breakout album, Linger Awhile. "I'm often the fifth voice, the fifth horn," Joy said in a statement coinciding with Portrait's release, adding, "I hope listeners will see that I'm a musician too."

It's been 15 years since Major Lazer dropped their debut album, 2009's Guns Don't Kill People… Lazers Do, and they're marking the milestone with a 15th anniversary re-release featuring unreleased tracks from the era.

The first track the trio — now consisting of Diplo, Walshy Fire and Ape Drums — are dusting off from the vault is "Nobody Move," another collaboration with Vybz Kartel, who previously appeared on the original album's second single "Pon De Floor" alongside Afrojack. On the bonus cut, the group crafts a swaying tropical groove over Kartel's laid-back but threatening refrain of "Nobody move, nobody get hurt."

Love has Dylan Gossett's head in the clouds — or at least the foliage — on his toe-tapping new single "Tree Birds." In fact, the rising Americana sensation employs the perfect amount of harmonica to properly communicate just how head over heels in love he is on the giddy track, which follows his recent Songs in the Gravel EP.

"You remind me that there's something up above/ Do I deserve all your love?/ I swear I don't/ When you need me, just know that I'll show up/ Oh I'll go anywhere, state, city or town/ I promise you're the best damn thing from the South," Gossett vows before letting out an ecstatic "hey yeah!" on the final chorus. The jubilant love song is sure to be a highlight of the Austin, Texas native's ongoing Back 40 Tour, which runs across North America through the end of November.

With 10 GRAMMYs, two Oscars and countless hits with superstars, FINNEAS has become one of the most remarkable producers of his time. But he credits most of that to good fortune.

"I've had such a lucky career trajectory — I have more success than I ever thought I would," he tells GRAMMY.com over a phone call. 

But one doesn't get this far without true skill. The singer, songwriter, multi-instrumentalist, composer, and producer has gained momentous success and has a unique ability to shape emotions into sound, whether he's scoring a new film or working with high-profile artists — mainly his sister, pop superstar Billie Eilish. Honing in on these experiences has helped FINNEAS expand as an artist in his own right, as he turns to collaboration of his own on his sophomore solo album, For Cryin' Out Loud!. 

Coming three years after his 2021 debut album, Optimist, For Cryin' Out Loud! is a creative departure from his previous project. While the former was produced and written by FINNEAS himself, he worked with close friends to elevate his second record — and as a result, he sounds more confident than ever before.

The album features an adventurous sonic landscape, with funky guitar riffs, boisterous horns and infectious melodies across its 10 tracks. The bolder sound matches his assured vocal delivery, making For Cryin' Out Loud! feel like the product of everything he has learned — and been working towards — since he was a teen.

Born and raised in Los Angeles, the 27-year-old grew up around creativity. Raised by actor-musician parents, FINNEAS was immersed in the industry from a young age. Though his interest in songwriting was prompted by a class he took with his mom at age 12, he suggests that his production skills came naturally. From the beginning, his mantra has been simple: "There's no right or wrong way to produce a song," he asserts. "If there's any reason for people to pay attention, it's for being yourself and sharing your unique viewpoint."

As he honed his perspective, FINNEAS served as the lead singer and songwriter for his high school alt-rock band, the Slightlys. And while he jokes that they "begged people to come listen to us," the group offered FINNEAS his first taste of success: Along with winning several local Battle of the Bands competitions, they even earned a performance slot at Warped Tour in 2015. 

The most fortuitous thing about the Slightlys, though, ended up being a song they never released — but FINNEAS' then-unknown sister Billie did. After he penned a minimalist pop song called "Ocean Eyes" for the band, he decided it would be a better fit for Billie's voice. Little did either of them know, it would be the beginning of a fruitful — and wildly successful — partnership.

The song instantly gained traction on SoundCloud, prompting FINNEAS to start using his songwriting and production power to fuel Eilish's career. Along with being the sole producer for Eilish's debut EP, 2017's dont smile at me, he served as her sole co-writer on all eight tracks, a formula that has continued to prove successful for Eilish's entire career thus far. But as things were booming for Billie, FINNEAS was simultaneously crafting his own breadth of work.

