That's a wrap for Music's Biggest Night! The 2024 GRAMMYs were extraordinarily stuffed with incredible moments, from performances to historic wins to unforgettable surprises.

Several of the most memorable moments came from first-time winners. In fact, there were 126 at the 66th GRAMMY Awards, spanning a wide array of talent across genres. From Colombian songstress Karol G to indie rock supergroup boygenius and country singer Brandy Clark, take a look at some of the biggest acts that took home their very first golden gramophones.

Miley Cyrus Celebrated Her First Wins With A Pumped-Up Performance

Miley Cyrus may have taken home the coveted Record Of The Year for "Flowers," but a different Category may have been the biggest achievement. Just before her performance on the GRAMMY stage, Cyrus won her first-ever golden gramophone for Best Pop Solo Performance.

"This award is amazing, but I really hope it doesn't change anything, because my life was beautiful yesterday," Cyrus said while accepting her first award.

"Flowers" is featured on Cyrus' 2023 album Endless Summer Vacation. "Flowers" was also nominated for GRAMMYs for Song Of The Year.

Karol G's First GRAMMYs Resulted In Her First GRAMMY

Karol G has had a meteoric rise over the past several years, and that continued unabated at Music's Biggest Night.

At the 2024 GRAMMYs Premiere Ceremony, Karol G won the GRAMMY for Best Música Urbana Album, for her 2023 LP Mañana Será Bonito. (She'd previously been nominated at the 2022 GRAMMYs, for the same category, for KG0516.

"Hello everybody, my name is Karol G. I am from Medellín, Colombia. This is my first time at the GRAMMYs, and this is my first time holding my own GRAMMY," she said, utterly concisely.

Victoria Monét Completed A Lifelong Goal…

Victoria Monét won big at the GRAMMYs, including taking home the award for Best New Artist. The singer also took home golden gramophones for Best R&B Album and Best Engineered Album, Non-Classical for Jaguar II.

Monét has been nominated for 10 GRAMMYs over her career as both a solo act and songwriter. When accepting the GRAMMY Award for Best New Artist, Monét compared herself to a plant growing from soil. 

"My roots have been growing underneath ground, unseen, for so long, and I feel like today I'm sprouting, finally above ground," she said.

…And So Did Coco Jones

Monét’s fellow R&B nominee — and one-time collaborator — Coco Jones also turned a nearly 15-year journey into GRAMMY success, winning Best R&B Performance for her song "ICU."

Tyla, Me'shell NdegeOcello & Kylie Minogue Won In First-Time Categories

At the 2024 GRAMMYs, there were three new Categories — which meant three inaugural winners. South African singer/songwriter Tyla took home her first GRAMMY with her win for Best African Music Performance for her smash hit "Water," while Me'shell NdegeOcello and Kylie Minogue notched their second wins each, in the new Best Alternative Jazz Album and Best Pop Dance Recording Categories, respectively.

After 16 Years, Paramore Got GRAMMY Gold 

Myspace-era alt wizards Paramore enjoyed a stunning resurgence with their 2023 album This Is Why. They'd been nominated in past ceremonies — their first nominations coming in 2008 — but at the 2024 GRAMMYs, they nabbed the trophy for the prestigious Best Rock Album Category. And with their first win, they made GRAMMY history: Paramore is the first female-fronted rock band to win Best Rock Album.

Lainey Wilson Continued A Massive Year With A GRAMMY

Much like Tyla, country star Lainey Wilson nailed it on the first try — as far as the Recording Academy goes. She was nominated twice at the 2024 GRAMMYs, and took home a golden gramophone for Best Country Album, for Bell Bottom Country.

Clearly, the phenomenon of a first-time GRAMMY nominee taking it home transcends genres and continents.

Second Time Was A Charm For Zach Bryan

Country great Zach Bryan's been nominated before — at the 2023 GRAMMYs, for Best Country Solo Performance, for "Something in the Orange."

This time, he brought home the golden gramophone for Best Country Duo/Group Performance, for "I Remember Everything." Bryan was also nominated for Best Country Album (Zach Bryan) and Best Country Song, also for "I Remember Everything."

