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Angela Aguilar

Angela Aguilar

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Meet The First-Time GRAMMY Nominee: Angela Aguilar On Her Culture And Family Legacy

The 15-year-old singer, who is up for Best Regional Mexican Music Album (Including Tejano), also talks about her love of singing ranchera music and how she hopes to catch a glimpse of Lady Gaga at the 61st GRAMMY Awards

GRAMMYs/Jan 11, 2019 - 07:16 am

At only 15 years old, Angela Aguilar talks about music with the wisdom of someone much older. It might be because since she was a child she's been crooning some of the most heavy-hearted kinds of Spanish language songs of all time: ranchera.

"Ranchera music does something to you that I don't think a lot of genres can do," she says enthusiastically. "Some songs are made to listen to in the background, some songs are [made] just to dance to, some songs are [made for you] to feel something and I feel like almost every ranchera song is made for you to feel something."

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Singing ranchera, i.e., traditional Mexican music from the countryside that is sometimes sung with mariachi, is in her blood. Aguilar's father is GRAMMY-winning mariachi singer/songwriter Pepe Aguilar. Her grandfather was the late GRAMMY-nominated master mariachi singer and Mexican Cinema Golden Era actor Antonio Aguilar. Her grandmother is the prolific Mexican singer and actress Flor Silvestre.

Her family's legacy inspired Aguilar at a very young age to sing. Her first time on a stage was at the age of three in front of 80,000 people on one of the pit stops on her grandfather's last tour. At seven, she went into a recording studio to record Whitney Houston's classic ballads "I Will Always Love You" and the "Wind Beneath My Wings."

She may be entertainment royalty in Mexico, but the Mexican-American singer is swiftly carving out a unique space for herself in the music world: She has a Latin GRAMMY performance under her belt and is one of the youngest artists to ever be nominated for a Latin GRAMMY and GRAMMY.

Aguilar spoke the Recording Academy about her first GRAMMY nomination for Best Regional Mexican Music Album (Including Tejano), what it takes to be singer at such a young age, and how proud she is to represent her culture through song.

How did you find out about your GRAMMY nomination? How did you feel when you found out?

I was waking up to go to school and my sister ran into my room started jumping on my bed, like, "Angela you have to look at this." I didn't even know the GRAMMY nominations were that day. I never even thought I was gonna get nominated. So when my sister came to me I was completely, completely shocked. It was like, I don't know, 6 AM, and I was with my parents running up to their room, going and telling them. 

It was super, super cool because I've always seen the GRAMMYs, and I've always related them to my father[.] My father has [four] American GRAMMYs and he has four Latin GRAMMYs, so like whenever I thought of a GRAMMY I thought of him. I always used to go with him to all the awards ceremonies and everything, so this time it was like wow, it's my turn now.

You're a Mexican-American artist singing in Spanish. You were nominated for two Latin GRAMMYs, now you're nominated for a GRAMMY. What do these nominations mean to you?

I didn't start to sing because I wanted to get GRAMMYs or [because] I wanted to get awards or anything. I started singing because I really like music and it's been my passion since I was two years old.

The first time I was on stage in front of like 80,000 people was when I was three, and I sang a little part of a song and it started becoming, not a routine, but it started becoming a treat for me of when I was a little kid. It was amazing.

As I started growing, I started accompanying my dad to all his different shows. Last year we sold over 400,000 tickets worldwide in different shows and arenas and everything. It's been a true blessing to be able to be Mexican-American and to be a woman and to be recognized in an industry filled with so many talented artists.

It's pretty crazy to be nominated for an award of this caliber at 15. I'm still so small and it's just crazy to be nominated next to my heroes like, Luis Miguel. He's such a powerful artist, he's one of my dad's friends. He's such an inspiration to me. He started when he was very, very little as well. 

Why did you decide to name your GRAMMY-nominated album Primero Soy Mexicana?

Well, because I am Mexican-American. I was born in Los Angeles, I have a house over there. I have a house in Mexico. Half of the year I'm in Mexico, half of the year I'm in the States, and it's so, so cool to be American and to be bilingual and to have dual citizenship. But at the same time, I'm Mexican. That's where I came from, it's in my veins, that's why I sing the songs that I do. I'm honoring my ancestors and the traditions that my grandfather and my grandmother have led me to follow. So before anything, before being American, I'm Mexican, and I'm proud of it.

