There’s arguably never been a better time for artists on the ascent. With micro-fandoms finding kinship on the internet, songs blowing up on TikTok before going mainstream, and all-out fervor for live experiences in a post-lockdown world, a host of exciting new names are capturing the zeitgeist. 

Each of the 25 rising artists featured here has their own leveling-up story. Some have spent the past year touring with huge names, winning over new fans city by city. Some are set to release highly-anticipated debut albums that deliver on the promise of their early singles. And others are finally breaking through after years of steady grind.

It’s a sonically eclectic group, spanning gritty rap to aching indie-pop to throwback soul, with artists hailing from the U.S., UK, Australia, Mexico and South Korea. If there’s a common thread these rising stars share, it’s a sure sense of their purpose and a hopeful eye to the future. Whatever your musical preference, you’ll find a new favorite to cheer on in 2024. 

Writers Taila Lee, D. Mariah, Lucas Villa and Lior Phillips contributed to this list.

RIIZE

What To Watch For: A new single (Jan. 5)

SM Entertainment’s newest boy group has a simple mission: rise and realize together. That’s why their name, RIIZE, is a portmanteau of the phrase.

Already, the septet has solidified themselves as one of K-pop’s fifth-generation leaders. Their mini-album, Get a Guitar, sold over 1 million copies in less than a week and quickly landed them at the top of Korea’s music charts. And 2024 is on course to be an even bigger year for them. RIIZE will kick off the year at the Seoul Music Awards, where they received nominations for Rookie Of The Year, Popularity Award and more. Three days later, they’ll share their third release. — D. Mariah

Nailah Hunter

What To Watch For: Lovegaze (Jan. 12)

Nailah Hunter’s music is the soundtrack of a dream.

Inspired by everything from her dad’s church band to Hayao Miyazaki films, Hunter creates a divine ambience by blending a diverse array of sounds. Intricate folk, alternative indie and new age all factor into the L.A.-based multi-instrumentalist and composer's music, but one instrument has truly shifted her sonic trajectory: a baby harp received on her 19th birthday.  

Now a harpist, the musician employs this beloved instrument to craft an exquisite, atmospheric sound that’s like a gateway to another world. Her 2021 harp-driven reimagination of Radiohead’s "Talk Show Host" boosted her following, but she’s released music since 2019.

Hunter’s debut album Lovegaze drops on Jan. 12, and if anything like her latest releases, fans can expect a quietly glamorous, and perhaps mystifying, sonic dreamscape. — Taila Lee

TSHA 

What To Watch For: U.S. tour (Jan. 12)

With a deep love of house, R&B, hip-hop and pop running through her veins, TSHA's sound is all her own. The British DJ and producer born Teisha Matthews first cemented herself as one-to-watch with 2020's accomplished Flowers EP on pioneering electronic label Ninja Tune. Two years later, her debut album, Capricorn Sun, deftly showcased the full breadth of her skills, from the achingly emotive house of "Sister" to the driving breakbeats of "Dancing In The Shadows." 

In 2023, TSHA leveled up again with a standalone single, "Somebody," featuring the vocal heft of [Gregory Porter](https://www.grammy.com/artists/gregory-porter/5803) and [Ellie Goulding](https://www.grammy.com/artists/ellie-goulding/19043) (who slid into TSHA's DMs). "Somebody" showcases the producer's potential outside club music — a point she's driven home by debuting a full band live show. To start 2024 right, she's spending January on tour around the U.S., including a special edition of her Jackfruit club night in New York. Expect sets with plenty of bump, groove and deep feeling. — Jack Tregoning 

Brittney Spencer 

What To Watch For: My Stupid Life (Jan. 19), dates supporting Grace Potter and multiple festival appearances

Though her debut album is titled My Stupid Life, Brittney Spencer’s music is anything but thoughtless.

Rather, the album's title speaks to Spencer distancing herself from the need to feel perfect, and it’s this vulnerability that makes the Baltimore-raised singer/songwriter so relatable. Touching souls with her country EP Compassion and singles like "Sober & Skinny," Spencer has been steadily making a name for herself ever since her cover of the Highwomen’s "Crowded Table" went viral. 

She’s toured as a backing vocalist for Carrie Underwood and performed at the CMA Awards, but Spencer’s biggest year just might be 2024. Not only will she be spending the first few months opening for Grace Potter’s Mother Road Tour, but she’ll also be hitting a few major festivals, including the sold-out 2024 Stagecoach Festival in April and Kentucky’s Railbird Festival in June. — TL

October London

What To Watch For: The Birth Of Marvin Tour (Jan. 25)

With such a charming stage name, it’s almost too on-the-nose that October London  makes delightfully bewitching R&B perfect for an autumn afternoon. Hailing from Indiana, the singer/songwriter has an enthralling old-soul, silky smooth delivery that nets comparisons to the legendary vocals of Marvin Gaye and Sam Cooke.  

London first made waves back in 2016 when he scored a feature on Snoop Dogg’s Coolaid. Since, he’s released a handful of EPs and albums — including 2023's The Rebirth Of Marvin and Technicolor EP — that have collectively garnered millions of streams. 

In 2023, he hit No. 1 on Billboard’s Adult R&B Airplay chart and performed at the 2023 Soul Train Awards — and that’s all before his North American tour launches in Seattle in January 2024. — TL

Sammy Virji

What To Watch For: North American tour (Jan. 26)

One of the first things that new fans notice about Sammy Virji is his boundless, ever-smiling energy. The Oxford-born DJ and producer is part of a new generation championing UK garage (UKG), a distinctly British genre experiencing a resurgence two decades on from its heyday. Virji's DJ sets — which blend UKG classics alongside bass-driven house and his own grin-inducing edits — have landed him on lineups alongside scene veterans like DJ EZ and DJ Q and new school revivalists Conducta and salute. 

Virji also excelled as a producer in 2023, dropping the raucous "Shella Verse" with grime MC Flowdan, the pumping house single "If U Need It," and "Hot In Here" alongside bassline master Champion. Meanwhile, his whirlwind set from DJ Mag HQ in August has hit a million views on YouTube, as fans clamor for his unreleased edits and remixes. 

From late January, Virji heads out on his debut North American tour, with a string of shows already sold out. For stateside fans, it's a rare chance to catch one of Britain's best in sweaty, jump-up club mode. — JT

VCHA

What To Watch For: New single "Girls of the Year" (Jan. 26)

In July 2022, JYP Entertainment founder J.Y. Park and Republic Records CEO Monte Lipman made history by announcing the development of the first American girl group trained under a K-pop system. The duo spent the next year recording "America2Korea," a nationwide talent search and survival competition series that would later birth VCHA.