First-Time Nominees Boygenius Won Three Times

Women dominated the 2024 GRAMMYs, which certainly applies to boygenius — who consist of three women, and cleaned up at the ceremony. And, they too were first-time nominees

Boygenius took home three GRAMMYs revolving around 2023's the record, including Best Alternative Music Album, Best Rock Song and Best Rock Performance — both for the stirring, gender-flipped "Not Strong Enough."

Peso Pluma Went From First-Time Nominee To First-Time Winner

Música Mexicana, stand up! Upstart Peso Pluma took home the GRAMMY for Best Música Mexicana Album (Including Tejano), for his tremendous album GÉNESIS.

As the status of Mexico on the global stage continues to swell, take Pluma's win as a sign to keep your ear to the ground.

Brandy Clark Left A Winner

Roots-heavy singer Brandy Clark's been nominated for 17 GRAMMYs over the years, but never gave up.

At the 2024 GRAMMYs, she won for Best Americana Performance for "Dear Insecurity" — and she played a corker of a version at the Premiere Ceremony with the string duo SistaStrings.

Fred again.. Proved To Be Dance Music’s Latest Hero

2022 saw Fred again.. rise as one of dance music's most promising new stars with the release of his compilation album, USB, and his third studio album, Actual Life 3 — and both helped him win his first pair of GRAMMYs in 2024. USB's "Rumble" (a collaboration with Skrillex and Four Tet) scored Best Dance/Electronic Recording, and Actual Life 3 took home Best Dance/Electronic Music Album.

Taylor Swift & Kacey Musgraves Celebrated Historic Firsts

While winning a GRAMMY was nothing new to 2024 winners Taylor Swift and Kacey Musgraves, they both had feats that marked big firsts in GRAMMY history. Swift became the first artist to be awarded Album Of The Year four times with her win for Midnights, while Musgraves' win for Best Country Duo/Group Performance for her Zach Bryan collaboration "I Remember Everything" made her the first artist to win in all four Country Field Categories.

Keep checking GRAMMY.com for stories about the 2024 GRAMMYs — and the Recording Academy thanks you for tuning into Music's Biggest Night! If you missed it, stream it on Paramount+ for maximum musical glory.

2024 GRAMMY Nominations: See The Full Winners & Nominees List

One would have expected plenty of pomp and circumstance as the Latin GRAMMYs celebrated their 25th year anniversary. But there were no lengthy speeches or self-congratulatory videos during the Nov. 14 telecast.

This year, the telecast focused on the things that matter: saluting the magic of undying genres like salsa, rock and bossa nova. Honoring the legacies of such Latin American trendsetters as Carlos Vives and Juan Luis Guerra. Giving artists a carefully curated space where to showcase their craft and inspiration.

From the stark cinematic moods of reggaetón to the healing warmth of Afro-Caribbean roots and the bold expansion of música mexicana, here are 10 of the most exciting celebratory moments from the 2024 Latin GRAMMYs.

The Music Of Carlos Vives Is A Priceless Cultural Treasure

Colombian singer/songwriter Carlos Vives was The Latin Recording Academy's 2024 Person Of The Year — a fitting recognition to his groundbreaking fusion of the accordion-heavy vallenato music of his land with rock, pop and even reggae. Vives' path of innovation began with the 1993 album Clásicos de la Provincia, and, like the Latin GRAMMYs, his career has evolved much over the last 25 years.

The singer kicked off the telecast with a career-spanning medley of hits such as "Fruta Fresca" — a rollicking gem off his 1999 classic El Amor de mi Tierra — and the more recent "La Bicicleta." At the end of his performance, he was joined by an enthusiastic group of fellow singers, including Juanes and Camilo. This brisk summary of his creative genius underscored his innate ability to connect with the essence of Latin American culture.

Read More: Watch: Carlos Vives Performs "La Bicicleta," "Robarte Un Beso" & More At The 2024 Latin GRAMMYs

The Moody Soundscapes Of Urbano Continue To Expand

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Jagged regaetón beats and ominous trap atmospherics are a natural component of the Latin pop DNA. But the urbano universe continues to grow, experimenting with novel song structures while incorporating references to other genres.

Early on in the telecast, three contemporary stars joined forces for a segment that showcased the ever evolving side of urbano. Eladio Carrión ("Mama's Boy") Quevedo ("Columbia") and Myke Towers ("La Falda") combined their proven commercial appeal with a sophisticated vision.

