Every year, the GRAMMYs' Best New Artist category acknowledges rising stars who are shaping the future of music through their own artistry. 

Little does it matter if they have just a few singles or 10 studio albums under their belts. The Best New Artist Category is all about highlighting how an act pushes creative boundaries and challenges a saturated industry with outstanding — and sometimes surprising — music.

The Best New Artist nominees for the 2025 GRAMMYs are Benson Boone, Sabrina Carpenter, Doechii, Khruangbin, RAYE, Chappell Roan, Shaboozey, and Teddy Swims. Though only one of them will claim the golden gramophone on Feb. 2, 2025, each of these artists are forging bold, inspiring careers ahead. With this well-deserved nomination, the Recording Academy recognizes their efforts and celebrates their success.

Check out the nominees below and read the full 2025 GRAMMYs nominations list ahead of Music's Biggest Night on Sunday, Feb. 2, 2025. 

Benson Boone

"I feel like things have taken off for me like a firework tied to a rollerblade, all very quickly," Benson Boone told GRAMMY.com upon releasing his debut LP, aptly titled Fireworks & Rollerblades, in April. While it may be a metaphor for his career in 2024, Boone's swift ascent is the result of a promising last few years.

Hailing from Monroe, Washington, he first caught the public's attention during a short stint on season 19 of "American Idol" in 2021. As the 22-year-old built momentum via TikTok, Imagine Dragons' Dan Reynolds also saw his potential, and promptly signed Benson to his label, Night Street Records, in partnership with Warner Records.

Boone's first hit single, 2021's "Ghost Town," foreshadowed his talent for vulnerable songwriting and catchy piano lines, followed by the release of two EPs in 2022 and 2023. However, his bonafide breakthrough came only in January of this year, with the soaring "Beautiful Things" — a global smash that peaked at No. 2 on the Billboard Hot 100, and surpassed 1.5 billion streams on Spotify as of press time. Second single "Slow It Down" went similarly viral in March, followed by a sold-out global tour and opening for Taylor Swift's Eras Tour in London.

Hence, the release of Fireworks & Rollerblades only cemented what many already knew: Boone is one 2024's definite stars. 

Read more: Benson Boone Declares "Beautiful Things" Is No Fluke: "I've Tapped Into How I'll Write For The Rest Of My Life"

Sabrina Carpenter

"I never had the plan B, and it wasn't even a thought in my mind that it wouldn't work out," Sabrina Carpenter told Rolling Stone back in June. "I just always knew it was about not if it would happen but when it would happen."

The 25-year-old singer was right. 2024 was the year that took Carpenter to the superstardom stratosphere, with three chart-smashing, defining hits — "Espresso," "Please, Please, Please," and "Taste" — a dazzling debut at Coachella, and a tenure opening Taylor Swift's Eras Tour in Latin America, Australia and Asia.

But Carpenter's success is hard-earned. A former Disney star, she spent the last decade relentlessly developing her singing and songwriting style. It wasn't until her fifth studio album, 2022's emails i can't send, that she took full creative control over her work and, in turn, found her own artistry; with standout singles "Nonsense" and "Feather," she displayed the witty lyricism and catchy hooks that would become her signature.

When Carpenter's sixth LP, Short n' Sweet, arrived in August, she solidified her status as pop's newest queen. Co-produced by pop savant Jack Antonoff, the album bursts with confidence and charisma, channeling her sassy persona and velvety vocals into timeless earworms.

The album went on to become Carpenter's first No. 1 project in the U.S., and also earned her first Platinum certification. And now, she adds her first GRAMMY nominations to her 2024 feats, and seven at that — hinting that her pop reign will be anything but short n' sweet.

Read more: How Sabrina Carpenter Became A Pop Queen: Tracing Her Journey To 'Short N' Sweet'

Doechii

"Overly cocky, I'm hyper-ambitious/ Me, me, me, me, bitch I'm narcin-assistic/ I am a Black girl who beat the statistics," says Doechii on her first viral single, 2020's "Yucky Blucky Fruitcake." It's a banging introduction to the rapper, who has since signed with Top Dawg Entertainment (home to Isaiah Rashad, SZA and more), released two EPs and three mixtapes, collaborated with the likes of Kodak Black and Katy Perry, supported Doja Cat on tour, and has now earned her first GRAMMY nominations.