In 2016, FINNEAS began his solo venture by releasing a string of romantic indie-pop songs. His debut single, the lustful "New Girl," features bluesy instrumentals and seductive vocals; 2017's "I'm In Love Without You" offered a more electro-pop-infused sound. As he continued to find his own musical identity, it quickly became clear that his early music would lean into the more bare-bones side of his creativity: breathy vocals, lush strings and rich piano chords.

The next year proved to be pivotal for FINNEAS, both as Eilish's collaborator and as an artist in his own right. As Eilish's career continued to rapidly rise thanks to "you should see me in a crown" and "when the party's over" — the latter of which was penned by FINNEAS himself — he also released eight tracks of his own, two of his biggest songs to date, "Break My Heart Again" and "Let's Fall in Love for the Night."

But it was 2019 that solidified FINNEAS as a force to be reckoned with. Along with co-producing and co-writing all of Eilish's debut album, WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?, he also released his debut EP, Blood Harmony, and scored hits as a songwriter/producer for the likes of Selena Gomez ("Lose You To Love Me"), JP Saxe and Julia Michaels ("If The World Was Ending"), and Ashe ("Moral of the Story"). From the hyper-modern beats of Eilish's album, to the tender balladry of his co-written smashes, to the experimental sounds on his own project, FINNEAS demonstrated that there's no style that he can't master — and in 2020, his talents were rewarded in major fashion. 

FINNEAS took home six GRAMMYs at the 2020 ceremony, mostly thanks to his work on WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Perhaps the most significant win, though, was his award for Producer Of The Year, Non-Classical, which made him the youngest recipient of the honor at just 22 years old.

As he continued creating with Eilish and expanding his superstar collaborator list — including Justin Bieber, Halsey and Demi Lovato — he also carried on crafting his own music. Just months he celebrated another release with Eilish, 2021's Happier Than Ever, FINNEAS unveiled his debut album, Optimist.

The project doubled down on the modern-sounding aesthetic of Blood Harmony, presenting an effortless adult contemporary spin on the sound he crafted with Eilish — but keeping the lyrical moody extremities. In contrast to its name, Optimist was brooding and edgy, accompanied by thoughts of grief, existentialism and the warped lens of fame; it was likely a product of his isolated creation process, as he wrote and produced all 13 tracks solo.

While FINNEAS was proud of his debut, he says that the album's creation was "a fairly lonely process." And, even despite all of his achievements with Eilish and other stars, "I didn't necessarily have the self-confidence to bring people in."

With that in mind, he pushed his creativity and collaborative efforts further in 2022 and 2023. He wrote and composed music for films — most notably, Pixar's Turning Red in 2022 and a GRAMMY-winning track for Greta Gerwig's Barbie in 2023, both alongside Eilish — and worked with Tate McRae ("I Still Say Goodnight") and Nicki Minaj ("Are You Gone Already"). After wrapping production on Eilish's third album, HIT ME HARD AND SOFT,at the end of 2023, he went back to his solo work — but this time, not so solo. "The main goal in this [next project] was, how can I make this a more exciting, fun experience for myself?," he says.

To create For Cryin' Out Loud!, FINNEAS invited a close group of peers to record live studio sessions, including Aron Forbes, Ricky Gourmet, Lucy Healey, and Miles Morris of the rock band Bad Suns. Almost completely opposite of Optimist, of the 10 tracks on For Cryin' Out Loud!, only one is solely composed and written by FINNEAS (opener "Starf—er").

In turn, For Cryin' Out Loud! features a much bigger soundscape than his previous work. Songs like "Cleats" and "Lotus Eater" feature hazy synths and strong drums that make room for hypnotic humming and chantable choruses. Yet, he didn't entirely move away from his more downtempo beginnings; "Little Window" and "Same Old Story," offer intimate sounds across the album's largely anthemic feel.

One of the album's most poignant tracks is "Family Feud," which calls back to the themes of Optimist — but this time, it's a tribute to his sister. Over soft strings, he croons about the pair's close bond and Eilish's struggles with fame: "And you're only 22/ And the world is watching you/ Judging everything you do." 