A True Master Never Stops Learning His Craft

Let's just say that this year's ceremony was a memorable evening for perennial Latin GRAMMY favorite Juan Luis Guerra. The 67-year-old singer/songwriter won the coveted Record Of The Year and Album Of The Year awards, and cherished his Dominican roots in his acceptance speech.

But Guerra also let the music speak for itself in a mesmerizing performance of Record Of The Year winning track "MAMBO 23." A stunning display of craftsmanship, it begins with a dembow beat, incorporates electronic loops, and also switches between the haunting qualities of spiraling bachata lines and the raucous party vibe of traditional merengue — all within the same song. Clearly, Guerra continues to learn and further refine his musical lexicon with each new project.

Read More: Juan Luis Guerra Sweeps The 2024 Latin GRAMMYs With 'Radio Güira'

Three Mexican Legends Are Sorely Missed

Alejandro Fernández | Photo: Getty Images for The Latin Recording Academy

There was a reflective quality to this year's telecast, which included tributes to classic genres and luminaries of the past. Perhaps the most poignant, though, was the segment dedicated to three late giants of Mexican music: Juan Gabriel, José José and Vicente Fernández.

The delicate sadness of Juan Gabriel's "Hasta Que Te Conocí" (performed by Reik and Leonel García), the apocalyptic balada pathos of José José's "El Triste" as a duet (a duet with Carlos Rivera and David Bisbal), and the unapologetic joy of Vicente Fernández's "No Me Sé Rajar" (fittingly, by his son Alejandro) — illustrated the monumental sway that these masters still hold in the Latin music zeitgeist.

Salsa Lives On — And It Grooves Like Crazy

While it is true that the heyday of salsa took place during the '70s and '80s, this is a genre that simply refuses to grow stale. And to prove it, a parade of stars delivered a dazzling tribute to the tenets of salsa fever.

Venezuela's Oscar D'León offered a swinging reading of his 1974 classic "Llorarás," while Colombia's Grupo Niche had the audience chanting along to the chorus of "Una Aventura." Tito Nieves and young stars Luis Figueroa and Christian Alicea were also present, while the salsa romántica royalty of Marc Anthony and La India revived their '90s mega-hit "Vivir Lo Nuestro" in stunning, dynamic form.

Read More: Watch: Marc Anthony & Salsa All-Stars Tito Nieves, Grupo Niche, Oscar D'Leon & More Celebrate The Genre At The 2024 Latin GRAMMYs

Latin Pop Thrives On Emotional Connection

After winning three Latin GRAMMYs last year on the strength of the genre defining Mañana Será Bonito — including the coveted Album Of The Year — KAROL G added another award to her collection on the 2024 telecast. The Colombian star's eclectic 2023 mixtape, Mañana Será Bonito (Bichota Season), won in the Best Urban Music Album category, at a moment when KAROL G is celebrated as one of the world's biggest pop stars.

As she collected the Latin GRAMMY, she focused on the things that matter. "This is about the love that I share with my fans," said a visibly moved KAROL. "And my family, which makes my life so much easier. Without them, I wouldn't have my mental health." The same feeling of emotional openness permeates the songs in both Mañana Será Bonito projects.

This Is Not Your Parents' Música Mexicana

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It is definitely not a coincidence that música mexicana is experiencing a massive wave of popularity. The charisma and musical talent of stars like Peso Pluma, Grupo Frontera and Fuerza Régida is augmented by the vision of innovators such as Carín León, who blends effortlessly the folk roots of his native Sonora with cool touches of country and blues.

Introduced by Julieta Venegas and Mon Laferte, León performed "Despídase Bien" — the ending track of his extraordinary 2024 album, Boca Chueca, Vol. 1 — backed by a full band and choir. A thorny electric guitar solo and rousing gospel vocals added gravitas to a song that is Mexican to the core, but does not hesitate to venture out of the box in search of true emotion.

The Old Bossa Nova Classics Are Indestructible

There were no sassy baile funk riddims when Brazilian stars Anitta and Tiago Iorc joined forces for a couple of songs in a dimly lit section of the stage. Instead, the duo launched into a fragile, understated version of Anitta's "Mil Veces," backed only by acoustic guitar and the diva's gorgeous voice.

This intimate moment was followed by "Mas Que Nada" — the whimsical 1963 tune by Jorge Ben that turned Sérgio Mendes and his band Brasil '66 into one of the architects of the bossa nova movement. Mendes passed away in September of this year, and the luminous interpretation by Anitta and Iorc served as the most elegant tribute possible.