Born Jaylah Hickmon in Tampa, Florida, Doechii was a theater kid who wrote poetry before adding beats to her bars. Her music is confessional, irreverent and unapologetic, sourcing her experiences as a Black woman and transmuting them into provocative, empowering anthems — see 2022's "Crazy," whose music video was banned from trending on YouTube due to its violence and nudity content.

But it didn't faze her. The scenes were not for shock value, but to express the hardships that women go through, and to challenge the sexualized gaze over them. After all, as she said in a since-deleted Instagram post, "'Crazy' is about uncontained power, creativity and confidence. People call you crazy when they fear you or they don't understand you. So when I use it in the song, I'm reflecting that energy back on them to show them themselves." 

Doechii has yet to release a debut studio album, but her latest mixtape, August's Alligator Bites Never Heal, is a strong display of her brilliant storytelling and quirky uniqueness. Coupled with the success of her previous releases, Alligator Bites's critical acclaim suggests that the "Swamp Princess" is bound to fly even higher.

Read more: 5 Emerging Artists Pushing Electronic Music Forward: Moore Kismet, TSHA, Doechii & Others

Khruangbin

Khruangbin means airplane in Thai, and there couldn't be a better word to describe the Texan trio. From Middle Eastern scales to Peruvian cumbia, the intercontinental influences within their sound transport listeners around the world. 

Formed by bassist Laura Lee Ochoa, guitarist Mark Speer, and drummer Donald "DJ" Johnson Jr., they first took inspiration in Thai funk from the '60s and '70s, and in 2015 released their debut LP, The Universe Smiles Upon You. Now four albums in, the band has crafted a lush soundscape that can be both nostalgic and avant-garde, familiar and strange. They've entranced fans from Barack Obama to Jay-Z, played at festivals like Coachella and sold out several tours (including two nights at New York's Radio City Music Hall), and collaborated with icons such as Paul McCartney.

For the past four years, Khruangbin focused on their aggregating nature: they put out two EPs with soul singer Leon Bridges (2020's Texas Sun and 2022's Texas Moon), 2022's Ali with Vieux Farka Touré, and a series of 2023 live recordings in partnership with Toro y Moi, Nubya Garcia, and Men I Trust. It was time the trio turned down outside noise, and focused on their own synergy. Khruangbin's latest album, A La Sala ("to the room," in Spanish), arrived in April as a core example of their essence — for the first time, they had no additional collaborators, resulting in a rebirth of their original magic. 

With this return to their roots and their rising popularity, a GRAMMY nomination for Best New Artist stands as an invite for even more people to dive into their ethereal, exceptional work.

Read more: 5 Songs To Get Into Khruangbin Ahead Of Their New Album 'A La Sala'

RAYE

For seven years, South London singer/songwriter RAYE was kept in the talent basement of Polydor Records, unable to release her debut LP. During that time, she co-penned songs for acts like Beyoncé and Rihanna, released five EPs and a handful of singles, including collaborations with David Guetta and Martin Solveig, but she knew it wasn't half of what she had to offer.

"Imagine this pain. I have been signed to a major label since 2014...and I have had albums on albums of music sat in folders collecting dust," she shared on Twitter back in 2021, reflecting on her situation. "Songs I am now giving away to A-list artists because I am still awaiting confirmation that I am good enough to release an album."

Shortly after that confession, RAYE (whose birth name is Rachel Keen) parted ways with Polydor and became an independent artist. Slowly, she pieced together the riveting songs that formed her hard-fought 2023 debut, My 21st Century Blues. Her resonant voice and raw lyricism earned raving reviews, and the album's lead single, "Escapism" took off — going viral on TikTok, topping the UK Singles Chart, and becoming her first Billboard Hot 100 entry. 

It was a pivotal moment for the now 27-year-old, proving that her intuition and belief in herself paid off. Since then, RAYE has continued to flourish as an artist in her own right, supporting world tours by SZA, Kali Uchis, and Lewis Capaldi, opening for Taylor Swift's Eras Tour, and performing at Coachella and Lollapalooza. In March 2024, she made history at the BRIT Awards by securing six trophies — the most for any artist in a single year.

