Dolly Parton, an iconic figure in music, a renowned global philanthropist, and 10-time GRAMMY winner, has been named the 2024 recipient of the PEACE Through Music Award. The Recording Academy and the U.S. Department of State recognized Parton for her invaluable contributions to cross-cultural understanding and her work in promoting peace through music. The award celebrates artists and music professionals whose efforts transcend borders and foster global unity.

Parton will be celebrated at the GRAMMY Museum tonight in Los Angeles, where she will be honored during a special event, which is hosted by the Recording Academy and the U.S. State Department and generously supported by Coke Studio and the Wasserman Foundation. The event also marks the culmination of the first-ever American Music Mentorship Program, which took place in Los Angeles from Oct. 15 - Oct. 25. Watch Parton’s award acceptance video below.

Throughout her storied career, Parton has embodied the principles of peace, unity and inclusion — values central to the PEACE Through Music Award. From her influential music to her philanthropic work, including her globally recognized Imagination Library and support for public health initiatives, Parton’s legacy extends far beyond the stage. Her advocacy for the COVID-19 vaccine reached millions around the world, further cementing her status as a force for good.

"Over the course of her career, Dolly Parton has been committed to enriching communities across the globe, and it’s a privilege to celebrate her dedication to service with the PEACE Through Music Award today," Recording Academy CEO Harvey Mason jr. said in a statement. "We are grateful to partner with the Department of State on the Global Music Diplomacy Initiative, which represents an important part of the Academy’s work to support music people across the globe."

"Dolly Parton represents the best of America – her excellence in music, her servant's heart in giving back to those in need, and her unique ability to always bring people together," Lee Satterfield, Acting Under Secretary of State for Public Diplomacy and Public Affairs, said in a statement. "On behalf of the American people and Secretary of State Blinken, we are honored to celebrate all of her contributions to people around the world with the PEACE Through Music Award in partnership with the Recording Academy."

Reflecting on the honor, Parton said in a statement: "To say that I was honored to accept the PEACE Through Music Award from the Recording Academy and the U.S. State Department would be putting it mildly. I was very touched and moved by that. If I have been an inspiration in any way through some act of kindness or through some music that I have written, well, that makes me feel like I have done my job properly. Thanks again for such a great honor."

The PEACE Through Music Award is determined by a nomination process involving U.S. foreign service officers and a commission jointly led by the State Department and the Recording Academy. The commission is represented by Recording Academy members, U.S. Department of State leadership, music industry professionals, and academia, who provide recommendations to the CEO of the Recording Academy and the Secretary of State. The final selection is made by the Recording Academy’s CEO and the U.S. Secretary of State.

The PEACE Through Music Award is part of the Global Music Diplomacy Initiative, which was launched in 2023 as a collaborative effort between the Recording Academy and the State Department. The initiative aims to use music as a diplomatic platform to promote peace, economic equity, creative economies, and societal opportunity worldwide. The initiative stems from the PEACE Through Music Diplomacy Act, passed into law in December 2022 following advocacy by the Recording Academy.

Learn more about the Recording Academy's work to support global creators.

Learn more about the Department of State's music diplomacy efforts.

"After you reach a certain age, they think you're over. Well, I will never be over,"  Dolly Parton once declared. "I'll be making records if I have to sell them out of the trunk of my car. I've done that in my past, and I'd do it again." 

Just as proficient with the razor-sharp quip as a timeless song, the inimitable country queen has thankfully never needed to rely on such primitive distribution methods. In fact, more than 60 years after Parton first entered the recording studio, the self-proclaimed Backwoods Barbie is shifting more units than ever before: 2023's Rockstar achieved both her highest first-week sales (128,000) and position on the Billboard 200 (No. 3) of her career.  

That only boosted Parton's already remarkable worldwide record sales total of over 100 million, and took her tally of Top 10 country albums to 49. Throw in the record-matching 25 No. 1s on Billboards Hot Country Songs chart, three billion streams, and 11 GRAMMY Awards from 54 nominations, and it's clear why she'll forever be known as the Queen of Nashville. 