Read More: Watch: Anitta & Tiago Iorc Team Up For "Mil Veces" & A Beautiful Tribute To Sérgio Mendes At The 2024 Latin GRAMMYs

Visceral Rock n Roll Will Never Go Out Of Style

One of the most intense moments of the telecast lasted less than two minutes — but will stay in the mind of anyone who ever prophesied the death of rock.

Hailing from Monterrey, Mexico, The Warning — a trio made up by sisters Daniela, Alejandra and Paulina Villarreal Vélez — delivered a welcome jolt of rock 'n'roll with a ferocious version of their hit "Qué Más Quieres." The performance was a reminder of how much raucous fun a trio of guitar, bass, drums, and gutsy vocals can generate. And yes, Latin rock is in excellent health, thank you.

Read More: Watch: The Warning Bring Hard Rock Power To The 2024 Latin GRAMMYs With "Qué Más Quieres"

At The End Of The Day, It's All About The Songs

As is often the case with Latin GRAMMY darling Jorge Drexler, the Uruguayan troubadour had some deep thoughts to share when he received the Song Of The Year honor for the exquisite "Derrumbe" — a non-album single he released in February of this year.

"This is madness," Drexler said after exchanging a hug with Juanes, who announced the winner. He pointed out that he hails from a very small country, and that "Derrumbe" itself was a sad and short song — una cancioncita, he called it.

He thanked the Latin Recording Academy for healing his chronic imposter syndrome and proving that a delicate, unassuming tune like his could win. Then again, that's one of the main missions of the Latin GRAMMYs: to acknowledge the power of a great song to inspire and transform.

The 2025 GRAMMYs season is officially here. The 67th GRAMMY Awards nominations will take place on Friday, Nov. 8, 2024 at 7:45 a.m. PT / 10:45 a.m. ET, featuring guest appearances from multiple GRAMMY-winning artists, including Mark Ronson, Kylie Minogue, Victoria Monét, Brandy Clark, Kirk Franklin, and others.

Then, it's the main event: The 2025 GRAMMYs, officially known as the 67th GRAMMY Awards, take place Sunday, Feb. 2. The ceremony will be held at Crypto.com Arena in Los Angeles, broadcast live on the CBS Television Network and streamed live and on demand on Paramount+.

The GRAMMY Awards celebrate the artistic excellence that defined the year in music. As music's only peer-recognized accolade, the Academy’s Voting Member body — made up of active music creators representing more than 22 different music genres and over 13 creative disciplines, including songwriters, composers, producers, engineers, and more — are eligible to vote for the GRAMMY Awards. These members ultimately determine the nominees and winners on Music's Biggest Night. 

Check below for a full guide to the 2025 GRAMMYs nominations livestream event happening next week proudly sponsored by City National Bank, Coca-Cola, and Dunkin'. 

Follow "Recording Academy/GRAMMYs" on X, Instagram, Facebook, TikTok, and LinkedIn, and use #GRAMMYs to join the conversation as it unfolds on Nov. 8. 

How Can I Watch The 2025 GRAMMY Nominations? 

Watch the full 2025 GRAMMYs nominations livestream event on live.GRAMMY.com, your go-to destination for all things GRAMMYs all year long — 24/7, 365, and the Recording Academy's YouTube channel. 

This year, the Recording Academy is revolutionizing the GRAMMY digital experience with the improved live.GRAMMY.com, a dynamic, expansive online experience providing music fans a backstage view into Music's Biggest Night. Featuring a multi-screen livestream you can control, live.GRAMMY.com is where you can watch all the highlights from the 2025 GRAMMYs in one place before, during and even after the telecast. Catch GRAMMY performances, acceptance speeches, the GRAMMY Live From The Red Carpet livestream special, the full Premiere Ceremony livestream, behind-the-scenes backstage moments, and so much more. 

Updating in real time, live.GRAMMY.com gives music fans an exclusive peek into this year's official GRAMMY Week celebrations, a multi-camera video feed giving fans a true 360-view into the GRAMMY Awards, and exclusive articles, performances, interviews, and videos.  

When Are The 2025 GRAMMY Nominations Announced?