Between months of training in Seoul and Los Angeles, the show’s six winners — Camila, Lexi, Kendall, Savanna, KG and Kaylee — previewed what’s to come with a teaser EP, SeVit (New Light), featuring the three original tracks they performed on the finale of "A2K." On Jan. 26, the dream will become even more of reality with their official debut single. — D. Mariah

Dylan Marlowe

What To Watch For: Headlining tour (Feb. 1)

Dylan Marlowe is preparing for a busy 2024.

Based in Nashville, the Georgia-born country singer was always surrounded by music, either listening to his drummer father’s Christian metal-rock band or following his mom’s passion for traditional country. Around his senior year of high school, Marlowe picked up a guitar, and it’s been history ever since.

From cheering to friendship in "Boys Back Home" to remembering a heart wrenching goodbye in "Record High," it’s clear Marlowe knows how to pen a hit. He’s already scored his first No. 1 on the country radio charts, through his songwriter credit on Jon Pardi’s single "Last Night Lonely."

The 26-year-old is already headlining his own tour early next year, along with opening dates for country rocker Brantley Gilbert. And with all these upcoming tour dates, it’s no wonder he was just named a promising new artist in Country Music Television’s Listen Up campaign. — TL

The Last Dinner Party

What To Watch For: Prelude to Ecstasy (Feb. 2)

There's an out-of-time quality to The Last Dinner Party, and it's not just their envy-inducing ruffled wardrobe. At times they sound like Kate Bush fronting Sparks — which is to say premium drama and lush, even baroque indie rock brilliance. 

The quintet of Georgia Davies, Lizzie Mayland, Abigail Morris, Aurora Nishevci, and Emily Roberts sprung from seeming total obscurity into one of the buzziest acts from the UK. While many artists with this kind of attention had seeded mixtapes and singles in social media and streaming, word started to spread internationally on The Last Dinner Party when they had released only one officially recorded song. 

Of course it helped that the track in question was the immaculately dramatic "Nothing Matters." They're now up to four singles, not to mention high-profile spots at festivals like Glastonbury, TV performances, and even opening slots for Florence + the Machine and the Rolling Stones. By the time their debut record, Prelude to Ecstasy, hits in February, The Last Dinner Party will be more than ready to take the leap to superstardom — if they haven't already reached it before then. — Lior Phillips

Destin Conrad

What To Watch For: Submissive tour (Feb. 4)

Destin Conrad has come a long way since his days on Vine. Little did he know that amongst his million followers was Kehlani, who would later invite him to the songwriting camp for her 2020 record, It Was Good Until It Wasn't: "That experience pushed me because I never did that. I felt the pressure to prove myself," he said in his biography.

Three years later, the fine-tuning of skills has led to his most mature project, SUBMISSIVE, which he released in October. "So much has changed in my life that has forced me to submit," he explained. "I didn't realize at the time that it gave me the power to be dominant, to be an adult, to grow."

Next year, Conrad will spend February to April promoting the album on the 36-stop Submissive Tour through the United States. — DM

Royel Otis

What To Watch For: Pratts & Pains (Feb. 9)

After a few years of honing their honey-and-silk guitar pop, the duo of Royel Maddell and Otis Pavlovic broke through in their native Australia with the punnily titled Sofa Kings EP in 2023.  

The Sydney group specialize in a blend of propulsive rhythms and laid-back cool, and early indications suggest their upcoming LP Pratts & Pains could cement their case for slacker rock royalty. Freshly released single "Heading for the Door" builds to just the right level of guitar crunch to keep the falsetto flow from getting too sweet.

Fans of Broken Bells' shimmer and Metronomy's synthy clarity will find plenty to latch onto, but the college rock twist adds a fresh layer of intrigue. And while the February release date sets Royel Otis' debut album up as the perfect summertime sway for Aussie heat, Maddell and Pavlovic's nostalgia-triggering indie rock has the sort of magic to savor through the cold winter months in the Northern hemisphere, too. — LP

Bratty

What To Watch For: Tres Tour (Feb. 12)

Bratty, the brainchild of Mexican singer/songwriter Jennifer Abigail Juárez Vázquez, is refreshing Latin pop by infusing it with an alternative and angst-driven edge. The project gets its name from Best Coast indie rock duo’s song "Bratty." 

In April, Bratty made a mark as one of the few Latin acts to perform at Coachella. November saw the release of her third and breakthrough album Tres, which skillfully blends sunny surf rock with dark tones of grunge, while translating these style into Spanish on songs like "Radio" and "Ya No Es Lo Mismo." Come February, Bratty will embark on her inaugural U.S. headlining tour, the Tres Tour. — Lucas Villa

Chappell Roan

What To Watch For: Tour dates supporting Olivia Rodrigo (Feb. 23)

As her debut album suggests, Chappell Roan has experienced the rise and fall of a Midwest princess. 

Before she was 20, the Missouri native signed a coveted deal with Atlantic Records. After three years of making music she didn’t love, they dropped her. Then, she ended her relationship with her longtime boyfriend and moved back home with her parents. 

But that slump wasn’t the end of Roan’s story. She returned to Los Angeles in a last-ditch effort, created her first LP and began performing under a drag persona to much success. "I always dreamed of being able to feel this feeling, and I just happened to be able to sing it and it came out in music,"  Roan told Variety. 

Midwest Princess is only the first step into this new era of liberation — in February, she’ll perform on the highly anticipated, sold-out Guts World Tour in support of Olivia Rodrigo, who she met through their mutual collaborator, Dan Nigro. — DM

Flyana Boss

What To Watch For: The Bosstanical Garden Tour (Feb. 24) 

Flyana Boss knows how to run it up — after all, the hip-hop duo’s most viral TikTok is of them running and rapping.

Spotlighting their catchy rap hit "You Wish," the video racked up millions of views and consequently translated into millions of streams. Given the pair’s hard-hitting flow and unshakeable confidence, it’s no surprise Flyana Boss’ career has skyrocketed this year.

Folayan and Bobbi LaNea first met at Los Angeles’ Musicians Institute, but they didn’t become Flyana Boss (which, yes, rhymes with Diana Ross) until they reunited a while later. The rap duo dropped three EPs this year — Boffum, Vitamin FB and Make It A Double — signaling more of the exuberance and excellence to come.

With creativity and a sick beat or two, the lovable hip hop duo is taking the world by storm. Since going viral, the pair have collaborated with Missy Elliott, opened for Janelle Monáe on tour, and even have their own headlining 2024 tour. Trying to get on Flyana Boss’ level? You wish. — TL

Natalie Jane

What To Watch For: An international tour (Feb. 26)

With more than 9 million followers on TikTok, you have probably seen at least one of Natalie Jane’s buzzing videos. Maybe it was the one where she belted Gnarls Barkley’s "Crazy" in a parking garage, that time she harmonized "Part of Your World" on a kitchen countertop, or one of the many other snippets that made her one of the app’s most viewed artists of 2023. 