Of course, Parton has had her commercial ups and downs over the years. But the quality of her music has always remained impeccably high, whether the traditional country of her late '60s beginnings, the crossover pop of her early '80s imperial phase, or the eclectic forays into bluegrass, gospel, and good old-fashioned rock 'n' roll that has made her 21st century discography so wonderfully unpredictable.  

Further dispelling the title of her first hit "Dumb Blonde," the bulk of Parton's 50 studio efforts have been self-penned or self-produced, sometimes both. Indeed, "Coat of Many Colors," "Jolene," "I Will Always Love You," "9 to 5," and her countless other additions to the Great American Songbook have come from her prolific pen (she's reportedly composed a colossal 3,000 tunes). Yet, as proven by chart-topping renditions of "Heartbreaker," "Old Flames Can't Hold A Candle to You," and "But You Know I Love You," along with covers albums Those Were the Days and Treasures, Parton is just as gifted a song interpreter as she is songwriter.  

The legendary singer added yet another album to her discography on Nov. 15, this time recruiting her loved ones for Dolly Parton & Family: Smoky Mountain DNA – Family, Faith and Fables. In celebration of Parton's latest LP, look back at the many phases of her career that have helped make her an enduring icon.

The Country Starlet

Having written hits for the likes of Bill Phillips and Skeeter Davis in her teens, the prodigious Dolly Parton became a chart star in her own right when her 1967 debut album, Hello, I'm Dolly, reached the Top 20 of Billboard's US Top Country Albums chart. Remarkably, her first label, Monument, had initially been hesitant in allowing her to pursue the Nashville sound that would quickly become her forte. Loyal viewers of "The Porter Wagoner Show" were equally skeptical when she replaced favorite Norma Jean on the weekly country show. 

However, Parton soon won over audiences with her natural charm, distinctive vibrato, and ability to tell a story in the most engaging, tuneful way possible. Over the next eight years, she continually flitted between collaborative LPs with Wagoner and solo efforts, releasing a dozen of the former and 15 of the latter. Key records include 1969's Top 10 smash My Blue Ridge Mountain Boy, on which she received a writing credit on every song; 1971's Joshua, whose title track gave her the first of many country No. 1s; and its swift follow-up Coat of Many Colors, whose eponymous ballad Parton has cited as an all-time personal favorite.   

It was on 1974's Jolene, however, where Parton began to court the mainstream. Both its same-named lead single and future Whitney Houston blockbuster "I Will Always Love You," which she famously wrote on the same day, became much-loved standards, with the former also giving Parton her debut entry on the Billboard Hot 100. 1976's All I Can Do, meanwhile, saw her pick up the first of 54 career GRAMMY nominations (Best Country Vocal Performance, Female). By this point, Parton had outgrown the man who'd helped steer her to country success beyond her wildest dreams. Now, the target was world domination.  

Read More: 10 Songs You Didn't Know Dolly Parton Wrote: Hits By Whitney Houston, Kenny Rogers & More

The Genre-Bending Star 

While Parton has always kept one foot in country waters, her 1977 first self-produced LP New Harvest... First Gathering – featuring covers of Jackie Wilson's "Higher and Higher" and The Temptations' "My Girl" – kickstarted a genre-hopping streak she continued to pursue throughout the following half-century.  

On the same year's follow-up, Here You Come Again, she teamed up with Barbra Streisand cohort Gary Klein for a million-selling, pop-oriented affair whose title track reached a then-career high of No. 3 on the Hot 100. She flirted with disco on 1978's Heartbreaker ("Baby I'm Burning") and, as its Jerry Lee Lewis-inspired title suggests, classic rock 'n' roll on 1979's Great Balls of Fire. Her star was so rapidly rising that mainstream hitmakers Donna Summer ("Starting Over Again") and Carole Bayer Sager ("You're the Only One") queued up to give Parton some of their best works.  