Even in the album's more somber moments, FINNEAS exudes a new level of self-confidence on For Cryin' Out Loud!. And he's eager to show that to fans around the world: FINNEAS will perform three intimate U.S. shows in October, and already has international dates set for the top of 2025. As for where he'll go from here with his solo work, time will tell — but it certainly seems like he's no longer limiting himself to solo sessions: "I've written a better album by breaking my own set of rules."

As October rolls in, the GRAMMY Museum in Los Angeles and New York City is set to host an exciting lineup of live discussions and performances. This month’s programming features a diverse array of artists, including Kacey Musgraves, Khalid, Tems, Samara Joy, and Shelby Lynne, along with icons like Slash and Laurie Anderson.

Whether you're a fan of soulful jazz, indie pop, or rock legends, these events offer an intimate look into the creative processes of some of the industry's most compelling artists. From Travis Barker to Will Smith, the GRAMMY Museum continues to be a hub for music lovers to experience one-of-a-kind performances and discussions with their favorite artists.

Check out the comprehensive list of must-attend GRAMMY Museum public programs for October 2024:

The Drop: Shelby Lynne

Oct. 1, 2024 from 7:30 to 9 p.m.

L.A.

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Shelby Lynne joins guests at the Museum’s intimate 200-seat Clive Davis Theater for an evening discussing her latest music, her career, and creative process, with a performance to follow.

Inside Deeper Well: An Evening with Kacey Musgraves

Oct. 2, 2024 from 7:30 to 9 p.m.

L.A.

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The GRAMMY Museum is thrilled to welcome seven-time GRAMMY-winning artist Kacey Musgraves to the Museum’s Ray Charles Rooftop Terrace for an evening discussing her latest album, Deeper Well, and her creative process and career, with a performance to follow. The discussion will be moderated by Melena Ryzik. Attendees will also have an opportunity to enjoy rooftop views and a cash bar prior to the program.  

Read more: Why 2024 Is The Year Women In Country Music Will Finally Have Their Moment

An Evening With Will Smith

Oct. 3, 2024 from 7:30 to 9 p.m.

L.A.

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The GRAMMY Museum is thrilled to welcome 4-time GRAMMY-winning artist Will Smith to the Museum’s Ray Charles Rooftop Terrace for an evening discussing his upcoming music, creative process, and legendary career, with a performance to follow. Attendees will also have an opportunity to enjoy the rooftop and a cash bar prior to the program.  

An Evening With Slash & Mike Clink

Oct. 4, 2024 from 7 to 8:30 p.m.

L.A.

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Slash, the iconic, GRAMMY-winning, Rock and Roll Hall of Fame inductee, guitarist, and songwriter will join guests at the Museum’s Ray Charles Rooftop Terrace for an evening discussing his latest album Orgy of the Damned, a star-studded, vibrant homage to the blues. GRAMMY Hall of Fame Producer and longtime Slash collaborator Mike Clink will join the conversation to discuss the creative process for the album, and an intimate acoustic performance will follow. Attendees can enjoy rooftop views and a cash bar prior to the program.   

A New York Evening With Arooj Aftab

Oct. 4, 2024 from 7:30 to 9 p.m.

N.Y.C.

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Arooj Aftab joins GRAMMY Museum guests at The Greene Space in NYC to celebrate her latest album, Night Reign. Aftab will detail her creative process and more in discussion with Jem Aswad, with a special performance to follow. 

Watch: Run The World: How Pakistani Singer Arooj Aftab Reimagined Genre & Made GRAMMY History

Spotlight: Jessica Pratt

Oct. 8, 2024 from 7:30 to 9 p.m.

L.A.

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Jessica Pratt joins guests at the Museum’s intimate 200-seat Clive Davis Theater for an evening celebrating her career and discussing her latest album, Here in the Pitch, creative process, and more, with a performance to follow.

A New York Evening With Samara Joy

Oct. 8, 2024 from 7:30 to 9 p.m.

N.Y.C.

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The GRAMMY Museum is thrilled to welcome three-time GRAMMY-winning artist Samara Joy to The Greene Space in NYC to celebrate her latest album, Portrait, her creative process and more. Joy will be in discussion with the author and music journalist Marcus J. Moore, with a special performance to follow.