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Speaking of your culture, you wore an indigenous huichol corset at the Latin GRAMMYs, and you highlight your culture through your dresses when you perform. Why is it so important for you to share your culture with the world?

Because I feel like our culture is what makes us. How can you be someone different? How can you change who you are if you don't know who you are? It's like, you're trying to find your own way, but you don't even know where you came from. You always need to know where your road starts, and I think my road is starting with my traditions, with very, very important things that my ancestors left me for a reason.

When I was nine years old, I sang a song called "La Chancla." It's a very, very old song that my grandfather used to sing. And before my grandfather it was another artist. It's basically a song about a person that used to love someone and they don't anymore. And it's me at nine years old singing "La Chancla." I didn't even understand it, but I felt so proud to sing something that my grandfather was singing and to perform stuff that represented my country.

Sometimes when people think of Mexico they don't necessarily think of all the beautiful things and the culture and the food and everything. They think about the negative things, which also are there. You cannot be blind to the negativity, but you cannot let it control you. That's why I perform with very big and sparkly dresses that are very, very in honor of my culture. But at the same time, they're my dresses. I add Swarovskis, I add mesh, and I add crinoline. I add so many things that make the dress me because it's really cool to honor your culture, but at the same time you have to honor yourself.

What made you want to follow in your family's footsteps and be a professional musician?

When I was little, whenever I went on a train or a plane or a bus, I would try to mimic the same sounds or the same vibration that the airplane was doing. My love of music started growing, growing, growing. And I went into my first recording studio when I was seven. I recorded a Whitney Houston song, "I Will Always Love You," and then I also recorded "The Wind Beneath My Wings." [Those songs have] some powerhouse vocals. It's always been my thing. I really like doing harmonies and I love doing runs. I do sing Mexican music, but that's not all I listen to. Of course I can name 20,000 artists, but I can also tell you about Lady Gaga, I can tell you about the Rolling Stones, about Pink FloydColdplay. I like to have a lot of tools so that when I sing certain types of music, it can still be a worldwide thing.

So Latin music, specifically urban Latin music, is getting very popular here in the U.S. Would you ever consider performing something in that realm?

I don't really know. I have a lot of friends that are in that, like Becky G is very close with me. I'm pretty good with all of the people that sing that genre, and I think it's very cool, I think it's very respectable. I love dancing with it, it's very fun to see how many things they can come up with and the new dances and everything. But right now I'm just not focused on stuff like that. I just wanna focus on what I'm doing right now, which is just mariachi. And if the opportunity comes or if we decide to do a collaboration with somebody or something, that would be super, super cool.

RELATED: Meet First-Time GRAMMY Nominee: TOKiMONSTA On Why 'Lune Rouge' Is "A Celebration Of Life"

Do you at all feel pressured to live up to your family's legacy?

I don't feel pressured. I feel like it's a big responsibility. Honestly, being an Aguilar, having that last name means a lot, especially in Mexico. I think it's something I can use to grow as an artist and as a singer and as a person, because I never want to let [my family] down. So I'm just working on myself, I'm working on my product. 

It's really cool that they're still with me. My grandfather passed away 10 years ago, but my grandmother's still with me and my father's still with me. It's really cool because they help me all the time. Every single time I get off the stage, my dad tells me how I can improve myself, and that's helped me a lot.

Tell me, what is it that you love about singing ranchera music?

I just feel like every song is a story. The songs that I sing, they all have meaning.

I was talking to a director, today actually, about how whenever I sing a happy ranchera song I get happy, and whenever a sing a sad and depressing, heartfelt breakup song, I get super sad to the point of where I can start crying. And yes, I'm a very sensitive person because I'm an artist, but ranchera music does something to you that I don't think a lot of genres can do, which is it makes you feel. I feel like almost every ranchera song is made for you to feel something.

What is one thing you want for people in the U.S. to know about you as an artist?

I want them to know that it's okay to be young in the industry, because it is gonna be harder for you. I'm 15, and it's hard to be doing school and to be singing and to be on finals, and the next day I have a performance or I have an awards ceremony to go to. It is hard, but it's worth it, if that's what you love.

And I think to the parents, and to just older people in general, I just wanna say that young artists can be as responsible and respectable as people that are older. The arts should not have an age where you can start or where you should stop. I feel like anyone can do it at anytime at any age.

RELATED: Meet The First-Time GRAMMY Nominee: Protoje On Evolving Reggae

You've already accomplished so much at just 15. What's next for you?