Free from the shackles of a major label, Parton delved deep into her love of bluegrass at the turn of the century for a trilogy of albums (1999's The Grass Is Blue, 2001's Little Sparrow, 2002's Halos and Horns) that garnered some of the most glowing reviews of her career. There were also ventures into gospel (2003's post-9/11 response For God and Country), children's music (2017's I Believe in You), and seasonal pop (2020's A Holly Dolly Christmas). Then in 2023, at 77 years young, she embraced her previously hidden rock chick side on the star-studded Rockstar (more on that later).  

"I'm willing to try anything," Parton told Newsweek about her impressively eclectic approach. "What's the worst that's going to happen, if I can't do it? So what, at least I tried." 

The Triple Threat 

Having previously showcased her comedic skills on various TV specials, Parton was gifted the opportunity to star alongside Jane Fonda and Lily Tomlin in 1980's feminist favorite 9 to 5. And she more than held her own alongside the two Tinseltown greats with a pitch-perfect performance as the vengeful secretary Doralee, also scoring a Hot 100 chart-topper with its two-time GRAMMY-winning and Oscar-nominated titular theme.  

Parton continued to prove her double-threat credentials throughout the decade and beyond. She earned a Golden Globe nomination for her magnetic turn as brothel owner Miss Mona in 1982's The Little Whorehouse in Texas, while simultaneously adding to the festive canon with "Hard Candy Christmas." She even managed to draw out a relatively listenable vocal from Sylvester Stallone while starring as a club-singing mentor in 1984's country music comedy Rhinestone.  

After letting her acting do all the talking in 1989 weepie Steel Magnolias, Parton returned to double duty in 1991 TV movie Wild Texas Wind, 1992 rom-com Straight Talk, and 2012 gospel drama Joyful Noise. (All the while, she continued adding to her discography, releasing a dozen solo albums over the same period). While in 2021, she inched closer to the coveted EGOT when Dolly Parton's Christmas on the Square was awarded the Emmy for Outstanding Television Movie.   

Having conquered Hollywood, Parton switched her attention in the mid-1980s to the theme park she cleverly rechristened Dollywood. Formerly known as Silver Dollar City, the attraction near her East Tennessee hometown of Pittman Center is only part of the star's business portfolio which also includes waterpark Dollywood's Splash Country, the Dream More Resort and Spa, and amusement park Dolly Parton's Stampede. Thanks to her shrewd business investments under the umbrella of The Dollywood Company – and let's not forget her forays into cake mixes, fragrances, and canine apparel – the singer has amassed a reported fortune of $450 million.  

The Philanthropist

Of course, Parton has often used the vast wealth she's worked so hard to accrue for the greater good. In the mid-'80s, she set up the Dollywood Foundation with the main goal of increasing children's literacy through its Imagination Library initiative.  

Inspired by her father, who was never taught how to write or read, the program has since been adopted by more than 1,600 communities across the world, with approximately 3.1 million children receiving a new book each month from birth to kindergarten. By October 2024, the Imagination Library had sent out an astonishing 254 million books! 

That's far from Parton's only philanthropic endeavor, though. She's also helped to raise funds for various HIV/AIDS-related charities and the American Red Cross, fought for LGBTQIA+ rights (her 1991 song "Family" celebrated same-sex families), and donated $500,000 to a Sevierville cancer center to honor the physician, Robert F. Thomas, who helped bring her into the world.  

Read More: 5 Ways Dolly Parton Has Promoted Peace & Global Unity

In more recent years, Parton has made headlines for her relief efforts in aid of various natural disasters. In 2016, she organized her own telethon for the victims of the Great Smoky Mountain Wildfires, raising $9 million as a result. She also donated a seven-figure sum to Vanderbilt University Medical Center during their research into the early days of the COVID-19 pandemic, a period she reflected upon on single, "When Life Is Good Again." And in 2024, she pledged $2 million to help with the recovery of her Tennessee hometown in the wake of Hurricane Helene.