Read more: Samara Joy Won Best New Artist At The 2023 GRAMMYs. What Could It Mean For The Wider Jazz Community?

Spotlight: Tems

Oct. 9, 2024 from 7:30 to 9 p.m.

L.A.

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Nigeria-based singer/songwriter, and producer Tems will join guests at the Museum’s intimate 200-seat Clive Davis Theater for an evening moderated by Billboard’s Gail Mitchell. Tems will discuss her debut album, Born in the Wild, her career, and creative process. A performance will follow her talk.

Learn more:Tems On How 'Born In The Wild' Represents Her Story Of "Survival" & Embracing Every Part Of Herself

A New York Evening With Ben Platt

Oct. 10, 2024 from 7:30 to 9 p.m.

N.Y.C.

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Ben Platt joins GRAMMY Museum guests at National Sawdust in Brooklyn to talk about his album Honeymind, his creative process behind the project, his career, and more, with a special performance to follow.  Platt is one of the many artists to be featured in the GRAMMY Museum’s New York City program series, which includes bringing a slate of the GRAMMY Museum’s renowned GRAMMY In The Schools Education Programs and Public Programs to the East Coast. "A New York Evening With" is generously supported by the Dawn and Brian Hoesterey Family Foundation.  

Read more: Inside Ben Platt's 'Honeymind': How Queer Love, Live Performance & More Led To His Most Authentic Album Yet

A Conversation With Deryck Whibley of Sum 41

Oct. 10, 2024 from 7:30 to 9 p.m.

L.A.

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The GRAMMY Museum is thrilled to welcome Deryck Whibley of Sum 41 to the Clive Davis Theater for an evening of conversation discussing the stories behind his memoir, Walking Disaster" the creative process behind writing the book, and more with Matt Pinfield. Tickets to this event include admission and a signed copy of the memoir.

Read more: Sum 41 Says Farewell: Deryck Whibley Shares His Favorite Memories With The Pop-Punk Icons

Sensory Friendly Saturdays

Oct. 12, 2024 from 9 to 11 a.m.

L.A.

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Experience Sensory Friendly Saturday on the second Saturday of every month. Families can enjoy our space with less crowding, quieter sound levels and lower lighting on the second Saturday of every month from 9 a.m. to 11 a.m. Guests can purchase tickets when they arrive at the Museum or they can purchase online for the applicable Saturday.

Reel to Reel: Billy Preston: That’s the Way God Planned It

Oct.13, 2024 from 3 to 5 p.m.

L.A.

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The GRAMMY Museum is thrilled to host the Los Angeles premiere of Billy Preston: That’s the Way God Planned It in the Museum’s Clive Davis Theater. There will be a post-screening panel discussion featuring Director Paris Barclay, artist Cory Henry and Producers Stephanie Allain and Jeanne Elfant Festa. 

Spotlight: Khalid

Oct. 14, 2024 from 7:30 to 9 p.m.

L.A.

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Khalid joins guests at the Museum’s Clive Davis Theater for an evening celebrating his latest release, Sincere, in discussion about his career and creative process, with a performance to follow.

Spotlight: FLETCHER

Oct. 14, 2024 from 7:30 to 9 p.m.

L.A.

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FLETCHER joins guests at the Museum’s intimate 200-seat Clive Davis Theater for an evening celebrating her latest sophomore album, In Search Of The Antidote, her creative process, and more, with a performance to follow.

Read more: FLETCHER Is "F—ing Unhinged" & Proud Of It On 'In Search Of The Antidote'

A New York Evening With Laurie Anderson

Oct. 16, 2024 from 7:30 to 9 p.m.

N.Y.C.

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Laurie Anderson joins GRAMMY Museum guests for an intimate conversation moderated by Anderson Cooper about her latest album, Amelia, with a performance to follow, at City Winery in New York City. Anderson is one of the many artists to be featured in the GRAMMY Museum’s New York City program series, which includes bringing a slate of the GRAMMY Museum’s renowned GRAMMY In The Schools Education Programs and Public Programs to the East Coast. "A New York Evening With…" is generously supported by the Dawn and Brian Hoesterey Family Foundation. 