I'm probably gonna do an album with my songs that I [write the] lyrics [for]. I think that's gonna be next for me. I think maybe start branching out, maybe start singing in different languages. I don't wanna stop growing, ever.

What are you most looking forward to the most at the 61st GRAMMY Awards?

I don't even know. If I win, I'm gonna be super happy, but if I lose it's not gonna define me. I saw this movie called A Star is Born where Lady Gaga performs, and that was one of the best things I've ever seen. I haven't cried that much in a movie since, like, Bambi. I feel like if I see her I'm gonna kind of have like a starstruck moment. I never get starstruck  because I've been in the industry for so long, and I live in Los Angeles. It's everywhere. But with her I think I might get a little antsy.

2019 GRAMMY Awards To Air Feb. 10, 2019, From Los Angeles

Becky G and Edgar Barrera perform at the 2024 Latin GRAMMYs
Becky G & Edgar Barrera

Photo: Kevin Winter/Getty Images for The Latin Recording Academy

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Watch: Becky G, Angela Aguilar & Leonardo Aguilar Perform "Por El Contrario" At The 2024 Latin GRAMMYs

The trio were joined by Edgar Barrera for "Por El Contrario," which was nominated for Best Regional Mexican Song at the 2024 Latin GRAMMYs.

GRAMMYs/Nov 15, 2024 - 03:40 am

Becky G and siblings Ángela Aguilar and Leonardo Aguilar represent a new generation of artists who are connecting with their roots while modernizing Mexican music.

This musical exploration led Becky G to create ESQUEMAS, an album released in September 2023 featuring the powerhouse collaboration "Por El Contrario" with the heirs of the Aguilar dynasty. A year later, the trio took to the Latin GRAMMYs stage to showcase their global hit, which was nominated for Best Regional Mexican Song (the award went to Grupo Frontera and Grupo Firme).

Becky G, Leonardo, and Angela Aguilar opted for a minimalist staging to spotlight the lyrics and deliver an emotion-filled, if not understated, performance. With a play of soft lights, mostly in red, the artists conveyed sweetness, strength, and elegance. A 12-piece mariachi group, an eight-string ensemble, and Edgar Barrera's memorable guitar appearance completed the refined act.

Written by Edgar Barrera — who leads nominations for this year’s awards with nine nods and took home the golden gramophone for Producer Of The Year during the Premiere Ceremony Kevyn "Keityn" Mauricio Cruz and Elena Rose, this melancholic track became a fan favorite among all three artists' audiences. It amassed over 331 million views on YouTube and exceeded 210 million streams on Spotify as of writing.

"Por El Contrario" marks Becky G's sole name appearance on the 2024 Latin GRAMMYs nomination list, while Ángela Aguilar competes in the coveted Album Of The Year category with Bolero, a collection of Latin romantic classics produced by her father, Ranchera icon Pepe Aguilar, alongside Latin GRAMMY winner Cheche Alara.

Check out the complete list of winners and nominees at the 2024 Latin GRAMMYs.

Latest In Latin Music, News & Videos

An image featuring the logo for the 2024 Latin GRAMMYs, officially known as the 25th Annual Latin GRAMMY Awards. The words "Latin GRAMMY" and the number 25 are featured alongside a Latin GRAMMY Award logo on top of a light red background.
The 2024 Latin GRAMMYs will air live on Thursday, Nov. 14.

Graphic courtesy of the Latin Recording Academy

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2024 Latin GRAMMYs: Album Of The Year Nominations

Ten artists will compete for Album Of The Year at the 2024 Latin GRAMMYs. Learn more about the nominated projects from Ángela Aguilar, Camílo, Karol G, Kany Garcia, Juan Luis Guerra, Mon Laferte, Carin León, Xande de Pilares, Residente, and Shakira.

GRAMMYs/Sep 17, 2024 - 01:33 pm

Latin GRAMMYs season is now officially upon us! Ahead of the 2024 Latin GRAMMYs on Thursday, Nov. 14, the nominations have arrived — and the Album Of The Year Category is stacked.