Now, she’s ready to carve a path of her own beyond the phone screen.

Jane premiered her EP, Where Am I?, on Nov. 17. The EP leads with alt-pop break up anthems "Seven" and "AVA" — two songs that are a trademark of her signature sound of powerhouse vocals, acrobatic riffs and blunt lyrics ("Who the f— is Ava?" she sneers in the latter). Next February, she will embark on her first headlining international tour, beginning in Santa Ana, California, and concluding May 16 in Dublin, Ireland. — DM

Yard Act

What To Watch For: Where's My Utopia? (March 1)

From Idles to Fontaines DC, the latest wave of British post-punk has made for some fascinating thrills. But where so many others (both in this current spate of bands and throughout the genre's history) either shout or offer a stoic cool, Yard Act put on their glasses and dance. 

For their 2022 debut, the quartet of James Smith, Ryan Needham, Sam Shipstone, Jay Russell found a way to puree bits of Sleaford Mods, the Fall, and Devo into a danceable fusion of rapid speak-singing, smirky social commentary, and nerdy rhythmic twitching. After earning raves in the UK and even a collaboration with Sir Elton John, they're set to release Where's My Utopia? Early singles like the groovy "Dream Job" show their satirical teeth. Co-producer and Gorillaz member Remi Kabaka Jr. daubs the gloss in a clever push-and-pull with Smith's rakish vocals, the result a neon black wonderland that will keep your feet and brain moving. — LP

Games We Play

What To Watch For: Life’s Going Great (release date TBD) & Northern American tour (March 15)

Games We Play embodies the charm of ‘00s pop-punk: raw lyricism, candid production and, most importantly, a disposition to live carefree. It’s these exact characteristics that herald the band as one of Head of Fueled by Ramen Johnny Minardi’s future faces of the genre, as he recently revealed in a roundtable discussion with GRAMMY.com.

Their upcoming album might be their most vulnerable yet. Ironically titled Life’s Going Great, frontman Emmyn Calleiro narrates his insecurities about his body and upbringing ("Pretty Boy") and becoming a divorcé at 23 ("too young"). The project is slated to release in early 2024. In the meantime, secure your tickets for their North American tour, commencing this March. — DM

Logic1000

What To Watch For: Mother (March 22)

Over the past five years, Logic1000 has emerged as one of dance music's most distinctive talents, with a sound that's rooted in classic house and inflected by UK bass and pop. Born in Sydney, Australia, and now based in Berlin, the producer and DJ born Samantha Poulter has released a string of standout EPs, including her 2018 breakout LOGIC1000 (featuring the R&B-sampling banger "DJ Logic Please Forgive Me") and 2021's You've Got the Whole Night to Go on her own Therapy label, which deepened and refined her sound with a strong thread of '90s nostalgia. 

In March, Poulter is set to release her debut album as Logic1000, *Mother*, which channels the rush of "love and inspiration" she felt as a new mother. Poulter describes the album — which she produced alongside her husband and longtime collaborator Thom McAlister (a.k.a. Big Ever) — as "a love letter to house music." That description fits the warm, enveloping atmosphere of singles "Grown On Me" and "Self To Blame," which both evoke the sun rising after a long night dancing. With the release of her most personal and complete statement yet, 2024 is the year of Logic1000. — JT

Emilia

What To Watch For: .MP3 Tour (April)

Emilia is putting Latin pop from Argentina on the map. The Nogoyá native debuted her first album Tú Crees En Mí? last year in which she explored reggaeton influences. In November, Emilia eschewed that sound for Y2K-inspired pop with her latest release, .MP3 LP. One house-infused banger, "GTA.mp3," channels Kylie Minogue's hit "Can't Get You Out of My Head." 

Emilia also ventured into new territory, blending Brazilian funk with EDM in "No_Se_Ve.mp3" alongside Ludmilla. In April, she will embark on the .MP3 Tour in Argentina, Uruguay, and Paraguay. Last year, made history by selling out 10 concerts at Bueno Aires' Movistar Arena in under 10 hours. — LV

Teezo Touchdown

What To Watch For: Spend The Night Tour (April)

There's no one in the hip-hop world quite like Teezo Touchdown. Aaron Lashane Thomas not only refuses to fit into any traditional genre or style lines, his penchant for weaving nails into his hair and painting black Ts on his face show his approach before he even opens his mouth. 

That said, listeners have already become familiar with his unique flair — whether on tour with Tyler, the Creator, Vince Staples, and Kali Uchis, or in features with Drake and Travis Scott. The 31-year-old Texan's ability to leapfrog between styles and vibes reflects the wide musical spectrum of his youth, which included Marvin Gaye, Judas Priest, and Kraftwerk. The late-2023 release of his debut album How Do You Sleep At Night? highlighted that perfectly, Teezo nimbly bounding from rapping over thunderous Weezer guitars to delivering soulful Autotuned lines with Janelle Monáe. 

Now raking in millions of Spotify listens and set to take off on his own headlining tour, Teezo is more than ready to move into the spotlight, a fascinating character and artist. "I know that I'ma make it, baby, no if, ands, or buts/ I know that I'm a superstar but no one's looking up," he drops on album highlight "Familiarity." By the time 2024 rolls in, people won't be able to stop looking. — LP

ScarLip

What To Watch For: Scars & Stripes (Release date TBD)

An endorsement from Cardi B would mean a lot to any rapper, but for ScarLip (a.k.a. Sierra Lucas) that cosign resonated at another level. Both women share Bronx roots ("Don't come to Bronx with that s— 'cause we ain't f—in' with that s—," Scar spits on her smash single "This Is New York"), but their unflagging intensity and unique approaches to rap are perhaps deeper commonalities. And Cardi's not the only one taking notice; in addition to millions of streams, Snoop Dogg jumped onto a remix of "This Is New York" called "This Is Cali" and legendary producer Swizz Beats is set to produce Scar's debut EP.

ScarLip at times reaches into a DMX bark, capturing the grimier corners of New York rap. Her ability to burn the drill beats with a growly snarl and then float above the rhythm feels like the embodiment of New York tough — and gets the blood pumping. — LP

La Cruz

What To Watch For: A new album (Release TBD)

La Cruz is breaking ground in reggaeton as the genre’s first openly gay artist singing to other men in his lyrics. The Venezuelan singer is charting a similar path as other LGBTQIA+ artists like Young Miko and Villano Antillano that have become some of reggaeton's biggest stars. 