"I get paid more attention than maybe some others that are doing more than me," a modest Parton told The Tennessean in 2022 about her status as the music industry's most altruistic figure. "I just give from my heart. I never know what I'm going to do or why I'm gonna do it. I just see a need and if I can fill it, then I will."  

The National Treasure 

Parton proved she still had plenty to offer when she returned to pure country in the late 2000s. She achieved her highest peak on the Billboard 200 at the time with the first release through her own Dolly Records label, 2008's Backwoods Barbie (No. 17), only to eclipse it just six years later when Blue Smoke made the Top 10. Soon after, she had 180,000 festivalgoers eating out of the palm of her hands when she performed classic hits including "Coat of Many Colors," "Here You Come Again" and "9 to 5" in the Glastonbury Legends slot.  

A stage musical adaptation of 9 to 5 that reached both Broadway and the West End (and earned her another GRAMMY nod) helped to extend her legacy, too. As did 2016's Pure and Simple, which spawned her biggest U.S. tour for 25 years and became her first country chart-topper since 1991, and 2022's Run Rose, Run, a companion album to a thriller she co-wrote with novelist James Patterson.

If any further proof was needed of Parton's national treasure status, then she also picked up Lifetime Achievement awards at the 2011 GRAMMYS and 2016 CMAs. And although she took some persuading, the star finally accepted her place in the Rock and Roll Hall of Fame in 2023, where she also performed her 1991 hit "Rockin' Years" and a star-studded version of "Jolene."  

Even now she's approaching her eighties, Parton has no plans to hang up her towering high heels. "I would never retire," she told Greatest Hits Radio in 2023. "I'll just hopefully drop dead in the middle of a song on stage someday, hopefully, one I've written." 

The Beloved Collaborator 

Few artists have embraced their collaborative spirit more than Parton. She recorded 12 studio albums with mentor Porter Wagoner during their stint as country music TV's golden duo; a 13th was released following a legal dispute five years after their fruitful partnership came to an end.  

She famously shared her considerable talents with a slightly more hirsute crooner, Kenny Rogers, on their worldwide chart-topper "Islands in the Stream" and 1984 LP Once Upon a Christmas. And she formed not just one but two iconic supergroups, firstly teaming up with Emmylou Harris and Linda Ronstadt for 1987's Album Of The Year Grammy nominee Trio and its 1999 sequel, and then Loretta Lynn and Tammy Wynette for 1993's Honky Tonk Angels.  

Parton also duetted on country hits with Willie Nelson ("Everything's Beautiful (In Its Own Way)"), Smokey Robinson ("I Know You By Heart"), and James Ingram ("The Day I Fall in Love") during the same period. She then continued to team up with her fellow veterans throughout the '00s and '10s including Judy Collins (a cover of Joni Mitchell's "Both Sides Now"), Rod Stewart (festive standard "Baby, It's Cold Outside"), and Yusuf Islam ("Where Do The Children Play?"). 

But Parton also started working with the younger generation of artists who'd grown up listening to her music, too — and not just in the country realm. She guested on Norah Jones' sophomore Feels Like Home, covered one of her signature hits "Jolene" with a cappella vocal group Pentatonix, and even teamed up with Mr. Worldwide himself, Pitbull, on party anthem "Powerful Women." 

She seems particularly keen to pass the baton on to her goddaughter, Miley Cyrus; Parton co-penned (and featured on) a track for the two-time GRAMMY winner's rootsier sixth LP, Younger Now ("Rainbowland"), invited her to perform on seasonal album A Holly Dolly Christmas, and joined her in a rendition of "Wrecking Ball" for Rockstar. The latter is unarguably Parton's collaborative magnum opus, a 30-track foray into rock featuring a who's who of both classic (Steven Tyler, Stevie Nicks) and contemporary artists (Lizzo, Chris Stapleton) audibly delighted at the opportunity to sing with a living legend. 

In 2024, Parton kept things in the family with Smoky Mountain DNA — Family, Faith and Fables, another musical epic — this time, rooted in the sounds of her heritage — featuring her niece Heidi, cousin Richie, and, thanks to some vintage audio recordings, her late grandfather Reverend Jake Owens.  