This year's telecast, which marks the 25th anniversary of the Latin GRAMMYs, will see 10 albums compete for one of the night's biggest honors. Among them are a few previous winners, including four-time Album Of The Year recipient Juan Luis Guerra, whose nomination for Radio Güira marks his eighth in the Category. Two-time Album Of The Year winner Residente, whose wins were both with his group Calle 13, receives his sixth nomination in the Category with Las Letras Ya No Importan

Shakira — who won Album Of The Year at the 7th Annual Latin GRAMMY Awards in 2006 for Fijación Oral Vol. 1 — receives her first nomination in the Category since 2017 with her acclaimed 12th studio album, Las Mujeres Ya No Lloran. And after Karol G took home Album Of The Year at the 2023 Latin GRAMMYs for Mañana Será Bonito, the five-time Latin GRAMMY winner is back in the Category in 2024 thanks to its mixtape follow-up, Mañana Será Bonito (Bichota Season)

Those four are up against fellow past Album Of The Year nominees Mon Laferte, Kany García and Camílo, as well as first-time Album Of The Year nominees Ángela Aguilar, Carin León and Xande de Pilares.

Below, find out more about all of the Album Of The Year nominees at the 2024 Latin GRAMMYs. Then, be sure to tune into the 2024 Latin GRAMMYs, officially known as the 25th Annual Latin GRAMMY Awards, airing live on Univision, Galavisión and ViX on Thursday, Nov. 14, starting at 8 p.m. ET/PT (7 p.m. CT) to see who wins.

Ángela Aguilar — Bolero

Though only 20, Ángela Aguilar is no newcomer to the scene. She made her Latin GRAMMYS debut in 2019 with a memorable performance of "La Llorona." That year, she was nominated for Best New Artist and Best Ranchero/Mariachi Album for her debut Primero Soy Mexicana. She was nominated again in 2022 in the latter category for her follow-up, Mexicana Enamorada, making this her fourth Latin GRAMMY nomination.  

As the child of singer Pepe Aguilar and the granddaughter of ranchera legend Antonio Aguilar, the younger Aguilar is the scion of Mexican musical royalty. In her career thus far, she has dedicated herself to the preservation of música Mexicana and established herself as a standard bearer for the youthquake in traditional Mexican music. 

On her latest album Bolero, she breathes vivid life into romantic Latin ballads, singing such quintessential boleros as "Quizás, Quizás, Quizás" and "Solamente Una Vez" with absolute conviction, as though they had been written for her. As part of her process in making the album, she traveled to Cuba, where the genre was born, to be immersed in the history and culture of the music. Her serious and impassioned approach has led to a celebration of the bolero that is as fresh as it is timeless.

Watch: How Ángela Aguilar Became One Of The Youngest GRAMMY Nominees Ever | Run The World

Camilo — cuatro

At 30, singer, songwriter and producer Camilo is a decorated veteran of Latin pop. Prior to the 2024 Latin GRAMMYs, he had six Latin GRAMMYs and 29 nominations to his name, including three nods for Album Of The Year. 

He adds a fourth Album Of The Year nomination to his résumé with his fourth album, the simply titled cuatro, a rootsy, 12-song collection of tropical music. The self-produced, acoustic album marks a departure for the Colombian musician, as he forays into salsa, merengue and similar genres. However, exploration and experimentation is integral to Camílo's identity as an artist — so, while it is intriguing, it isn't exactly surprising. 

Growing up in Medellín, Colombia, Camílo was surrounded by a cacophony of musical styles, including the aforementioned salsa and merengue, as well as guaguancó and others. He's also displayed tremendous versatility in the past. While he is best known for pop with reggaeton leanings, his Latin GRAMMY-nominated 2022 project, De Adentro Pa Afuera, saw him take on a variety of sounds, including regional Mexican music in collaboration with Grupo Firme. It's all par for Camilo's ever-eccentric course.

Learn More: Meet the First-Time GRAMMY Nominee: Camilo Talks Road To Latin Pop Stardom, Career Highlights & Working With Wife Evaluna

Karol G — Mañana Será Bonito (Bichota Season)

As the reigning Latin GRAMMY Album Of The Year winner, Karol G is back to take either a victory lap or a second such award with Mañana Será Bonito (Bichota Season). Bichota Season is a companion and part two to the Colombian reggaeton superstar's smash studio album Mañana Será Bonito, which took home both Album Of The Year and Best Urban Music Album at the 2023 Latin GRAMMYs. The mixtape has a different tone and style from her other 2023 album and, despite its similar name, is a completely different record.