In November last year, La Cruz released his debut album Hawaira, which brought themes of gay love and lust into the reggaeton arena. During Pride Month, he went viral on social media with the sexy reggaeton romp "Quítate La Ropa," which caught the attention of Colombian superstar Karol G. Ahead of his next album in 2024, La Cruz turned up the heat with his freaky follow-up single "Easy Boy." — LV

Gabito Ballesteros

What To Watch For: A new album (Release TBD)

Gabito Ballesteros is rapidly emerging as a bright new talent in the música Mexicana scene. This past year, the Mexican singer became a sought-after collaborator and co-writer, working with artists like Peso Pluma, Becky G, Piso 21, and Conexión Divina. His notable collaboration with Peso Pluma and corridos tumbados trailblazer Natanael Cano on "AMG" reached No. 37 on the Billboard Hot 100 chart. 

After signing with Cano's record label, Ballesteros and his fellow artists from Los CT joined Interscope Records in October. As he prepares for his first album release with Interscope in 2024, Ballesteros released his fiery cover of the classic "A Puro Dolor" by Son By Four. — LV

Latin Mafia

What To Watch For: Debut album (Release TBD) and multiple festival performances in Latin America

Latin Mafia, a versatile Mexican pop group, defies genre boundaries. The group includes producer Mike de la Rosa and his twin brothers Milton and Emilio. Their music, which blends R&B, reggaeton, trap, and house, is infused with heart and soul. 

In the emotional "No Digas Nada," Milton and Emilio confront machismo and toxic masculinity prevalent in Latinx culture, opening up about their struggles with anxiety and mental health. Latin Mafia gets the party started with the explosive reggaeton banger "Julietota," which ends on a contemplative R&B note. Next year, the group will hit the festival circuit with performances at Lollapalooza Argentina, Lollapalooza Chile, Colombia's Estéreo Picnic, and Mexico's Tecate Pa'l Norte. Latin Mafia's debut album will follow in 2024. — LV

Xavi

What To Watch For: An album of original material (unconfirmed)

Xavi is on track to becoming música Mexicana's biggest breakthrough star in 2024. The Mexican American singer released his breakthrough single "La Víctima" through Interscope Records in August. Since then, the haunting breakup anthem has gone viral on TikTok with over 53,000 video creations. 

At 19-years-old, Xavi sings with a soulfulness that's beyond his age. In December, he scored his first Top 10 hit on Billboard's Hot Latin Songs chart with "La Víctima." As the sole wordsmith behind the song, Xavi also sits at No. 1 on the Latin Songwriters chart. Xavi is continuing to tease his hotly-anticipated debut project with his latest single, the fiery "La Diabla." — LV

30 Must-Hear Albums Coming Out In 2024: Green Day, Usher, Tyla & More

Three of the most distinctive and powerful female voices in Latin pop joined forces on the 2024 Latin GRAMMYs stage in Miami on Nov. 14 for a medley of their nominated songs.

First to perform was Columbian-American artist Kali Uchis, with her bolero-inspired song "Te Mata" from her chart-topping Spanish-language album Orquídeas. Nominated for Best Pop Vocal Album, Uchis also boasts nods for Best Pop Song and Record Of The Year for her track "Igual Que Un Ángel," featuring Mexican rapper Peso Pluma, and for Best Reggaeton Performance for "Labios Mordidos," featuring Karol G. This year's Latin GRAMMY nominations mark her first since her 2017 nomination for Record Of The Year for the song "Ratico," with Juanes. 

Dressed in a strapless, corset-style white satin gown, orchids fittingly adorning her mic stand, Uchis embodied old-school glamor and cool as she crooned the downtempo ballad. 

Next, alone on stage in a floor-sweeping white gown of her own, dance-pop singer/songwriter Elena Rose introduced a different kind of nostalgia with a performance of her upbeat hit "Caracas En El 2000," originally featuring Danny Ocean and Jerry Di. The single, an innocent and breezy ode to her Venezuelan roots, has amassed over 22 million views on YouTube and earned a nomination for Song Of The Year in addition to nominations this year for Best Pop/Rock Song for "Blanco y Negro" and Best Regional Song for "Por El Contrario." 

Known for her behind-the-scenes writing for stars like Bad Bunny and Selena Gomez, Rose has become a rising artist in her own right. Along with her Song Of The Year nomination, she earned nods for Best Pop/Rock Song and Best Regional Song, bringing her career Latin GRAMMY nominations total to nine.

View this post on Instagram

A post shared by The Latin Recording Academy (@latingrammys)

Last but not least, Argentine pop sensation Emilia captivated the audience with a portion of her hit "No Se Ve," a standout from her Y2K-aesthetic 2023 album .mp3, which is nominated for Best Pop Vocal Album alongside Kali Uchis. In rhinestones and ultra-mini skirts, Emilia and her crew of dancers appropriately evoked the early '00s with a faithfulness that would give anyone flashbacks.

Emilia broke into the Argentine music scene with her 2022 debut, Tú Crees En Mí?, a trap and reggaeton-heavy album featuring hits like "Cuatro Viente" and "Intoxicao." With its follow-up, .mp3, she shifted to Latin pop with '90s and 2000s influences, teaming up with Tini and selling out dates across Argentina, Uruguay and Spain for her upcoming tour. 

Check out the complete list of winners and nominees at the 2024 Latin GRAMMYs.

View this post on Instagram

A post shared by The Latin Recording Academy (@latingrammys)

Believe it or not, it's already that time of year again: the 2025 GRAMMY nominations have been revealed.

After a year that saw a pop renaissance and continued dominance by women across genres, the 2025 GRAMMY nominees followed suit. Beyoncé is this year's most-nominated artist, adding 11 more to her GRAMMY resumé (more on that later). Pop's newest reigning queens, Sabrina Carpenter and Chappell Roan, solidified their thrones; they each celebrate six nominations, and are the only two artists nominated for Record Of The Year, Album Of The Year, Song Of The Year, and Best New Artist. 

In fact, six of the eight leading nominees are women. Female artists dominate both the Record Of The Year and Album Of The Year Categories, as well as over a dozen other Categories Best Pop Vocal Album, Best R&B Performance and Best Latin Pop Album.

But that's just one exciting aspect of this year's nominations. As you dive into the full 2025 GRAMMYs nominee list, take a look at some of the most notable feats and firsts from the 2025 GRAMMY nominations — and be sure to tune into Music's Biggest Night on Sunday, Feb. 2, 2025!

Beyoncé Adds To Her GRAMMY Legacy

With 11 nominations, Beyoncé isn't just the most-nominated artist at the 2025 GRAMMYs — she's now the most-nominated artist in GRAMMY history. The 11 new nods bring her total to a whopping 99 nominations!

Queen Bey is already the artist with the most GRAMMY wins of all time with 32, a record she achieved upon her album RENAISSANCE winning Best Dance/Electronic Music Album at the 2023 GRAMMYs. 