RAYE's latest single, June's "Genesis.," is a seven-minute epic that she described in a statement as "a prayer and a plea and a cry for help." Its three-act structure and straightforward, relatable lyrics suggest a newfound confidence — and with RAYE's first GRAMMY nomination for Best New Artist in tow, the sky's the limit for her next chapter.

Read more: Watch RAYE Open Up About Her Prized Songwriting Notebook | It Goes To 11

Chappell Roan

Credited by many for infusing pop music with a much-needed dose of fun, Missouri-born singer Chappell Roan laced 2024 with her enthusiasm, flair and unabashed sexuality. However, the path to this moment wasn't easy — and is reflected in her 2023 debut album's title, The Rise and Fall of a Midwest Princess.

Roan first signed with Atlantic Records in 2015 at just 17, but the label didn't find her profitable enough; by 2020, she was dropped from their roster. Coupled with the breakup of a four-year relationship and a brief return to her parents' house, Roan found herself in a slump. Yet, she pulled herself up, moved to Los Angeles, and finally started working independently on music that she was proud of.

Born Kayleigh Amstutz, the singer describes Chappell Roan as a "larger-than-life, drag queen version of myself," who allows her to embrace her queer identity and sexuality, as well as dealing with the hardships of being a woman. Her glittery, campy world is DIY by design, all-inclusive and genuine, prompting a devoted cult fan base that was eager to spread her truth to the mainstream.

It was only a matter of time until that happened. She signed with Island and Amusement Records in early 2023 to release the effervescent Midwest Princess, but refused to compromise her artistic vision or creative control — and her commitment to authenticity resonated.

After starting 2024 by opening for Olivia Rodrigo on the sold-out GUTS World Tour, Roan went on to draw mind-blowing (if not record-breaking) crowds at Coachella, Governors Ball, Lollapalooza, and Austin City Limits festivals thanks to her rapidly increasing allure. Roan's follow-up single, "Good Luck, Babe!," bolstered her to even greater heights (including 2025 GRAMMY nods for Record Of The Year, Song Of The Year and Best Pop Solo Performance) and helped Midwest Princess reach its biggest sales week a full year after its release — ultimately securing her place as one of pop's most promising stars.

Read more: Chappell Roan's Big Year: The 'Midwest Princess' Examines How She Became A Pop "Feminomenon"

Shaboozey

"They say it takes 10 years to have an overnight success, and it's true," Shaboozey told GRAMMY.com in May. The 29-year-old Nigerian-American born Collins Chibueze knows it firsthand: his first single, "Jeff Gordon," came out in 2014, but he's only now seeing the fruits of his hard work a full decade later.

It all started in March, with Beyoncé's trailblazing COWBOY CARTER, where Shaboozey's two guest features — "SPAGHETTII" and "SWEET HONEY BUCKIIN" — left listeners craving for more. Fortunately, there was plenty to discover. Since "Jeff Gordon," Shaboozey signed to Republic Records and released his 2018 debut, Lady Wrangler, followed by 2022's Cowboys Live Forever, Outlaws Never Die, via EMPIRE. (According to Spotify, Shaboozey's catalog streams increased by 1,350 percent after the release of COWBOY CARTER.)

Just six weeks later, Shaboozey had another breakthrough moment. His single "A Bar Song (Tipsy)" dethroned Beyoncé's "TEXAS HOLD 'EM" for the No. 1 spot on Billboard's Hot Country chart. But that was far from where the song's success stopped. Along with topping charts around the world and helping Shaboozey become the first male Black artist to be No. 1 on Billboard's Hot Country Songs and Country Airplay charts simultaneously, "A Bar Song" has notched 16 weeks atop the Billboard Hot 100 as of press time — just one week away from breaking the record for the longest run this decade.

Though "A Bar Song" undoubtedly put Shaboozey on the map as an artist in his own right, his third album Where I've Been, Isn't Where I'm Going showed he's more than a smash hit. With his distinctive mix of country, Americana, and hip-hop, as well as lyrics that lay bare a journey through heartbreak and depression, he snagged a No. 5 debut on the Billboard 200 album chart. Now, with a GRAMMY nomination for Best New Artist, Shaboozey is poised to reach even wider audiences.

Read more: Shaboozey On His New Album, Beyoncé & Why He'll Never Be A "Stereotypical" Artist

Teddy Swims

"I don't want to swallow my insecurities. I don't have to wait until I feel like I'm worthy of love to put myself out there," Teddy Swims told GRAMMY.com upon the release of his 2023 debut, I've Tried Everything But Therapy (Part 1). It's rare to find a man so emotionally open, but that's one of the factors that makes the Georgia native so special — that, and his arrestingly powerful, soulful voice.