"I cannot believe that it has been 60 years this month since I graduated from Sevier County High School and moved to Nashville to pursue my dreams," Parton remarked while announcing its release. 

As one of the world's best-loved artists both inside and outside of the country world, she undoubtedly fulfilled them in iconic, rhinestone-studded style.

In a continuing commitment to nurture future Black music industry leaders, Amazon Music and the Recording Academy’s Black Music Collective (BMC) have announced the return of the Your Future Is Now scholarship program for its fourth consecutive year. 

The program, which launched in 2021, provides students from Historically Black Colleges and Universities (HBCUs) with both financial support and direct, hands-on experience in the music industry.

This year, five HBCU students will be awarded a $10,000 scholarship each and have the chance to engage in a career-defining rotation with department leads at Amazon Music and the Recording Academy. Alongside the individual scholarships, the program will grant two HBCUs $10,000 each for music program equipment, further investing in institutional resources for budding artists and music professionals.

To celebrate the scholarship's renewal, "Amazon Music Live" featured an exclusive episode headlined by GRAMMY-nominated hip-hop heavyweight, Big Sean, sponsored by the all-new 2025 Nissan Kicks. This special live streamed performance included Big Sean performing alongside North Carolina Agricultural and Technical State University's celebrated Blue and Gold Marching Machine and The Fellowship Gospel Choir, bringing a powerful, HBCU-rooted energy to the show.

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Following the concert, North Carolina A&T was announced as the first HBCU recipient of the $10,000 music equipment grant, with Amazon Music executives Phylicia Fant and Jameka Pankey, alongside Recording Academy representatives, presenting the donation to the university’s drumline coordinator, Harvey Thompson.

"Every Homecoming season, HBCU students and alumni come together not only to celebrate our community but also to strengthen the bonds that connect us," said Phylicia Fant, Head of Music Industry and Culture Collaborations at Amazon Music. "It’s that kind of meaningful impact on students’ lives that we set out to foster with this program."

Harvey Mason Jr., CEO of the Recording Academy, echoed this sentiment, expressing pride in the scholarship’s impact. "The program’s effect on our student cohorts has been nothing short of remarkable, and I couldn’t be prouder," he said. "It’s crucial that we continue investing in the next generation of Black music creators and professionals, equipping them to lead and shape the future of the music industry."

The Your Future Is Now scholarship application is now open. Eligible students must be U.S. citizens or permanent residents currently enrolled at an HBCU and pursuing a degree in music, music business, business administration, marketing, communications, or a related field. Requirements include a transcript, personal statement, a creative video showcasing their vision, and one recommendation. The application deadline is December 13, and recipients will be announced in early January.

To apply for the scholarship, visit here.

This scholarship announcement is part of Amazon Music’s wider Homecoming celebrations. Amazon Music recently hosted carnival-style pop-up events at HBCUs across the country, including North Carolina A&T, Florida A&M, Howard University, and Jackson State University, creating memorable experiences for students and alumni while connecting them with the music and traditions that define HBCU culture. Students and alumni were able to experience music from past AML performers, get pictures in intricate photo moments, and have a chance to win exclusive one-of-a-kind merch. Amazon Music customers everywhere can celebrate with "Homecoming SZN," a new playlist of music created specifically to soundtrack HBCU Homecoming Weekends.

Quincy Jones helped shape nearly every facet of pop music history, either directly or indirectly, for more than half a century. On Nov. 3, the consummate multi-hyphenate passed away at the age of 91. 

The recipient of 28 GRAMMY wins and 80 nominations — ranking third and fourth most in the organization’s history, respectively —  Jones will be remembered for his work with everyone from Michael Jackson to Frank Sinatra, Aretha Franklin to Count Basie. He was also known for his powerful support of many humanitarian causes.