The 2025 GRAMMY nominees will be unveiled during a livestream event on live.GRAMMY.com and YouTube, kicking off with a special presentation announcing the nominees in the General Field and select Categories. Video announcements of the nominees in the remaining Categories will also be published on live.GRAMMY.com and YouTube while the event is underway, and the full list of nominees will be published on GRAMMY.com immediately following the presentation. Nominees will also be announced via a press release. 

The schedule for the 2025 GRAMMYs nominations livestream event is as follows:

GRAMMY Nominations Pre-Show

7:45 a.m. PT / 10:45 a.m. ET 

Watch the 2025 GRAMMY Nominations Pre-Show, which takes place ahead of the 2025 GRAMMY nominations on Friday, Nov. 8, 2024. Hosted by Emmy-Award-winning TV hosts and "Entertainment Tonight" correspondents Cassie DiLaura and Denny Directo, the 2025 GRAMMY Nominations Pre-Show is an inside look at the various departments and initiatives that the Recording Academy — the organization behind the annual GRAMMY Awards — supports on a year-long basis on its mission to recognize excellence in the recording arts and sciences and cultivate the well-being of the global music community.  

Nominations Livestream Event

8 a.m. PT / 11 a.m. ET 

Nominations Livestream Event Ends & Full Nominations Revealed

8:30 a.m. PT / 11:30 a.m. ET

GRAMMY Nominations Wrap-Up Show

Immediately following the end of the nominations livestream event

Watch our exclusive 2025 GRAMMY Nominations Wrap-Up Show where correspondents Cassie DiLaura and Denny Directo discuss your favorite artists and the biggest trends to come out of the 2025 GRAMMY nominations. The show offer s music fans the inside scoop into all the biggest news and top stories from the 2025 GRAMMY nominations.   

For more information about the 2025 GRAMMY Awards season, learn more about the annual GRAMMY Awards process; read our First Round Voting guide for the 2025 GRAMMYs; read our FAQ (Frequently Asked Questions) section; view the official GRAMMY Awards Rules and Guidelines; and visit the GRAMMY Award Update Center for a list of real-time changes to the GRAMMY Awards process.   

^All times are approximate and subject to change.

Read More: GRAMMY Awards Updates For The 2025 GRAMMYs: Here's Everything You Need To Know About GRAMMY Awards Categories Changes & Eligibility Guidelines

Who's Announcing The 2025 GRAMMY Nominations?

Recording Academy CEO Harvey Mason jr. will be joined by GRAMMY winners Brandy Clark, Kirk Franklin, David Frost, Robert Gordon, Kylie Minogue, Victoria Monét, Gaby Moreno, Deanie Parker, Ben Platt, Mark Ronson, and Hayley Williams, along with GRAMMY-nominated comedian Jim Gaffigan and "CBS Mornings" host Gayle King, to announce the 67th GRAMMY Awards nominees.

When Are The 2025 GRAMMYs?

The main event, the 2025 GRAMMY Awards, will take place Sunday, Feb. 2. The ceremony will be held at Crypto.com Arena in Los Angeles, broadcast live on the CBS Television Network and streamed live and on demand on Paramount+.

Mark your calendars now for the 2025 GRAMMY nominations happening Friday, Nov 8.

On New Music Fridays, we wear pink! Or black! That’s because, for the third week in a row, one of BLACKPINK’s members has launched a new solo era. This week, ROSÉ recruits Bruno Mars for "APT.," the infectious lead single to her forthcoming debut full-length, Rosie.

Elsewhere, Bishop Briggs unveils Tell My Therapist I’m Fine, American Authors deliver Call Your Mother and Dillon Francis marks the tenth anniversary of his debut album Money Sucks Friends Don’t with a star-studded remix album.

Plus, Tyler, The Creator heralded the arrival of his eighth album CHROMAKOPIA later this month, and hotly anticipated singles arriving this week include JADE’s "Fantasy," Bailey Zimmerman’s "Holding On," Tiwa Savage’s "Forgiveness," and Estelle’s "Fire."

Below, dive into nine new releases worth checking out from the worlds of K-pop, country, hip-hop, Latin and more.

"Game, start!" Taking its title from the popular Korean drinking game "Apartment," the giddy first taste of Rosie ingeniously meshes ROSÉ’s K-pop polish with everything from surf rock and bubblegum pop, to the kind of suave vintage soul favored by duet partner Mars. Together, the duo creates an earworm that feels both wholly original and instantly unforgettable. Try getting the peppy, chant-ready hook out of your head by the time Mars cheekily asks, "Geonbae, geonbae, girl, what’s up?"