After starting out on YouTube in 2019, Swims (born Jaten Dimsdale) signed with Warner Records and put out four EPs, gradually emerging as one of the most compelling vocalists of his generation. His true breakthrough came in June 2023 with the bellowing hit "Lose Control," which earned him a first entry on the Billboard Hot 100 and a swarm of new fans who were entranced by his music.

The track featured on I've Tried Everything but Therapy (Part 1), which expanded on the lyrical vulnerability and stirring sounds of "Lose Control" and spawned another pop hit with "The Door." Keeping his promise of a Part 2, Swims dropped a sneak peek with I've Tried Everything But Therapy (Part 1.5) in April, and just announced that Part 2 will arrive on Jan. 24, 2025.

Will Teddy Swims be celebrating a GRAMMY win just after celebrating his next album release? Tune into the 2025 GRAMMYs on Feb. 2 to find out!

Read more: Teddy Swims Is Letting Himself Be Brutally Honest On 'I've Tried Everything But Therapy'

The Recording Academy Producers & Engineers Wing will honor legendary producer, engineer, mixer, and five-time GRAMMY winner Jimmy Douglass at its annual GRAMMY Week Celebration, which is set to take place Wednesday, Jan. 29, 2025, days ahead of the 2025 GRAMMYs. The celebration, an official GRAMMY Week 2025 event, will be held at The Preserve LA in East Hollywood and will salute Douglass’ extraordinary contributions to the music industry and his enduring impact on modern sound.

In addition to honoring Douglass, the event will also celebrate the year-round work of the Producers & Engineers Wing and its members, who work together to advise the Recording Academy on technical best practices, advocate for the rights of music creators, and shape the future of the recording field.

GRAMMY Week 2025 culminates with the 2025 GRAMMYs, officially known as the 67th Annual GRAMMY Awards, which take place live on Sunday, Feb. 2, at Crypto.com Arena in Los Angeles. The 2025 GRAMMYs will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT. Prior to the telecast, the 2025 GRAMMY Awards Premiere Ceremony will be held at the Peacock Theater at 12:30 p.m. PT/3:30 p.m. ET and will be streamed live on live.GRAMMY.com and the Recording Academy's YouTube channel.

Learn more about Jimmy Douglass below:

Known as "The Senator," Douglass is a five-time GRAMMY winner and 11-time GRAMMY nominee whose prolific career began in the early '70s at Atlantic Records studios in New York City. Starting as a part-time tape duplicator while still in high school, he quickly rose through the ranks, learning from legendary figures like Tom Dowd, Arif Mardin, Jerry Wexler, and Ahmet Ertegun. He went on to work with major Atlantic Recording artists such as Aretha Franklin, Hall & Oates, Roberta Flack, Donny Hathaway, Foreigner, Led Zeppelin, and AC/DC, among many others. By the 1980s, Douglass expanded his repertoire by taking on production roles; he engineered and produced established artists including The Rolling Stones, Slave, Odyssey, Roxy Music and Gang of Four.

In the early 1990s, Douglass refined his skills by working on jingles and post-production, a period that honed his ability to work efficiently while capturing the essence of each project. This foundation proved pivotal when he began a groundbreaking partnership with Timbaland in 1994, for whom he served the main engineer for more than a decade. Together, they collaborated on classic projects by Aaliyah, Missy Elliott, Jay-Z, and others, shaping the sound of contemporary R&B and hip-hop.

In the 2000s, Douglass continued to innovate. He engineered and mixed more Timbaland-produced projects from artists including Snoop Dogg, Bjork and GRAMMY-winning albums for Justin Timberlake. Among the artists he also mixed are Rob Thomas, Sean Paul, Kanye West, Ludacris, Al Green, John Legend, and Duran Duran.

Renowned for bringing unconventional techniques into the studio and encouraging artists to transcend genre restrictions, he is credited with bringing a raw edge to sound and specifically bringing a heavy funk-bass sound into rock music.

Douglass remains at the forefront of the industry, leveraging his decades of experience to push creative boundaries while inspiring countless artists. His versatility and technical mastery have solidified his status as one of the most respected producers, engineers and mixers in the world.