Though shorter than its predecessor by seven songs, Bichota is long on big, bad diva energy. It contains the hit single "Mi Ex Tenía Razón," a mellifluous, Tejano-flavored cumbia-pop tune that the singer/songwriter has said was inspired by the music of Selena

The mixtape also comprises some standout collaborations, including "QLONA" with Mexican star Peso Pluma, "Dispo" with Puerto Rican rapper Young Miko, and Colombian-American singer Kali Uchis. Truly, Bichota Season is the definition of a good thing in a small package, which now gets its own moment to shine.

Watch: 2024 GRAMMYs: Karol G Wins The First GRAMMY Award Of Her Career For Best Música Urbana Album

Kany García — García

In 2024, Puerto Rican singer/songwriter Kany García released García, her ninth studio album, which is her seventh to be nominated for a Latin GRAMMY and her third to be nominated for a Album Of The Year. As of press time, the musician's storied career has brought her five Latin GRAMMY wins and 26 career nominations. 

García opens with the reflective title track in which the musician tells herself to look back on a life well lived, and to give thanks for everything that has happened. It sets the tone for a bravura performance on the rest of the recording. 

The album is as diverse as they come, including bold collaborations on regional Mexican songs with Carin León, Edén Muñoz, and Christian Nodal; her turns with León and Nodal both became massive hits. García also features the searing "En Esta Boca," her bachata hit with friend Young Miko, which has become a queer anthem for its overt theme of Lesbian romance. 

Juan Luis Guerra 4.40 — Radio Güira

An unerring ability to make international pop hits from tropical genres such as bachata and merengue has made Juan Luis Guerra an icon. Album Of The Year has long been the genre-blending artist's domain at the Latin GRAMMYs; he won the award as an artist in 2007, 2010 and 2014, as well as a producer on Juanes' MTV Unplugged album in 2012. This year, he re-enters the competition with Radio Güira, his lively 2023 concept EP, which presents each song as part of a broadcast on the fictional radio station "4:40 FM." 

Radio Güira has a nostalgic 1970s feel, but also a progressive nature. Lead single "Mambo 23" is an experiment in mambo-infused merengue de la calle, while "Cositas de Amor," dedicated to his wife, Nora, is a dreamy, pop take on reggaeton. The eclectic radio station also stirs a bit of jazz, blues and rock into the effervescent tropical mix, taking Guerra's Caribbean roots on a global journey. While he has described the album as a gift to longtime fans, Guerra also invites the younger generation to tune in and discover what has made him a legend.

Watch: Watch Juan Luis Guerra Latin GRAMMY Win For Best Tropical Song For "Las Avispas" In 2005 | GRAMMY Rewind

Mon Laferte — Autopoiética

Alternative pop singer/songwriter Mon Laferte reinvented herself after eight albums with 2023's Autopoiética, a rhythmically driven and musically inventive album built around the concept of self-creation and self-renewal. The Chile-born and Mexico-based star used electronic beats, hip-hop, cumbia, and avant reggaeton to uncover new aspects of herself as a creative force, and received resounding acclaim for her efforts — including three nominations at the 2024 Latin GRAMMYs (Album Of The Year and Best Alternative Music Album, as well as Record Of The Year for lead single "Tenochtitlán"). 

Emotionally intense and artistically fearless, Autopoiética simultaneously represents everything that Laferte is as an artist and is like nothing she has done before. It documents an artist at the peak of her development, still curious about what she can do as a musician. Ever a groundbreaker, in pushing her own limits, she also pushed the boundaries of Latin music.

No stranger to the Latin GRAMMYs stage, Laferte was last nominated for Album Of The Year in 2017 for La Trenza, whose single "Amárrame" (feat. Juanes) won Best Alternative Song that year. As of press time, Laferte has won four Latin GRAMMYs and received 20 nominations.

Carin León — Boca Chueca, Vol. 1

Música Mexicana star Carin León has built a massive following in his native Mexico and beyond with his updated approach to genres such as sierreño, which he infuses with rock 'n' roll swagger and Millennial irreverence. His career has been marked by a string of hits, culminating in two Latin GRAMMYs, one in 2022 for "Como Lo Hice Yo" (Best Regional Mexican Song) and one in 2023 for his third album Colmillo de Leche (Best Norteño Album). 

His nomination for Album Of The Year for 2024's Boca Chueca, Vol. 1 is a major milestone in his career, and one for regional Mexican music as well. If he were to win, it would not only be his first in the Category, but it would also be the first time the award went to an album in the genre. 