Artists Are Nominated In Fields/Categories For The First Time

Along with a new GRAMMY record, Beyoncé also adds a new GRAMMY Field to her repertoire. She received her first nominations in the Country & American Roots Music Field, and five at that: Best Country Solo Performance ("16 CARRIAGES"), Best Country Duo/Group Performance ("II MOST WANTED" Featuring Miley Cyrus), Best Country Song ("TEXAS HOLD 'EM"), Best Country Album (COWBOY CARTER), and Best Americana Performance ("YA YA").

Post Malone also tallied the first Country & American Roots Music Field nominations of his career, earning nods for Best Country Duo/Group Performance and Best Country Song for his Morgan Wallen duet, "I Had Some Help," and Best Country Album for F-1 Trillion.

One of Malone's many F-1 Trillion collaborators, Luke Combs, notched his first nomination in the Best Song Written For Visual Media Category for his chart-topping Twisters anthem "Ain't No Love In Oklahoma."

Meanwhile, R&B titans Alicia Keys and John Legend both celebrate nominations in new Categories as well. Keys is nominated in the Best Musical Theater Album Category for the first time (Hell's Kitchen), and Legend received his first nods for Best Children's Music Album (My Favorite Dream) and Best Arrangement, Instrumental or A Cappella ("Bridge Over Troubled Water" by Jacob Collier featuring Legend & Tori Kelly).

Charli xcx Continues Her Brat Summer

Pop's longtime cool girl Charli xcx also adds several new Categories to her GRAMMY nomination tally, but her reason to celebrate is a little bigger than that: they're her first nominations as a solo artist.

Charli xcx's previous two GRAMMY nominations came in 2015, and they were for her Iggy Azalea collaboration, "Fancy." Perhaps to fans' surprise, her own work had never received a nod — but brat changed that immensely.

One of the most-nominated artists with seven, Charli xcx earned her first nominations in the Album Of The Year (brat), Best Pop Solo Performance ("Apple"), Best Pop Dance Recording ("Von Dutch"), Best Dance/Electronic Album (brat), and Best Music Video ("360") Categories. She's also nominated in the same two Categories in which "Fancy" were 10 years ago: Record Of The Year ("360") and Best Pop Duo/Group Performance ("Guess" Featuring Billie Eilish).

Album Of The Year Marks Notable Firsts

Three of Charli xcx's fellow Album Of The Year nominees reach milestones with their respective nominations. Taylor Swift received her seventh Album Of The Year nomination thanks to THE TORTURED POETS DEPARTMENT, becoming the first woman artist to receive seven nominations in the Category. 

Billie Eilish notches her third Album Of The Year nomination in a row with HIT ME HARD AND SOFT, making her the first artist to have their first three albums nominated in the Category.

Jack Antonoff also achieved a back-to-back AOTY feat, as it's the second year in a row that he has been nominated for his work with two separate artists in the Category. His latest Album Of The Year nods are for Swift's THE TORTURED POETS DEPARTMENT and Sabrina Carpenter's Short n' Sweet. (Fittingly, Swift was one of the two artists last year too, as Antonoff was nominated for AOTY for his work on Midnights as well as Lana Del Rey's Did You Know That There's a Tunnel Under Ocean Blvd.)

Veteran Acts Earn Nods For The First Time In A Long Time

Several artists and creators celebrate their first GRAMMY nominations this year, including big-name stars like Sabrina Carpenter, Doechii, Carin Léon, Chappell Roan, Shaboozey, and Morgan Wallen. What's more, 32 of those first-time nominees have two or more nominations.

But while the Recording Academy is always excited to honor new nominees — check back to GRAMMY.com in January for the annual Meet The First-Time GRAMMY Nominee series — one of the most interesting stories of the 2025 GRAMMYs centers on those who received nominations for the first time in over a decade.

Perhaps the most unexpected names to see on the list are the Beatles. The Fab Four are nominated for the first time in 28 years thanks to "Now And Then," what Paul McCartney has dubbed "the final Beatles record." The song earned nods for Record Of The Year and Best Rock Performance, which brings their career nominations count to 25; prior to the 2025 GRAMMYs, the Beatles have won seven GRAMMYs.

The longest time between nominations this year goes to the Black Crowes, who received their first nod in 34 years for Happiness Bastards, their first album in 14 years. They earned their first Best Rock Album nomination, as they'd only ever been nominated once previously, for Best New Artist in 1991.

Interestingly, the Rock, Metal & Alternative Music Field spawned a few long-awaited nominations for veteran acts. Kim Gordon of Sonic Youth fame scored the first nominations of her career with her second solo album, The Collective, which is up for Best Alternative Music Album, and its lead single, "BYE BYE" is up for Best Alternative Music Performance.

Pearl Jam celebrated their first nominations since 2011 with their 12th studio album, Dark Matter, which received a nod for Best Rock Album as well as Best Rock Song and Best Rock Performance for its title track.

They're in company with their fellow '90s punk rock gods Green Day, who earned nods in all three Categories thanks to their latest album, Saviors. Marking Green Day's first nominations since 2014, Saviors is up for Best Rock Album, while singles "The American Dream Is Killing Me" and "Dilemma" are up for Best Rock Performance and Best Rock Song, respectively.

Elsewhere, Usher earned his first nomination for his own work in 10 years with a Best R&B Album nod for Coming Home, and Eminem earned his first nod for Best Rap Album (a Category he's won six times) in 10 years with The Death of Slim Shady (Coup de Grâce).

Collaborations helped Erykah Badu, Michael McDonald and Monica snag their first nominations in more than a decade, too. Badu's team-up with Rapsody, "3:AM," earned a nod for Best Melodic Rap Performance, the singer's first nomination in the Category and first overall since 2009. McDonald tallied his first nomination since 2004 thanks to his Lalah Hathaway duet, "No Lie," which is nominated for Best Traditional R&B Performance.

Monica received her first nomination since 2011, which also marked a full-circle moment. Her collab with Ariana Grande and Brandy, "The Boy Is Mine," earned a nod for Best Pop Duo/Group Performance — 26 years after her duet with Brandy of the same name won a GRAMMY for Best R&B Performance By A Duo Or Group With Vocal.

Will any legends go home with more golden gramophones? Will Beyoncé further her victory lap? Will there be several first-time winners? Tune into CBS on Feb. 5, 2025 to find out!

Sharing an album with the world is an artist’s way of immortalizing a fragment of their life. Though virality can propel music to the mainstream, releasing an album is a profound accomplishment that can have a deep and laying impact. Albums are more than an encapsulation of a musician’s lived and learned experiences: they’re a way to cherish them forever.

The Recording Academy is proud to present the 2025 GRAMMYs nominees for Album Of The Year, honoring both artistic and technical skill of the highest degree in music. The Category is notably dominated by women this season, while several entries see established artists tapping into new genres and sonic arenas. 

Check out the nominees below and read the full 2025 GRAMMYs nominations list ahead of Music's Biggest Night on Sunday, Feb. 2, 2025. 