"Our P&E Wing proudly celebrates GRAMMY Week each year with a special evening that unites producers, engineers and artistic professionals to honor a truly deserving creator," Recording Academy CEO Harvey Mason jr. said in a statement. "This year, we're thrilled to pay tribute to the extraordinary Jimmy Douglass, who has led groundbreaking creative and technical efforts in the recording industry, encouraging artists to transcend genre boundaries and contributing to iconic musical projects that will resonate for generations."

 "Throughout his illustrious career spanning more than four decades, Jimmy's visionary approach to producing, engineering and mixing has shaped some of music's most iconic recordings. Jimmy consistently pushes the boundaries of sound by bringing unconventional techniques into the studio while inspiring countless artists along the way," Maureen Droney, Vice President of the Recording Academy Producers & Engineers Wing, echoed the sentiment in a statement. "On behalf of the Producers & Engineers Wing, we are delighted to dedicate our 2025 event to Jimmy and his amazing career."

The Latin music community is buzzing with excitement following a week of events leading up to the 25th Annual Latin GRAMMY Awards. Held at Miami's Kaseya Center on Nov. 14, the 2024 GRAMMYs showcased the best and the brightest in global Latin sounds.

In the lead-up to The Biggest Night In Latin Music, a series of festivities offered a rare glimpse into the heart of Latin music’s vibrant culture. Latin GRAMMY Week brought artists, producers, and fans together on star-studded red carpets and intimate industry events — each of which was electric with anticipation, celebration, and reflection. 

Read more: 2024 Latin GRAMMYs: See The Full Winners & Nominations List

Continue celebrating 25 years of Latin Music excellence with a glimpse behind the scenes at some of the unforgettable moments that have made this week in Miami one to remember. 

Leading Ladies Got Their Flowers

One of the first events of Latin GRAMMY week was the 8th edition of the Leading Ladies in Entertainment, a heartfelt celebration of women who have made significant contributions to the arts and entertainment world.

The event was hosted by Latin GRAMMY-nominated artist Becky G (who also performed at the 2024 Latin GRAMMYs) and was held inside inside the Loews Hotel. Portraits of honorees Ana Rosa Santiago, Vivir Quintana, Julieta Venegas and Diana Rodríguez were displayed on elegant arches draped in peach and gold. A warmth and intensity buzzed throughout the room, which was amplified by Becky G's encouragement. 

Each honoree's speech reflected the event's theme of elevating women and inspiring the next generation of female leaders. Quintana's powerful speech shared sage wisdom with aspiring music professionals in the room. “You absolutely do not have to change anything about yourself. Just work on your talent, be who you are, and follow your inner compass always,” she told the crowd, sparking a standing ovation. 

In a sweet touch to the already outstanding celebration, attendees were invited to create personalized bouquets. The gesture left honorees and guests alike feeling empowered and appreciated, with the evening both symbolically and quite literally giving everyone their flowers for their contributions to Latin music and culture.

Nominees "Swam" With The Big Fish

The Latin GRAMMY Awards do more than recognize artistic excellence — they invite nominees into a circle of industry peers who celebrate each other's achievements. At the Latin GRAMMY Nominee Reception, this vibrant community bonded over a deep appreciation for the artistry, dedication, and hard work it takes to earn this peer-voted honor.

The crowd at the Frost Science Museum’s Ocean Gallery was a mix of first-time Latin GRAMMY nominees such as Latin Mafia and Carlos Rivera, international stars such as Alok, and recently-announced nominees for the 2025 GRAMMYs.  Producers and collaborators who work with J Noa, Peso Pluma, Residente, Anitta and Kali Uchis were also in attendance. Guests represented a range of genres and disciplines: violinists, songwriters, DJs, salsa musicians, and even the singing clowns of Payasitas Nifu Nifa, who make children’s music, mingled energetically. 

Nominees proudly donned their medallions, capturing this pivotal career moment on the red carpet and posing in front of a giant, golden GRAMMY. The reception featured a stunning aquarium view, and guests could watch the fish, sharks, and stingrays swimming peacefully above them and snapped more photos. The aquarium was a fitting scene: this year’s class of nominees certainly got here by making waves in the music industry.