Boca Chueca, Vol. 1 underscores León's status as an artist who builds cultural bridges. The album features duets with regional Mexican singer Pepe Aguilar, as well as Mexican rock band Panteon Rococo, country star Kane Brown and alternative singer/songwriter Leon Bridges. Drawing in R&B, country and other influences, León's music crosses genre borders with ease as he himself crosses national borders. He's already made history this year, too, as León became the first Música Mexicana artist to perform at Stagecoach, one of the largest country music festivals in the U.S. 

Xande de Pilares — Xande Canta Caetano

A star of modern samba, Xande de Pilares is used to big stages, high-profile duets and multi-layered rhythms. But his 2023 studio album, Xande Canta Caetano — a celebration of fellow Brazilian singer and songwriter Caetano Veloso — is a quieter outing that reveals a softer side to his artistry. 

Xande de Pilares' interpretations of the Bahian legend's beloved songs display the depth of emotion he can convey, the richness of his voice alone, and the profound reverence the Carioca artist has for Brazilian music. Making the songs his own, the Rio artist teases the samba influences in Veloso's songwriting, highlighting the roots of MPB. 

The album and the nomination signify a capstone moment in the musician's career. Xande Canta Caetano helped Xande de Pilares earn his first Latin GRAMMY nominations as a solo artist; along with the Album Of The Year nomination, the set also received a nod for Best Samba/Pagode Album. His last nomination came in the latter category in 2010, when his former band Grupo Revelação was nominated for their album Ao Vivo No Morro

Residente — Las Letras Ya No Importan

As one half of the politically incisive rap duo Calle 13, Puerto Rico's Residente has won Album Of The Year at the Latin GRAMMYs twice — first in 2009 with Los de Atrás Vienen Conmigo and again in 2011 with Entren Los Que Quieran. This time around, he's in the running on his own with the epic Las Letras Ya No Importan, the rapper's first full album since the release of his self-titled solo debut in 2017.

Sonically spare and restrained, the ironically titled Las Letras Ya No Importan, which translates to Lyrics Don't Matter Now, finds the Latin rap godfather as lyrically trenchant as ever. He holds forth mightily on society, the music industry, Puerto Rico, death, loss, and his own life and history. The album further benefits from the support of collaborators, which range from Rauw Alejandro and Arcángel to Big Daddy Kane and Carin León. The single "This is Not America," featuring the ethereal vocals of French duo Ibeyi, marks a musical high point on the album. 

The album hits many such highs before the deeply personal single "René," which features the voices of both Residente's mother, Flor Joglar de García, and Panamanian singer Rubén Blades, and in turn brings the album to an emotional close. Originally released in 2020, "René" helped Residente win the Song Of The Year award at the 2020 Latin GRAMMYs; to date, he has a remarkable 28 Latin GRAMMY wins. 

Read More: Inside Residente's Las Letras Ya No Importan: How His New Album Shows The Rapper In Transition

Shakira — Las Mujeres Ya No Lloran'

Shakira had a big night at the 2023 Latin GRAMMYs, taking home three trophies and delivering an unforgettable performance alongside Bizarrap, Milo J, Agarrate Catalina, Quinteto Ástor Piazzolla, and Ariel Ardit

Four months later, Shakira continued the momentum with her empowering 12th album, Las Mujeres Ya No Lloran. Translating to Women Don't Cry Anymore, the break-up album written on a seismic scale marked her first full-length release in seven years. The 16-track project features several star-studded collabs, including reggaeton stars Ozuna, Rauw Alejandro and Manuel Turizo, regional Mexican bands Fuerza Regida and Grupo Frontera, and even chart-topping rapper Cardi B

Along with her Album Of The Year nomination, the Colombian superstar tallies two more Latin GRAMMY nominations this year: Song Of The Year for her Grupo Frontera team-up "(Entre Paréntesis)" and Best Latin Electronic Music Performance for the Tiësto remix of "Bzrp Music Sessions, Vol. 53," her Bizarrap collab that won Best Pop Song and Song Of The Year at the 2023 Latin GRAMMYs. What's in store for her this year, and what might she have in store for us? Don't miss the 2024 Latin GRAMMYs on Nov. 14 to find out! 

Listen Now: Every Year Is The Year Of Shakira: 10 Songs That Prove She's Always Been A Superstar

Latest In Latin Music, News & Videos

Kendrick Lamar GRAMMY Rewind Hero
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Franc Moody
Franc Moody

Photo: Rachel Kupfer 

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A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

GRAMMYs/Nov 25, 2022 - 04:23 pm

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea

Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.

Franc Moody

Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.

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