André 3000 — 'New Blue Sun'

André 3000 might be best known for his role in Outkast, but recently, the Atlanta rapper has been busy carving out a new reputation as André the flutist.

In the years following Outkast’s split in 2007, André 3000 has been spotted wandering everywhere from LAX to Japan with his flute in tow. Now, the opening track of his first-ever solo album amusingly calls out his genre switch: "I Swear, I Really Wanted to Make a ‘Rap’ Album but This Is Literally the Way the Wind Blew Me This Time."

To record improvisations that eventually birthed New Blue Sun, the flutist worked with producer Carlos Niño, keyboardist Surya Botofasina, and guitarist Nate Mercereau to craft a surreal, textured soundscape. Throughout, André 3000 plays the contrabass flute, Maya flute, wood and bamboo flutes, and more wind instruments — harmoniously uniting to create the artist’s first release in over 17 years.

Composed of eight tracks with bizarre, lengthy titles, the lyricless New Blue Sun is labeled as new-age and experimental jazz. It’s fairly shocking that André 3000 is not a trained musician, given the project’s brilliance; led primarily by rhythm, and using his instincts developed from rapping, the expert flutist embeds New Blue Sun with an organic authenticity. The album feels limitlessly atmospheric, dipping into an ambience that teeters between peaceful and precarious.

With Big Boi in the ‘90s, André 3000 undoubtedly helped shape hip-hop, pushing the genre forward with creative integrations of funk, jazz, rock, and gospel. In 2024, he continues to break rules as he champions alternative jazz — all with his flute by his side.

When Beyoncé’s first country song came out in 2016, people questioned if the icon belonged on the country radio — despite the indisputable impact of Black artists on the genre. Eight years later, the genre-bending diva is still drowning out the noise by switching on her very own radio station: COWBOY CARTER’s KNTRY Radio Texas, that is.

The fantasy station is one of the many visionary elements of COWBOY CARTER, an album that honors the cultural contributions of Black artists to American country music. The eighth studio project is Act II of her album trilogy; while the first installment RENAISSANCE (2022) focused on futuristic escapism, COWBOY CARTER looks to the past. It pays vibrant tribute to the Black community’s roots in country music, offering a glorious reimagination of Americana.

Not just championing but also reinventing Southern subgenres, COWBOY CARTER is yet another example of Beyoncé’s revolutionary versatility. From horseshoe steps to boot stomps to Beyoncé’s fingernails as percussion, the album unites bluegrass, zydeco, folk, R&B, and more to craft a majestic testament to Beyoncé’s boundless artistry.

Boasting 27 tracks and five years in the making, the Texas-born legend’s album includes features from Dolly Parton, Willie Nelson, Linda Martell, Miley Cyrus, Post Malone, Shaboozey, Tanner Adell, Tiera Kennedy, Reyna Roberts, and Brittney Spencer, embracing country legends as well as making space for up-and-coming Black artists on the scene.

While Beyoncé has yet to take home GRAMMY Gold for Album Of The Year, she remains the artist with the most GRAMMY wins of all time. After all, this isn’t her first rodeo.

"Oh, I leave quite an impression," Sabrina Carpenter croons on Short n’ Sweet, with a nonchalance that’s virtually intoxicating. While the 25-year-old indeed stands at just five feet tall, it’s evident the actress-turned-songstress has enough talent to fill a stadium.

Glowing with lighthearted, honest-to-goodness genius, Short n’ Sweet is the cherry on top of Carpenter’s already extensive discography. Her sixth studio album spawned a trinity of 2024 hits: "Espresso," "Please Please Please" and "Taste." With this remarkable trio, Carpenter became the first artist since the Beatles to chart their first three top five US hits in the same week. Short n’ Sweet's success was boosted by her Coachella debut earlier in the year, and furthered during her first arena tour.

On her delightful summer hit "Espresso," Carpenter explicitly mentions that her "twisted humor" is what makes her lovable, which might remind older fans of her 2022 single "Nonsense." The pop track went viral for its raunchy, often silly outros that Carpenter lovingly tailored to each city she toured in — and on Short n’ Sweet, she taps into her risqué wit much more fully, rocketing her album to another level of memorable.

Undoubtedly, it’s Carpenter’s bright confidence that makes space for her playful pen game on Short n’ Sweet. With her signature plucky yet composed soprano, she balances her soulful ardor with her deadpan humor expertly, allowing her to explore the nuances of romance in new and clever ways — all while maintaining her infectious charisma that earned her her first GRAMMY nominations this year.

Charli xcx knows how to throw a party, and on June 7, 2024, she turned the world into her own nightclub. BRAT, her sixth studio album, gloriously splattered the globe a garish green, with hits like "360," "Apple," and "Von Dutch" soundtracking the summer.

Ten years after scoring her first GRAMMY nominations for "Fancy" with Iggy Azalea, the British queen of "brat summer" continues to crank out bangers about chandelier swinging and driving in the fast lane. Working with producers A.G. Cook, EASYFUN, Cirkut, her fiancé George Daniel, and other longtime collaborators, Charli conjured her own genre: a chic, club-ready pop blend of electroclash and hyperpop.

Though the self-proclaimed 365 party girl sings about dancing until dawn and sipping one too many aperol spritzes, BRAT is also Charli’s most vulnerable album, her long nails gingerly peeling back the sticky layers of fame and womanhood. BRAT makes blunt confessions about jealousy, questioning motherhood, grief, and intergenerational trauma. Brilliantly, she’s dauntless and exposed all at once — and still bumpin’ that at the club.

Her popular co-headlining SWEAT Tour with GRAMMY-nominated collaborator Troye Sivan vroom-vroomed BRAT to arenas across the U.S. Charli xcx might have had her shades on while performing, but make no mistake: she has nothing to hide.

When people think of contemporary jazz, rollercoaster might not be the first word that comes to mind — but Jacob Collier is nothing if not ambitious. As the climax of his four-album project dating back to 2018, Djesse Vol. 4 triumphs as an odyssey through genre.

What makes Collier such a prolific musician is his refusal to distill abundance. He sees the beauty in anything and everything, and Djesse Vol. 4 brings his perspective to life. The project not only centers but celebrates the human voice; in fact, about 150,000 voices feature on Djesse Vol. 4 — many from his own concert audiences that he transformed into improvised choirs. 

Collier has won multiple GRAMMY Awards for Best Arrangement, Instruments and Vocals, and Djesse Vol. 4 continues to showcase his mastery of sound via genre diversity. The nominated album is modern and sprawling, from the serenity of his audience-choirs to howling of heavy metal. Djesse Vol. 4 is thought-provoking, engrossing, and oftentimes surprising; who else would have aespa and Chris Martin on the same track?