The Future Sounded Bright As Rising Stars Hit The Stage 

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Held at Miami Beach’s Faena Forum and presented by Mastercard and Bank of America, the third annual Best New Artist Showcase brought an exciting spotlight to the future of Latin music. Over a performance-filled day, each of the seven Best New Artist nominees brought their unique flavor to the stage.

From Nicolle Horbath’s fresh popteño style to 13-year-old Kevin Aguilar’s heartfelt mariachi and corridos, every performance showcased a captivating fusion of genres. The crowd was especially energized when the three-piece girl group DARUMAS delivered an electrifying rock cover of Whitney Houston’s "I Wanna Dance with Somebody," getting everyone on their feet.

Other standout performances included Agris, Cacá Magalhães, Os Garotins, Íñigo Quintero, Sofi Saar, and Ela Taubert. Ultimately, it was Ela Taubert who took home the Latin GRAMMY on Thursday night, and she closed out the week with an emotional performance of her hit "¿Cómo Pasó?" alongside Joe Jonas at the 2024 Latin GRAMMYs. 

This showcase not only highlighted the diverse talent shaping the future of Latin music but also gave attendees an unforgettable opportunity to experience the next generation of superstars up close.

Carlos Vives' Life & Influence Was Fêted

The annual Latin GRAMMY Person Of The Year Year celebration honored Colombian artist and philanthropist Carlos Vives. The annual event drew a crowd of about 2,000 attendees to the Miami Beach Convention Center, including legends in Latin music and the next generation of stars.

Guests arrived in ornate attire, enjoying drinks and capturing memories with the Glambot’s interactive photo experience. Among the star-studded crowd were Camilo, Grupo Frontera, Rico Love, Aymee Nuviola, AleMor, and many more. The mayor of Miami also took the stage to offer a few heartfelt words of appreciation for Vives’ contributions. 

Read more: Carlos Vives, The 2024 Latin Recording Academy Person Of The Year, On The Colombia Music & Culture That Made Him

The evening culminated in a historic moment when six previous Latin GRAMMY Person Of The Year honorees gathered to pay tribute to Vives, a powerful salute to his legacy and impact on the Latin music community. Onstage at the 2024 Latin GRAMMYs, Carlos Vives was saluted by 2023 MusiCares Person Of The Year Jon Bon Jovi.

Somos Familia

In collaboration with the Recording Academy’s Florida Chapter,BMI and Rebeleon Entertainment, Latin music producers and artists gathered to celebrate in true Miami fashion — with a party. 

At the Los Producers event, attendees filled the venue’s balconies for the best views, while Latin GRAMMY nominees such as Cimafunk, Agris, Latin Mafia, and Trooko were spotted among the crowd. Guests danced and mingled to a mix of '80s classics and rock, all delivered in a Spanglish blend that had the crowd singing along. But the night truly came alive during a series of energetic performances from the likes of five-time Latin GRAMMY winner Luis Fonsi, The Warning, and Bruses.

Prior to taking the stage, Fonsi and his bandmates shared a sweet moment. The group sang "Happy Birthday" and brought out a cake for their guitarist, exemplifying the tight-knit family bond that defines the Latin music community. 

GRAMMY U Gained On The Ground Experience 

Throughout the week, over 75 GRAMMY U members volunteered on the talent team escorting artists such as Gloria Estefan and DARUMAS.

Florida Chapter Member Amy Torres shared her experience: "My dream has always been to work in the Latin music industry so this is a dream come true. This week, I’ve seen a lot of artists I’ve admired growing up and made connections both within GRAMMY U and outside of the organization." 

Patience Murray, a non-student GRAMMY U Member and singer/songwriter based in Florida, described GRAMMY Week as a "mind-blowing experience." "Being able to witness a music event of this caliber and magnitude felt like a once-in-a-lifetime manifestation exercise, and I'm grateful to have seen the stages I dream to one day perform on," she said, adding that her favorite part of the week was connecting with other GRAMMY U members. 

"I have gained so much respect for the talent teams who work tirelessly behind the scenes to ensure that every show looks effortless and enjoyable for the fans," Murray added.

2024 Latin GRAMMY Week was the definitive celebration of music's power to connect and inspire. As Latin music cements its place on the global stage, it’s clear that these artists are not only shaping the future of the industry but also fostering a greater sense of shared identity that transcends borders. 