Jones’ legacy within the Recording Academy dates back to just a few years after its founding. The Great Wide World of Quincy Jones was nominated for Best Jazz Performance Large Group at the 3rd GRAMMY Awards, and not a decade passed since without the icon receiving an award. In addition, Jones was the recipient of the Trustees Award in 1989, the GRAMMY Legend Award in 1992, and the MusiCares Person Of The Year in 1996, and was the subject of a GRAMMY Foundation gala tribute in 2014. In 2023, Jones became the first-ever recipient of the Academy & State Department’s PEACE Through Music Award.

In presenting that last award, Recording Academy CEO Harvey Mason jr. called Jones his "friend and mentor," and noted that his respect and admiration for Jones are echoed throughout the organization. "We are all absolutely heartbroken by the passing of the incomparable Quincy Jones," Mason jr. said in a statement. "A master of many crafts, Quincy’s artistry and humanity impacted artists, music creators, and audiences around the world and will continue to do so. He has been recognized by his Recording Academy peers with an extraordinary 28 GRAMMY awards, standing among the most celebrated recipients in GRAMMY history. Quincy leaves behind an unmatched legacy and will always be remembered for the joy he and his music brought to the world."

Jones' long list of accolades also includes honorary degrees from Harvard, Princeton, and Juilliard, as well as a National Medal of Arts. His legacy doesn’t stop with the immense impact of his music, but extends to activism and humanitarianism. Jones was an advocate for Dr. Martin Luther King Jr. and his Operation Breadbasket, served on the board of People United to Save Humanity, founded the Quincy Jones Listen Up Foundation, supported the work of the NAACP, GLAAD, and other organizations, and produced the "We Are the World" charity single. 

With such a massive footprint both personally and professionally, it should be no surprise that news of his passing has resulted in seemingly endless remembrance and thanks across social media. Elton John, Victoria Monét, Reverend Al Sharpton, LL Cool J and Lin Manuel-Miranda were among the many artists praising Quincy Jones' influence and legacy.

"Wow, Q - what a great ride!!" Lionel Richie wrote on X, accompanied by a picture of the two together. Jones and Richie worked closely together on "We Are the World," a project which was also co-written by Michael Jackson. After connecting with Jackson for The Wiz, Jones became a frequent collaborator of the pop icon, including the albums Off the Wall, Thriller, and Bad. 

"The world mourns the loss & celebrates the life of Quincy Jones," the Jackson estate shared. "A legendary talent whose contributions to music spanned generations and genres. What an MJ/Q decade-long partnership produced is unmatched and includes the biggest selling album of all time. Rest in Peace, Q."

Clive Davis similarly mourned Jones’ passing. "Quincy Jones was a true giant of music," he wrote on Instagram. "Whether it was jazz, pop, r&b or rock, no genre of music escaped his genius…Say ‘We Are the World’ and say ‘The Color Purple’ and you’ll understand the range of his music. He was the ultimate music renaissance man and a true inspiration to all of us in music."

In an Instagram post, John Legend reflected on joy Jones "brought to every room. He was the life of the party, so charming and full of light. I feel so fortunate to have witnessed it in person. But we’re all so fortunate to live in a world made more beautiful by the music he created." 

A True Innovator Who Always Built Up

"I'm often asked what my 'formula for success' is...but to be honest, there is no formula or road map, and if anyone tells you there is, they're full of it," Jones wrote in the introduction to his 2022 book, 12 Notes: On Life and Creativity. 

For Jones, that winding road started with a childhood on the South Side of Chicago, before moving in his early years between Kentucky and Washington before joining his school band and choir, not to mention convincing Count Basie trumpeter Clark Terry to give him lessons. He also crossed paths and shared the stage with Ray Charles, when Jones was 14 and Charles 16. An obviously prodigious talent, Jones relocated to New York by his early 20s; he quickly became a freelance arranger for Count Basie and musical director, arranger, and trumpeter for Dizzy Gilespie.

Jones began his solo recording career in 1956 with This Is How I Feel About Jazz, and moved to Paris, where he learned to arrange strings and studied music theory. This was followed by invitations to work on stage musicals and film soundtracks (including The Pawnbroker, In the Heat of the Night, and In Cold Blood (not to mention much later contributing music to and even appearing in the Austin Powers series. Jones had signed as an artist to Mercury Records in 1958 and moved his way up the executive ladder — a first for a Black man at a major label — becoming music director and, eventually, vice president. 