Collier is the first British artist to win a GRAMMY for each of his first four albums, and Djesse Vol. 4 already boasts a GRAMMY-nominated track on it (2022’s "Never Gonna Be Alone," featuring Lizzy McAlpine and John Mayer, which was later announced as the album’s first single). Collier was previously nominated for Album Of The Year for Djesse Vol. 3 and also received a nod at the 2023 GRAMMYs in the same Category for Coldplay’s nominated Music of the Spheres.

Djesse Vol. 4 has redefined Collier’s perspective on life, and in a way, Collier’s album is more than a reflection: it’s an open invitation.

Billie Eilish had a fear of water as a child, yet to capture the album cover for HIT ME HARD AND SOFT, she spent six brutal hours on-and-off submerged underwater with a weight on her shoulders. "A lot of my artwork is painful physically in a lot of ways, and I love it," the 22-year-old told Rolling Stone. "Oh, my God, I live for it."

Eilish delves beneath the surface in more ways than one on HIT ME HARD AND SOFT. As rippling, immersive alt-pop, the album swims through similar topics covered in her first two studio albums, including coping with fame, body image, and post-breakup grief. Yet Eilish is no longer the proudly self-proclaimed "bad guy"; instead she doesn’t tether herself to a persona.

In this way, HIT ME HARD AND SOFT holds dear a newfound, striking level of maturity. Eilish is incontestably true to herself, and lyrically, the album feels especially unbridled and attentive. With its title a paradoxical demand, HIT ME HARD AND SOFT powerfully represents the impossible struggle between intensity and tenderness — both in love and in life.

Though the album cascades as an emotional torrent, it’s as cohesive as it is potent. It’s (unsurprisingly) produced by her brother and day-one collaborator, FINNEAS, whose minimalistic but nevertheless hard-hitting soundscape gives bedroom pop a makeover. Eilish’s third Album Of The Year nomination shows that, once again, she isn’t treading water; she’s plunging straight into the deep end.

In the prismatic world of pop, Chappell Roan knows how to rotate through every color in the rainbow. A kaleidoscope of wistful yet intense romance, Roan’s The Rise and Fall of a Midwest Princess churns with the unabashed authenticity that only true superstars can craft — and on a debut album, nonetheless.

Although Roan’s career began 10 years ago on YouTube, the Missouri-born singer skyrocketed to fame in the last year following spectacular festival performances and an opening slot on Olivia Rodrigo’s Guts World Tour. Her 2020 single "Pink Pony Club" pushed the singer toward a massive 2024 breakthrough, the song an open proclamation of queer joy (amid understanding her evolving relationship with religion).

Inspired by drag queens, Roan’s aesthetic is breathtakingly campy and sparkly — much like her striking debut album. Championing female and queer freedom, The Rise And Fall gushes with yearning in a way that’s both carefree and confessional. From the hungry, heart-shattering "Casual" to the kinky pleasure of "Red Wine Supernova," each track showcases Roan’s sharp dynamism.

The Rise And Fall bursts with radiant '80s-inspired and 2000s synthpop from GRAMMY-winning producer Dan Nigro, all of which only highlights her dynamism. Beyond her vocal flips and cutting lyricism meant for laughing and/or crying, what’s special about Roan’s album is its defiance. Chappell Roan is the definition of unapologetic, and The Rise And Fall is all the evidence anyone needs.

Before it was even released, The Tortured Poets Department had already made GRAMMY history: during her acceptance speech for the 2024 GRAMMY Award for Best Pop Vocal Album, Taylor Swift surprised audiences by announcing the album’s upcoming release. And just one year later, Swift is making history yet again with her seventh Album Of The Year nomination.

Serving as a creative "lifeline" for Swift during the Eras Tour, working on The Tortured Poets Department reminded the star of how integral songwriting is to her wellbeing. Consequently, the 16-track album (plus an additional 15 tracks in an expanded version of the labrum) unveiled some of her most diaristic songwriting yet. Swift's meandering lyrics stand out as particularly candid, dramatic, and whimsical — though it’s far from the first time the prolific songwriter has used or referenced poetry in her work.

For a return to her folksy synthpop sound, Swift turned to her close friends Jack Antonoff and Aaron Dessner, who most recently helped produce her GRAMMY-winning album Midnights among other projects. Showcasing Swift’s collaborative brilliance, The Tortured Poets Department also features Post Malone on the hauntingly atmospheric opener "Fortnight" and a stirring "Florida!!!" verse from Florence + the Machine.

As the Eras Tour comes to a close (unless, of course, she has another surprise up her sleeve) on Dec. 8 in Vancouver, The Tortured Poets Department’s nomination is one of the many recent reminders of Swift’s staggering legacy. Swift is the first and only person to have won Album Of The Year four times, and The Tortured Poets Department could score her a legendary fifth win — further solidifying her as a breaker of records and rules.

The Record Of The Year Category honors some of the year's biggest recordings — and at the 2025 GRAMMYs, the nominees are hits by a mix of newcomers and superstars.

Throughout the past year, Billie Eilish, Sabrina Carpenter, Charli xcx, and Chappell Roan proved why they're at the top of pop's current class. The Beatles and Kendrick Lamar both cemented their respective legacies, while Beyoncé and Taylor Swift continue to challenge their own musical boundaries.

With a range of unforgettable music moments, there's no telling who will take home the golden gramophone for Record Of The Year — which is awarded to the artist and the producer(s), recording engineer(s) and/or mixer(s) and mastering engineer(s) — at the 67th Annual GRAMMY Awards. But one thing is for sure: the eight nominees make for quite an exciting contest.

Check out the nominees below and read the full 2025 GRAMMYs nominations list ahead of Music's Biggest Night on Sunday, Feb. 2, 2025.

It can take years for an artist to work on their masterpiece. In the Beatles' case, the journey of "Now And Then" took 45 years. John Lennon originally wrote the demo in the late '70s. It's a mournful, piano-backed confession: "I know it's true/ It's all because of you/ And if I make it through/ It's all because of you."

The song remained unfinished long after Lennon's tragic 1980 passing, but — in a powerful act of love — his bandmates completed it for him. Paul McCartney enlisted Giles Martin (the son of Beatles' former producer and longtime collaborator George Martin) as the song's co-producer, using Lennon's original 1977 demo, George Harrison's guitar melodies from the 1995 Anthology sessions, and Ringo Starr's drumming and backing vocals from 2022. "Now And Then," which marked the Beatles' 35th top 10 single on the Billboard Hot 100, is a tearful close to the band's legacy. 

"Obviously, it hasn't been, but it sounds like John's written it for Paul now, in a very emotional way," Martin told Rolling Stone. "It's a bittersweet song, which is very John. But with a combination of happiness and regret." 

McCartney never gave up on the song, which is a testament that true friendship never dies.