Using an appropriately rosy backdrop, matching leather jackets and just a few instruments at their disposal, ROSÉ and Mars show off their new friendship — and electrifying musical chemistry —  on the track’s goofy music video, which racked up nearly seven million views within just a few hours of its release. While "APT." may be a left turn from what BLINKs and Number Ones expected, it’s clear ROSÉ is swinging for the fences and so far, everything’s coming up rosy.

Read more: Breaking Down Every Solo Act From BLACKPINK: From Jennie's "Solo" To Jisoo's 'Me'

Joy Oladokun flexes her talents for introspection and insight on her fifth album, OBSERVATIONS FROM A CROWDED ROOM. 

Songs like "AM I?," "NO COUNTRY" and "DUST/DIVINITY" are thoughtfully punctuated by a number of spoken word interludes. "Where is the safe space for me?" Oladokun muses before launching into apocalyptic daydreams on "STRONG ONES," while she questions the cost of near-constant vulnerability in service of the career of her dreams ahead of standout "I’D MISS THE BIRDS."

Read more: Joy Oladokun's 'Proof Of Life' Honors Her Own Experience — And Encourages Others To Do The Same

The title of SEVENTEEN’s 12th mini album comes with a hidden message. An anagram for "I FELT HELPLESS," the six-track project promises a new level of emotional vulnerability from the 13 idols and contains DJ Khaled-assisted single "LOVE, MONEY, FAME," plus highlights like "Eyes on you," "1 TO 13," and "Candy."

Released on Monday,Oct. 13, SPILL THE FEELS arrives just in time for the K-pop boy band’s latest world tour, which shows up stateside on Oct. 22 after opening earlier this week with back-to-back shows at South Korea’s Goyang Stadium. After kicking off the American leg in Rosemont, Illinois, the tour will make stops in Belmont Park, New York; San Antonio, Texas; Oakland, California and Los Angeles through Nov. 10.

Read more: 5 Songs To Get Into Seventeen

Project 2024 is more than just a new release for BRELAND, it’s an intensely personal musical examination of the singer’s roots. Following his 2022 debut album Cross Country, as well as his recent duet with Shania Twain on the Twisters soundtrack, the pioneering country artist decided to return to Selma, Alabama — home to generations of his family tree as well as defining moments that helped turn the tide of the Civil Rights movement. 

The result is a powerful and inherently political celebration of life told in BRELAND’s inimitable voice across six tracks — from the proud resilience of opener "Grandmaman’em" and flirty lead single "Icing" to the dancehall-tinged "Motion" and uplifting closer "Same Work" featuring The War & Treaty.

After rocketing to streaming numbers that shot past the billion mark with his 2019 hit "Be Alright," Dean Lewis is back with his third full-length album The Epilogue. As its title suggests, the new body of work purposely adds a postscript to the viral success the shaggy-haired Australian troubadour experienced in the late 2010s while also crafting a soundtrack to hint at his next move.

"An Epilogue typically sums up a book, answers any unanswered questions, and hints at what’s to come," Lewis said in a statement of the LP, which contains heart-wrenching fare like "Empire," "All I Ever Wanted," and "Trust Me Mate." "This is a new chapter. It feels like the ending of the last few years of my life and the beginning of the next. I really tried to define my own style. For me, the music wraps up the past and shines a light on what to expect going forward."

Jean Dawson continues to push the boundaries of experimental pop on Glimmer of God, his fourth full-length studio release. The follow-up to 2022’s Chaos Now (as well as EP Boohoo from earlier this year) takes sonic cues from influences like Prince, Stevie Wonder and Zapp & Roger — all artists he found himself inspired by while growing up between the U.S. and Mexico. 

Led by "Die For Me," a collab with tourmate Lil Yachty, and second single "Houston," Dawson’s album taps into his inner feminine on tracks like "Darlin’," "Black Sugar" and "Murciélago" and also features a guest turn from BONES on album cut "P4IN."

It’s sheer coincidence that Alana Springsteen shares a last name with a living musical legend (no, she’s not related to the Boss). But the rising country phenom has carved her own path through the music industry since she was a child, earning a publishing deal in the mid-2010s at just 14 years old.