A Conversation With Travis Barker

Oct. 16, 2024 from 7:30 to 9 p.m.

L.A.

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Iconic drummer and producer Travis Barker joins guests at the Museum’s intimate 200-seat Clive Davis Theater for an evening celebrating and discussing his career, latest music with blink-182 and others and a conversation about creative process, and more.

Read more: Blink-182 Essentials: 15 Songs That Prove They're Rock's Most Serious Unserious Band

The Drop: Pete Yorn

(Moderated By Matt Pinfield)

Oct. 17, 2024 from 7:30 to 9 p.m.

L.A.

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Pete Yorn joins guests at the Museum’s Clive Davis Theater for an evening celebrating his career and discussing his latest album, The Hard Way, his creative process, and more, with a performance to follow.

An Evening With Vampire Weekend

Oct. 21, 2024 from 7:30 to 9 p.m.

L.A.

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Vampire Weekend will be in discussion at the Museum’s Clive Davis Theater to celebrate their latest album, Only God Was Above Us. Band members will also discuss their creative process, tour, and more, with a performance to follow.

A New York Evening With Dave Alvin & Jimmie Dale Gilmore

Oct. 22, 2024 from 7:30 to 9 p.m.

N.Y.C.

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In partnership with Americana Music Association, the GRAMMY Museum will host an intimate conversation with GRAMMY Award-winning artist Dave Alvin and GRAMMY Award-nominated artist Jimmie Dale Gilmore followed by a performance at The Greene Space at WNYC and WQXR in New York City. The conversation will include a discussion moderated by Warren Zane about the making of their new album, TexiCali, their collaboration, creative process, and more. 

A New York Evening With Kelsea Ballerini

Oct. 25, 2024 from 8 to 9 p.m.

N.Y.C.

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The GRAMMY Museum and Collective by 92NY will host four-time GRAMMY nominee Kelsea Ballerini for an intimate conversation about her album, Patterns, her creative process, and more, followed by a special performance at The 92nd Street Y: David Geffen Stage at Kaufman Concert Hall.

Kelsea Ballerini is one of the many artists to be featured in the GRAMMY Museum’s New York City program series, which includes bringing a slate of the GRAMMY Museum’s renowned GRAMMY In The Schools Education Programs and Public Programs to the East Coast.

Film Screening – A Wu-Tang Experience: Live at Red Rocks Amphitheater

Oct. 26, 2024 from 4 p.m. to 7 p.m.

L.A.

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The GRAMMY Museum is thrilled to present a special screening of A Wu-Tang Experience: Live at Red Rocks Amphitheatre in the Museum’s Clive Davis Theater, followed by a discussion with the film’s directors, legendary Wu-Tang Clan Founder RZA and Gerald K. Barclay (Gee-Bee), and moderated by Raqiyah Mays. The post-screening discussion will also spotlight RZA’s new classical music album, A Ballet Through Mud.

This free program will be hosted by Schyler O’Neal, Senior Manager of Education & Community Engagement at the GRAMMY Museum, and is presented in partnership with the Hip-Hop Education Center.

Reel To Reel: Ryuichi Sakamoto | Opus

Oct. 28, 2024 at 7 p.m. to 9 p.m.

L.A.

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The GRAMMY Museum is thrilled to host a special screening of Ryuichi Sakamoto | Opus and a panel discussion about the legacy of Sakamoto with award-winning musician Flying Lotus and award-winning director Barry Jenkins.

The Drop: Andy Grammer

Oct. 30, 2024 at 7:30 p.m. to 9 p.m.

L.A.

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The GRAMMY Museum is thrilled to welcome award-winning artist Andy Grammer to the Museum’s intimate 200-seat Clive Davis Theater for an evening celebrating his latest album, Monster, with a discussion about his creative process behind the project and a performance.

Another month has passed us by, and August brings us closer to the end of the season. However, several new tracks and albums have dropped to lift our spirits. With brand new projects like Khalid's Sincere, Maren Morris' Intermission, and 49 Winchester's Leavin' This Holler, the beginning of August promises bright things ahead.