After excelling in jazz at Mercury, Jones reached pop success by shepherding Lesley Gore's "It's My Party" to the top of the charts. He continued releasing his own material as well, experimenting at the intersections of jazz, funk, and more.

While Jones may be most known for his 1980s run with Michael Jackson, the decade also saw him open Qwest, a label that released works from the likes of Frank Sinatra, Lena Horne, and New Order, among many others. "It’s so sad to hear about Quincy Jones. When he signed us to his label, he made us feel so welcome - inviting us to dinner at his home every time we were in town," former New Order bassist Peter Hook posted on X. "He made us big in America. He was so humble & sweet that you immediately fell in love with him."

Read more: Mogul Moment: How Quincy Jones Became An Architect Of Black Music

Jones won 13 of his 28 GRAMMYs in the ‘80s, including Record Of The Year, Best Pop Duo or Group Performance, and Best Music Video for "We Are the World." In a recent interview with GRAMMY.com, Lionel Richie described Jones’ steady, nurturing hand on the project: "I asked Quincy a very important question one time. I said, ‘How in the world did you deal with all of those various personalities and stuff?’ He said, ‘What do you think an arranger does? … My job is to organize chaos.’"

A Jack Of All Trades — And Master Of All

In addition to writing and recording his own music and producing for others, Jones proved to be a mastermind across many other parts of the entertainment industry. In the '90s, he launched Quincy Jones Entertainment. Beyond operating his record label, the company produced successful TV shows like "The Fresh Prince of Bel Air" and "Mad TV", and helped publish music magazines Vibe and Spin. 

The ‘90s also saw Jones’ music intertwined with hip-hop, most notably as sampled by Tupac in the chart-topping "How Do U Want It." The legendary Ice-T, who had guested on Jones’ album Back on the Block, expressed the impact that the legendary musician and producer had made: "Love you Quincy.. You changed my life." 

One of Jones’ final appearances on record came in 2022, where he provided a spoken word track to The Weeknd's Dawn FM called "A Tale By Quincy." The Weeknd’s Abel Tesfaye even wrote the foreword to Jones’ 2022 book, 12 Notes, which included a powerful summary of the impact that Jones had on Tesfaye — and the entire musical world. "Even if you've already read his autobiography or know everything there is to know about him, I hope you'll take time to listen to the advice he has to share with you in the pages of this book," Tesfaye wrote. "Because I promise it is what matters the most."

"My fans know how important Quincy was to the fabric of my music," he added on X. "[I] tried to capture what he meant to me as a human. Let’s celebrate his life today."

The Recording Academy's Diversity, Equity and Inclusion team, in collaboration with the GRAMMY Museum, has announced the recipients of the third annual Quinn Coleman Memorial Scholarship.

This year, the scholarship honors five college students: Nadia Adams (University of Wisconsin-Milwaukee), Harrison Candelario (University of Rochester), Christo Hernandez (University of Southern California), Elyse Smith (Harvard University), and Hope Williams (Oakwood University).

Established in 2021, the Quinn Coleman Memorial Scholarship honors the legacy of Quinn Coleman, a cherished music executive and DJ who passed away in 2020 at the age of 31. Created by his family in partnership with the GRAMMY Museum, this scholarship aims to break down barriers in the music industry by offering professional development opportunities that prepare students for full-time careers, through financial aid, mentorship, and practical professional experiences.

Each selected recipient will be awarded two $1,000 scholarships for tuition, a $500 stipend for interview preparation, two $250 stipends for books and equipment, and financial and emotional wellness seminars. Furthermore, students will be awarded a spring internship at the Recording Academy or Latin Recording Academy.

For updates on the Recording Academy's DEI initiatives, click here. For more information about the GRAMMY Museum, visit grammymuseum.org.