The TWENTY SOMETHING singer’s latest singles come two-for-one after she decided on a whim to drop "cowboy" and "hold my beer" simultaneously at midnight on Friday. The former finds Springsteen looking back with regret after getting lassoed by a particularly disappointing cowboy ("He roped me in like no one could/ And in the end, he really broke me good"), while on the latter, the Virginia Beach, Virginia native dusts herself off, gets back on the proverbial horse, and commits to making some delightfully rowdy choices that would make her mama proud. 

Read more: Alana Springsteen Isn't Just Living Her Teenage Dream. She's Speaking To An Entire Generation.

Jordan Adetunji has "Options" on his new single with Lil Baby. Fresh off his viral hit "KEHLANI", the Belfast native remains unthreatened at the prospect that his lover would go off and choose another man, confidently declaring, "I got options/ Baby, you got options/ If you with me, not an option/ Baby, it’s the weekend/ Need it often/ Girl you know that I’m the one to solve your problems."

On the track’s accompanying music video, Adetunji boards a luxurious yacht teeming with bikini-clad video girls, only to later be joined by Lil Baby, who confesses, "Four, five times a day, I check your page/ I’m your lil stalker" at the top of his own, sexually charged verse.

Sevdaliza and Karol G join forces for their new collaboration "No Me Cansaré." The mid-tempo bilingual ballad opens with the Iranian Dutch singer intoning, "Don’t have fear, I won’t let go/ You protect my inner child" before sharing the spotlight with the Latin pop sensation on the breathy second verse. 

"No Me Cansaré" — which translates to "I Won’t Get Tired" in English — also comes with a sultry black-and-white music video depicting the two songstresses as winged angels watching placidly over younger versions of themselves.

The start of spooky season may be upon us, but there's nothing terrifying about the sheer plethora of releases on the first New Music Friday of October.

On the new project front, Leon Bridges drops his self-titled LP Leon, Ariana Grande celebrates seven months of her latest era with Eternal Sunshine Slightly Deluxe and Also Live, Tucker Wetmore makes his official debut with his Waves On a Sunset EP, and Brooke Alexx unveils her first full-length, Big Mouth. 

Plus, Joe Jonas offers Jonatics a second taste of his upcoming solo album Music For People Who Believe in Love with new single "What This Could Be," BLACKPINK's LISA channels Sixpence None The Richer's '90s-era classic "Kiss Me" on her latest solo offering "Moonlit Floor," and Nate Smith duets with Avril Lavigne on "Can You Die From a Broken Heart."

Below, dive into 10 more new releases ranging from pop-rock, R&B and electronica to soul, country and contemporary Christian music.

Coldplay are back among the stars for their tenth album, Moon Music. A sequel to 2021's Music of the Spheres, the new LP was executive produced by Max Martin, who also helmed production on its predecessor.

Moon Music also marks a new benchmark in the band's commitment to sustainability, with each vinyl LP being made from 100 percent recycled plastic bottles.

"I think what this album is about is a response to struggling with all the conflict within oneself, within myself, and also all the conflict outside, and working out what the best response is," frontman Chris Martin said in a recent video on social media. "And I think what Moon Music is trying to say is maybe love is the best response."

Victoria Monét expounds on her GRAMMY-winning 2023 album JAGUAR II with not just a few bonus tracks for its deluxe edition, but an entire second disc of new music.

The reigning Best New Artist GRAMMY winner takes a well-deserved victory lap on the musical addendum, with help from the likes of Bryson Tiller ("We Might Even Be Falling in Love (Duet)") and Thundercat ("Don't Sleep"). The result is a sensual, melodic thrill ride that's sure to keep fans enthralled as Monét dreams up the long-promised third act of her JAGUAR trilogy.

After two full-length albums filled with personal introspection, Dan Snaith is ready to hit the dance floor with Honey, his sixth album as Caribou and eleventh overall.

On the LP, the Canadian producer shows off his flair for sonic experimentation while simultaneously channeling his dance-driven alter ego Daphni. He embraced technological advances by using artificial intelligence to change his voice ("Once I tried it, it was impossible to look away," he said in a statement), resulting in the high-pitched pep of opener "Broke My Heart," the hollow echoes on "Come Find Me" and everything in between.