A slew of singles dropped, too, from exciting collaborations like Charli XCX's "Guess" remix with Billie Eilish and Jessie Murph's new track with Teddy Swims to new offerings from Big Sean, Jhené Aiko, Jelly Roll, Suki Waterhouse, and more. Whether you're looking for full projects or a few new playlist additions, you will not be disappointed.

As you prepare to close out summer, be sure to check out these 10 new songs and albums.

Just 24 hours after Charli XCX set the internet ablaze with a tease of her next collaboration, she not only unveiled the special guest, but she also dropped the track as a New Music Friday-eve gift: a remix of "Guess" with her fellow pop queen, Billie Eilish.

The pulsating song keeps the same club-ready aesthetic of the original from Charli XCX's brat, but taps into the sexual fluidity of Eilish's HIT ME HARD AND SOFT with the "LUNCH" singer adding a new verse (fans particularly went into a frenzy over Eilish's line "Charli likes boys but she knows I'd hit it"). The track offers a raunchy brand of girl power, further emphasized by the underwear-strewn video, as the unworn undergarments will be donated to survivors of domestic violence through I Support the Girls.

Seven-time GRAMMY-winner Kacey Musgraves is expanding the well she first introduced in March. With the release of Deeper Well, Musgraves showcased a softer side of herself that she discovered during periods of self-introspection following significant changes in her life.

Now, with Deeper into the Well, she takes us further along on her journey. Musgraves gave a taste of the additional seven songs with the release of her single "Irish Goodbye," which narrates the tale of someone struggling to find forgiveness for someone who abruptly left. The extended edition also includes two new features, "Perfection" with Tiny Habits and "Superbloom" with Leon Bridges.

The release comes one month before Musgraves is set to kick off her Deeper Well World Tour in Pennsylvania; she'll hit cities on both coasts, and conclude in Nashville in December.

Read More: For The Record: Why Kacey Musgraves' Timeless Album Golden Hour Still Shines 5 Years Later

Maintaining her message of confidence and self-worth, Saweetie releases "My Best," an unapologetic anthem that emphasizes knowing your worth and surrounding yourself with people who prioritize your best interests.

The music video visually represents Saweetie's personal growth, both as an individual and as an artist. Shot at hometown landmarks like her high school and childhood neighborhood, she invites fans on a nostalgic journey of introspection — while also reminding them to stay true to themselves.

Learn More: Meet The First-Time GRAMMY Nominee: Saweetie On Her Long-Awaited Album Pretty B^^^^ Music & Why Women Rappers "No Longer Need A Co-Sign"

Four years after her smash "Dance Monkey" took over the world, Tones and I releases her second studio album, Beautifully Ordinary. The follow-up to 2021's Welcome to the Madhouse, the 16-song project reflects the artist's growth, exploring themes of nostalgia, love, and self-acceptance. Each song invites listeners to embark on an emotional, personal journey with Tones and I, offering a source of catharsis for those who relate to her experiences.

Tones and I first gave listeners a taste of the project in June with lead single "Dance With Me," a track that delves into themes of heartbreak and desperation. Despite its underlying message of loneliness, the track retains Tones and I's signature upbeat rhythms and vibrant instrumentals — and the rest of Beautifully Ordinary follows suit, offering intimate and heartfelt narratives through her radiant musicality.

Celebrating the six-times-platinum debut album that catapulted them to stardom, Sam Smith is releasing the 10th anniversary edition of In The Lonely Hour. This special edition features a reimagined version of their classic "Stay With Me," and a brand new track, "Little Sailor."

The original project launched Smith's career into the stratosphere, receiving critical acclaim and earning them four golden gramophones at the 2015 GRAMMYs, including Best New Artist.

"I feel so incredibly lucky to be celebrating this milestone with you," Smith wrote on Instagram. "My team and I have created this beautiful anniversary edition for us all, and for the last 10 years."