Beyoncé — "TEXAS HOLD 'EM"

After shimmying underneath a disco ball for 2022's GRAMMY-winning RENAISSANCE, Beyoncé wanted to keep the dance party going on 2024's COWBOY CARTER — except this time around, she traded Studio 54 for a honky-tonk. But "TEXAS HOLD 'EM," the album's joint lead single alongside "16 CARRIAGES," is much more than an instructional hoedown.

The 32-time GRAMMY winning icon has long incorporated African American history in her music, and "TEXAS HOLD 'EM" is no different. The single, like many tunes on COWBOY CARTER, is rooted in liberation. Country music is the backbone of America, but its roots in Black culture are often hidden. With "TEXAS HOLD 'EM," Beyoncé lifts the veil off the genre's true history by celebrating both her Houston heritage and the Black country artists that paved the way for her.

The song's message is clear, but it's balanced by playful melodies, Beyoncé's signature stacked harmonies and a plucking banjo (played by Rhiannon Giddens, an advocate for the reclamation of country music instruments by Black musicians). While Beyoncé is no stranger to chart-topping hits ("TEXAS HOLD 'EM" is her ninth solo No. 1 single on the Hot 100), she made history as the first Black woman to score a No. 1 on Billboard's Hot Country Songs chart.

Sabrina Carpenter does whimsy so well. Chalk it up to her Disney Channel roots, but the singer's innate ability to craft an earworm is why she's skyrocketed as one of the biggest pop stars of the new generation. "Espresso," the lead single from 2024's Short n' Sweet album and unofficial song of the summer, encapsulates Carpenter's irresistible charm.

"The song is kind of about seeing femininity as your superpower, and embracing the confidence of being that b—," she told Vogue in April. 

That confidence is found all throughout "Espresso," from her cooing vocals to her cheeky songwriting ("I can't relate to desperation/ My give-a-f—s are on vacation"). Topped off by an irresistibly catchy, undulating chorus, "Espresso" helped Carpenter reach several career milestones that kickstarted a year full of them — including her first GRAMMY nominations.

Charli xcx has long been one of the coolest girls in pop, and her sixth album brat cemented that fact. On "360," the album's second single, the British star not only acknowledges her own cool factor, but of those around her. Produced by longtime collaborator A. G. Cook, the song trades in the producer's signature exaggerated hyperpop sonics for more minimalistic synths that complement Charli's auto-tuned vocals.

"I went my own way and I made it/ I'm your favorite reference, baby," Charli xcx exclaims on the cocky opening line before comparing herself to friends like model/musician Gabbriette and actress Julia Fox. "360" is a cheeky reflection of the ever-growing digital era, giving fellow internet "It" girls an anthem for the ages.

Billie Eilish — "BIRDS OF A FEATHER"

The beauty of Billie Eilish's artistry is in her vulnerability. For the nine-time GRAMMY winner's third album HIT ME HARD AND SOFT, she pushed herself into her deeper territories with the assistance of her brother and go-to collaborator FINNEAS.

Second single "BIRDS OF A FEATHER" best exemplifies the album title's meaning in both its tenderness and desperation. It was initially intended to be a traditional love song, but given the siblings' unorthodox track record, they couldn't resist making it slightly untraditional: "I want you to stay/ 'Til I'm in the grave/ 'Til I rot away, dead and buried/ 'Til I'm in the casket you carry," Eilish sings on the opening verse in her signature whisper. 

Even with the juxtaposing lyrics, the song's airy production and wistfully gauzy synths still make for a beautiful, adoring statement piece. And the heartfelt sentiment paired with Eilish's breathy vocals quickly made "BIRDS OF A FEATHER" the biggest hit from HIT ME HARD AND SOFT, already garnering nearly 1.5 billion Spotify streams as of press time.

Branding Kendrick Lamar's "Not Like Us" as merely a diss track would be doing it a disservice. The 17-time GRAMMY winner's tune is not just a rap song, but a cultural phenomenon. A seething finale to his (very public) feud with Drake, "Not Like Us" is a triumphant win for both Lamar and rap music as a whole.

Atop a buzzing sample of Monk Higgins' 1968 "I Believe to My Soul" cover, Lamar delivers slick wordplay and calls out Drake's presumed cultural appropriation of Southern rap: "You run to Atlanta when you need a few dollars/ No, you not a colleague, you a f—in' colonizer."

Following its release, the song took on a life on its own: tennis icon Serena Williams (Drake's alleged former lover) crip walked to the track at the 2024 ESPY Awards, Megan Thee Stallion and Janet Jackson incorporated it into their concerts, and many national sports leagues used it in their game broadcasts.

Drama aside, "Not Like Us" — which also scored a Song Of The Year nomination — is a celebration of West Coast hip-hop. Lamar, a proud Compton native, enlisted Los Angeles-born DJ Mustard to produce the track. The chopped-up sample is inspired by Oakland's "hyphy" rap subgenre, while Lamar exaggerates his already-animated cadence, paying homage to late Los Angeles rapper Drakeo the Ruler. While "Not Like Us" is a targeted diss, it's also a reminder of California's historical impact on rap — and Lamar's place within that legacy.

Chappell Roan grabbed the world's attention with her bombastic interpretation of baroque pop and her knack for highlighting queer romance. "Good Luck, Babe!," April's breakout hit following her 2023 debut LP, The Rise and Fall of a Midwest Princess, ushered in a new chapter.

The song discusses compulsory heterosexuality, as Roan sings about a woman she's dating who tries to deny her feelings for Roan: "You can kiss a hundred boys in bars/ Shoot another shot, try to stop the feeling." 

"I knew exactly what I wanted. I wrote it in three minutes," Chappell Roan told Rolling Stone of the song's creation, which she co-wrote alongside Daniel Nigro and Justin Tranter. "I felt so much anger. I was so upset. It all came out and I didn't add anything when I wrote it all done. It was a perfect storm."

The anger definitely explodes on "Good Luck, Babe!," with Roan channeling '80s divas like Kate Bush and George Michael. The singer's goal was to make a "big anthemic pop song," and "Good Luck, Babe!" soared beyond all expectations.

Taylor Swift Feat. Post Malone — "Fortnight"

Despite nailing a formula that has made her one of the biggest pop stars of all time, Taylor Swift is still willing to take risks.

"Fortnight," from the 14-time GRAMMY winner's The Tortured Poets Department, serves as both the LP's first single and opening track. The chart-topping smash introduces the album's moodier tones, telling the story of a woman in an unhappy marriage who is now the neighbor to her ex-lover and his new wife. 

Atop '80s-inspired electropop synths courtesy of longtime collaborator and co-producer Jack Antonoff, the lyrics are unexpectedly dismal for Swift: "I took the miracle move-on drug, the effects were temporary/ And I love you, it's ruining my life." Featured artist Post Malone then sweeps in with his melancholic harmonies, giving more emotional weight to Swift's brilliant storytelling.