Juan Luis Guerra 4.40 won Record Of The Year for "Mambo 23" at the 2024 Latin GRAMMYs.

Throughout his 40-year career, Juan Luis Guerra has won three GRAMMY Awards and 28 Latin GRAMMY Awards. In 2007, the Dominican artist and musician was honored by the Latin Recording Academy as Person Of The Year for popularizing bachata and merengue music.

Known as an innovator of tropical music, Guerra has always tried to see how far he could push the rhythms of the Dominican Republic. With his November 2023 EP, Radio Güira, he incorporated music from the streets of his country into the Caribbean genres that he’s known for. On the sprawling and ambitious "Mambo 23,” recorded entirely in the Dominican Republic, merengue collides with elements of trap and dembow music. 

The win also comes as the singer celebrates 40 years with his band, 4.40, named for the frequency often used to tune stringed instruments and pianos. Janina Rosado, the group’s musical director and co-producer, thanked their fans for the award. “For forty years, you’ve been listening to 4.40. Here’s to the continuation of 4.40, that it keeps going.”

Watch: Watch Juan Luis Guerra Latin GRAMMY Win For Best Tropical Song For "Las Avispas" In 2005 | GRAMMY Rewind

Other nominees for Record Of The Year included Anitta's "Mil Veces," Bad Bunny's "Monaco," Camilo & Carin León's "Una Vida Pasada," Cimafunk & Monsieur Periné's "Catalina," Jorge Drexler's "Derrumbe," Fonseca & Grupo Niche's "Con Dinero y Sin Dinero," Karol G's "Mi Ex Tenía Razón," Mon Laferte's "Tenochtitlán," and Kali Uchis & Peso Pluma's "Igual Que Un Ángel." 

Check out the complete list of winners and nominees at the 2024 Latin GRAMMYs.

Editor’s Note: This article was updated after Taubert's and Jonas' performance to reflect Taubert's win for Best New Artist.

In February, Colombian singer/songwriter — and the freshly crowned 2024 Latin GRAMMYs Best New Artist winner — Ela Taubert released "¿Cómo Pasó?," a synth-pop track exploring the fragile nuances of love and loss.

The track became a breakthrough international hit, over 200 million combined streams and propelling Taubert to new stages and horizons. The success led her to the 2024 Latin GRAMMYs, where Taubert performed "¿Cómo Pasó?" alongside GRAMMY-nominated artist Joe Jonas — an inspiration to Taubert since childhood. It was a full-circle moment in many ways for the rising star, who was awarded Best New Artist shortly after the performance.

"Since I was little, I dreamed of one day being at the Latin GRAMMYs," Taubert told Galore magazine in a recent interview regarding her nomination. "It's such a huge joy to know that dream is a reality, especially in a category where artists I love and admire have been."

Taubert and Jonas commanded the stage with pure talent: a modest band, their voices and an electric presence (along with a pair of leather jackets to boot). Jonas added English verses in this new version of the hit, elevating the song to new heights. The two-time GRAMMY nominee matched Taubert's energy on electric guitar, and their musical chemistry was evident on every note.

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Taubert's honest confessional storytelling and emotional resonance has struck a chord with audiences, particularly on TikTok, where she first gained attention with intimate, faceless videos that focused on her music alone. The success of her first EP, 2023's ¿Quién Dijo Que Era Fácil?, has been pivotal in Taubert's rise to stardom, earning the Bogotá native a coveted Latin GRAMMY nomination — and, in turn, a win — for Best New Artist. The EP features five tracks, each deeply personal, including the standout "¿Qué Hubiera Pasado?" — a raw, guitar-driven reflection on a relationship in turmoil. 

The release of "¿Cómo Pasó?" marked a new chapter in her career, gaining over 91 million streams on Spotify as of press time and earning her the admiration of Latin GRAMMY Best New Artist alum Karol G, who invited Taubert to open for her concert in Bogotá. "¿Cómo Pasó?" will also be featured on Taubert's upcoming debut album, which fans eagerly await after her impressive rise in the past year.

A graduate of the renowned Art House Academy and Abbey Road Institute Miami — like Joaquina, who won the Best New Artist Latin GRAMMY in 2023 — Taubert is now poised for an extraordinary journey in Latin music.

Check out the complete list of winners and nominees at the 2024 Latin GRAMMYs.