Learn More: 9 Times Queer Artists Made History At The GRAMMYs: From Elton John's Collab With BSB To Kim & Sam's "Unholy" Union

Fresh off going three-for-three at the 2024 GRAMMYs, Killer Mike delivers another potent project, Michael & The Mighty Midnight Revival, Songs For Sinners & Saints. A follow-up to his autobiographical album 'MICHAEL', the 10-song collection dives deeper into his personal narrative, offering an epilogue filled with introspection and celebration — including the poignant track "HUMBLE ME," which reflects on his arrest after winning his GRAMMYs in February.

Killer Mike provided fans with a gift, releasing the album as a free download for the first 48 hours. In support of the release, Killer Mike electrified audiences with six performances over three nights at the legendary Blue Note jazz club in NYC, including a live-streamed show that attracted nearly 100,000 viewers. This project is a testament to Killer Mike's ongoing dialogue with his audience, addressing both tribulations and triumphs. As the tour continues with a stop at Lollapalooza just one day after the album's release, fans can engage further with tracks like "NOBODY KNOWS" and "HIGHER LEVEL," which offer a glimpse into the rapper’s evolving journey and continued impact on hip-hop.

Still riding high from her vocals featured on Beyoncé's COWBOY CARTER, country star Tiera Kennedy releases her latest single, "Cry," which samples Justin Timberlake's 2002 Timbaland-produced hit "Cry Me A River." It's another taste of Kennedy's forthcoming debut album, which she dubs "R&B/country."

"I've been really inspired by the music I grew up listening to," Kennedy shared in an Instagram video. "Timbaland had a hand in a lot of those songs."

Known for her distinctive approach to blending genres, Kennedy invites listeners to immerse themselves in her world of creative storytelling with her latest track. "Cry" explores the narrative of someone who has made their bed and has to lie in it, while Kennedy has already moved on.

Explore More: A Brief History Of Black Country Music: 11 Important Tracks From DeFord Bailey, Kane Brown & More

Returning with his third studio album, electronic artist Gryffin embarks on a new era and unveils a fresh side of his artistry with PULSE. The 14-track album features collaborations with a range of artists, including Rita Ora, Disco Lines, MAX, and more.

"PULSE is a return to why I fell in love with dance music in the first place, and this is the most creatively inspired I've felt in years," said Gryffin on Instagram. "I can't wait for you all to hear the new sound and feel the passion I've put into these tracks."

After more than a year of not releasing music, John K is back with a new single, "Lost." It's a song that vulnerably reveals feelings of completeness after finding the right person — a fitting narrative for the happily married singer, who is expecting his second child with his wife, Lenée.  . Becoming a father is one of the several major life changes John K has experienced in the past few years, all of which have shaped his upcoming music and brought his musical artistry to the next stage.

"I was writing with the aim of challenging myself to do something I hadn't done before," John K said in a press statement. "I shattered the box of what I thought I had to be, and it allowed me to get to deeper levels of honesty and really gain even more confidence. I took risks, and I honestly expressed myself.

After releasing two albums within four months in 2022, Jack White has essentially gone silent since — until now. Just two days after announcing his sixth studio album, No Name, the rock icon unveils his latest masterpiece.

The 13-track album stays true to White's DIY philosophy, with the recording, production, and mixing all handled by the artist himself at his own Third Man Studio. Even before the album dropped on Aug. 2, reviews were already glowing, with Variety calling it the album "fans have been lusting for" due to its parallels to the rip-roaring rock of his former band the White Stripes — but "without seeming retro or leaning too heavily on nostalgia."

Explore More: Songbook: A Guide To Jack White's Musical Outlets, From The White Stripes To The Dead Weather & Beyond

Ahead of his forthcoming album, Album of the Year #1 Funkateer, Bootsy Collins has released "Pure Perfection," a smooth, sultry track featuring German rapper FANTAAZMA and rapper Giz. The track also features one of the funk icon's legendary alter-egos, "Bedroom Bootsy," who brings a sultry tone to the tune.

Due Oct. 25 (the day before Collins' 73rd birthday), Album of the Year #1 Funkateer includes an 18-song track list with contributions from Snoop Dogg, Wiz Khalifa and more. And if the smooth, thumping vibe of "Pure Perfection" is any indication, the funk vet is ready to take fans on a trippy musical journey — one that only Bootsy Collins can moderate.