Fresh off earning a stamp of approval from none other than Beyoncé in her recent GQ cover story, Thee Sacred Souls have unveiled their sophomore studio album, Got A Story To Tell.

The rising R&B trio — made up of members Alejandro Garcia, Salvador Samano and Josh Lane — meld disparate influences from Jamaican rocksteady to girl groups of the 1960s into their 12-track collection of modern, shiver-inducing soul, including pre-release singles like "Lucid Girl," "Waiting on the Right Time" and "My Heart is Drowning."

In the wake of the destruction Hurricane Helene caused across North Carolina, Granite Falls native Eric Church isn't just dedicating his latest single to his home state — he's giving them all of the publishing royalties to help relief efforts.

"Darkest Hour," Church's first new release in over three years, is a heartfelt ode to, as the country star put it himself, "the people who show up when the world's falling apart." Over soulful, stripped-back instrumentation, Church tenderly sings, "Baby don't give up/ I'll do everything in my power/ To take even a minute off your darkest hour."

It's also a serendipitous release for the singer, who had the song written long before the tragedy. "The line that struck me in light of the recent devastation was 'I'll come running,' because there are a lot of people out there right now who are in their darkest hour and they need people to come running. We were going to wait to release music until next year, but it just didn't feel right to wait with this song. Sometimes you give songs their moment and sometimes they find their own moment."

Two decades after rocketing up the charts with 2004's Trouble, Akon is back and feeling blissed out on his single "Akon's Beautiful Day" — his first new song in a decade.

"God thank you for sunshine, thank you for rain/ Thank you for joy, thank you for pain/ It's a beautiful day-ay-ay-ay," the Senegalese-American artist sings on the track. But lest you think Akon has traded the bananzas and belly dancers that made him famous for nothing but inspiration and platitudes, never fear: he still manages to winkingly reference his 2006 smash "Smack That" in the song's verses.

James Bay returns with his fourth studio set, Changes All The Time. Along with co-production from Gabe Simon, the English troubadour's latest full-length also features heavyweight co-writers throughout its liner notes, from Brandon Flowers and Natalie Hemby to Holly Humberstone and Kevin Garrett.

Standout tracks on the album include the smoldering love song "Speed Limit" and anthemic, emotionally raw closer "Dogfight." For the three-time GRAMMY nominee, the album served as creative liberation. "I really felt some true musical freedom making this music," he wrote in an Instagram post, adding that Simon helped him find "the courage to make what I wanted to make in ways I never have before."

Toosii continues his string of annual album releases with JADED, a follow-up to the rapper's sprawling 2023 effort NAUJOUR and its viral single "Favorite Song."

The latest project from the Raleigh, North Carolina MC was preceded by singles "Fuk U Mean" and the Gunna-assisted "Champs Elysee." In addition to the "one of wun" rapper, Toosii also links up with Kehlani (woozy confessional "Ok… Whatever") and Muni Long (the sparklingly romantic "I Do") on the album in between solo tracks like "She Doesn't Mind," "New Corvette" and closer "Sticks and Stones."

Andy Grammer — 'Monster'

Throughout the 2010s, Andy Grammer made a name for himself thanks to bright, optimistic ditties like "Honey, I'm Good" and "Keep Your Head Up," and his fifth album, Monster, continues that streak of delivering sunny, emotional anthems — though this time, with a few more shades of gray.

The follow-up to 2019's Naive finds the singer/songwriter showing off his impressive skills on the mandolin while also venturing into new sonic territory. He digs deeper into his vulnerable side, too, particularly on the booming ode to self-awareness "Blind Spots," on which he admits, "I played the hero/ Wore a smile and wore a cape/ When all along I was the one/ That needed to be saved."

Don't Stop Praying is both the title and overarching message of Matthew West's new album. The contemporary Christian stalwart's latest body of work uplifts throughout its 12 tracks, courtesy of collaborations with Christian country singer Anne Wilson ("Last Page of the Bible") and Stephen McWhirter ("Breakthrough's Coming"), as well as testimonial solo cuts like "Chosen," "Unashamed," "Goodbye Yesterday," and "God's Hand."

"Each song in its own way is inspired by the different types of prayers we find ourselves praying throughout our lives," West wrote on Instagram upon the LP's release. "I hope these songs inspire you to discover for the first time or maybe rediscover the power of prayer."